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| Author | : JENS. LARSEN |
| Publisher | : WWW.Fundamental-Changes.com |
| Total Pages | : 70 |
| Release | : 2018-09-22 |
| Genre | : |
| ISBN | : 9781789330243 |
Learn modern jazz guitar and theory with virtuoso Jens Larsen
| Author | : William Toutant |
| Publisher | : |
| Total Pages | : 378 |
| Release | : 1985 |
| Genre | : Harmony |
| ISBN | : |
| Author | : |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 130 |
| Release | : 1996-05-01 |
| Genre | : Music |
| ISBN | : 1476863121 |
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
| Author | : Roger Sessions |
| Publisher | : New York : Harcourt, Brace & World |
| Total Pages | : 482 |
| Release | : 1951 |
| Genre | : Music |
| ISBN | : |
On traditional harmony, with over 800 exercises.
| Author | : Jonathan Pac Cantin |
| Publisher | : |
| Total Pages | : 94 |
| Release | : 2010-12-01 |
| Genre | : Guitar |
| ISBN | : 9780615431116 |
Chord-Scale Theory and Linear Harmony for Guitar: Creative Tools for Improvisation and Composition in Contemporary Music is a guide to music theory as it relates to the guitar fretboard. It covers topics such as intervals, scales and modes, chords and voicings, progressions, and melodic devices and how they are commonly used in contemporary Western music. It thoroughly explains basic harmony as well as the complex harmonies used in jazz. It contains examples in standard notation, guitar TAB, fretboard diagrams, and charts. Great for intermediate and advanced guitarists looking to expand their horizons and musical creativity.
| Author | : Joe Mulholland |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 262 |
| Release | : 2013-08-01 |
| Genre | : Music |
| ISBN | : 1480360856 |
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
| Author | : David Berkman |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 2013 |
| Genre | : Chords (Music) |
| ISBN | : 9781883217792 |
This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.
| Author | : Wayne Naus |
| Publisher | : Alfred Music |
| Total Pages | : 103 |
| Release | : 2015-12 |
| Genre | : Harmony |
| ISBN | : 9783892210986 |
"In an effort to create a style of harmonic progression that reflects the sound of today's leading contemporary jazz composers, I am offering a systematic approach in which harmonic progression is created and derived from the melody rather than from the key. The concept is referred to as 'melody driven chord progression' "--Introduction.
| Author | : Elliott Carter |
| Publisher | : Carl Fischer, L.L.C. |
| Total Pages | : 390 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780825845949 |
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
| Author | : Arnold Schoenberg |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 226 |
| Release | : 1969 |
| Genre | : Music |
| ISBN | : 9780393004786 |
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
