G. Ruger Donoho (1857-1916)
Author | : Gaines Ruger Donoho |
Publisher | : |
Total Pages | : 26 |
Release | : 1977 |
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ISBN | : |
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Author | : Gaines Ruger Donoho |
Publisher | : |
Total Pages | : 26 |
Release | : 1977 |
Genre | : |
ISBN | : |
Author | : Gaines Ruger Donoho |
Publisher | : |
Total Pages | : 19 |
Release | : 1977 |
Genre | : |
ISBN | : |
Author | : |
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AskART.com presents information concerning American artist and painter Gaines Ruger Donoho (1857-1916). Additional information for Donoho includes a bibliography of publications about the artist, museum holdings, current exhibits, images of the artist's work, etc. Auction records, including highest prices, are available only to AskART members.
Author | : René Paul Barilleaux |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 84 |
Release | : 1995 |
Genre | : Art |
ISBN | : 9780878057986 |
Returning to New York in 1887, Donoho was associated with a group that included Childe Hassam, John Twachtman, Frank Benson and Edmund Tarbell, among others of the most advanced artists working in America at that time.
Author | : René Paul Barilleaux |
Publisher | : University Press of Mississippi |
Total Pages | : 88 |
Release | : 1995 |
Genre | : Architecture |
ISBN | : |
A leading practitioner of the Barbizon and Impressionist styles dominating the progressive American art scene at the turn of the century, Gaines Ruger Donoho (1857-1916) has attracted little scholarly attention since his death. His work was exhibited regularly at the Paris Salon during the 1880s and attracted the critical admiration of noted artists such as James McNeill Whistler and Pierre C. Puvis de Chavannes. In 1889 he was awarded a silver medal at the University Exposition in Paris, one of the most important exhibitions of the period. Returning to New York in 1887, Donoho was associated with a group that included Childe Hassam, John Twachtman, Frank Benson and Edmund Tarbell, among others of the most advanced artists working in America at that time. Donoho's works were shown in numerous exhibitions at art galleries, academies and museums, and he became recognized as one of America's most promising artists. Among the first of the early modern American artists to move to Long Island, a significant venue for the evolution of American landscape painting, Donoho continued to develop his art in a way that suggests the reciprocal influences of Childe Hassam, J. Alden Weir, John Twachtman and William Merritt Chase.
Author | : Patti Carr Black |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 156 |
Release | : 2007 |
Genre | : Architecture |
ISBN | : 9781887422147 |
The Mississippi Story invites readers to examine the connection between place and the visual arts of the state. Based on an exhibition from the permanent collection of the Mississippi Museum of Art, this book explores artwork produced within the state by artists who were native to or lived in Mississippi or by travelers who created work about the state. Patti Carr Black presents the overall theme of place in four sections: the influence of the land on the art, Mississippi's people as depicted in its art, life in Mississippi as observed by its artists, and the exporting of Mississippi culture through its artists. Numerous artists' biographies are included as well as more than one hundred full-color illustrations.
Author | : Helene Barbara Weinberg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 341 |
Release | : 2009 |
Genre | : Art, American |
ISBN | : 1876509996 |
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
Author | : Linda Merrill |
Publisher | : Yale University Press |
Total Pages | : 280 |
Release | : 2003-01-01 |
Genre | : Art |
ISBN | : 0300101252 |
This illustrated book - published to commemorate the centenary of the artist's death - addresses Whistler's extraordinary legacy and establishes his pivotal place in the history of American art.
Author | : Estill Curtis Pennington |
Publisher | : Univ of South Carolina Press |
Total Pages | : 395 |
Release | : 2015-12-16 |
Genre | : Art |
ISBN | : 1611177170 |
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.
Author | : Helene Barbara Weinberg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 441 |
Release | : 2004 |
Genre | : Impressionism |
ISBN | : 1588391191 |
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.