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| Author | : Walter Terry |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1975 |
| Genre | : Biography & Autobiography |
| ISBN | : |
A biography of the dancer, choreographer, and teacher who is generally considered to be one of America's greatest pioneers of modern dance.
| Author | : Karen Bell-Kanner |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2013-09-13 |
| Genre | : Performing Arts |
| ISBN | : 1134423454 |
The daily life of Bonnie Bird, as an American modern dancer in the 1930s, is uniquely revealed in this book. Karen Bell-Kanner shares with the reader her fascinating interviews with Bonnie Bird and the intimate letters that Bonnie Bird wrote to her family in Seattle from New York when she was working with Martha Graham between 1931 and 1937. On her return to the Cornish School of Fine Arts in Seattle as dancer-teacher- choreographer, she had the then novice dancer Merce Cunningham among her students and the young John Cage as her accompanist. In New York again, she developed the popular dance entertainment for children, the Merry-Go-Rounders, in the 1950s. Bonnie Bird's applications of psychology led her to pioneer new concepts and techniques in dance education that have influenced generations of contemporary dance teachers. Her last twenty years were spent at London's Laban Centre for Movement and Dance, where the accomplishments of a lifetime were gathered together to expand the frontiers of
| Author | : Victoria Phillips |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 497 |
| Release | : 2020 |
| Genre | : History |
| ISBN | : 0190610360 |
Revision of author's thesis (doctoral)--Columbia University, 2013, titled Strange commodity of cultural exchange: Martha Graham and the State Department on tour, 1955-1987.
| Author | : Robin Marantz Henig |
| Publisher | : Vintage |
| Total Pages | : 292 |
| Release | : 1994-02 |
| Genre | : Science |
| ISBN | : |
Examines current viral research and the struggle to conquer today's epidemics and prevent tomorrows.
| Author | : Karen Bell-Kanner |
| Publisher | : Psychology Press |
| Total Pages | : 232 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : 9789057550348 |
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Marcia B. Siegel |
| Publisher | : Macmillan |
| Total Pages | : 337 |
| Release | : 2007-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1429908777 |
For more than four decades, Twyla Tharp has been a phenomenon in American dance, a choreographer who not only broke the rules but refused to repeat her own successes. At the conclusion of Howling Near Heaven, Marcia Siegel writes about the thrill of watching Tharp choreograph in 1991: "Tharp's movement can be planned or spontaneous, personal, funny, hard as hell, precise enough to look thrown away. She doesn't so much invent or create it, she prepares for it. Crusty, driven, demanding, and admiring, she hurls challenges at the dancers. Brave, virtuosic, and cheerful, they volley back what she gives them and more. She watches them. They watch her. It's the most subtle form of competition and cooperation, a process so intuitive, so intimate, that no one can say whose dance it is in the end, and none of the parties to that dance can be removed without endangering its identity. The same is true for all theatrical dance making, all over the world, only most of it isn't so inspired or obsessed." Starting in the rebellious 1960s, Tharp tried her creative wings on minimalism, pedestrianism, and Dada, then abandoned both the avant-garde and the established modern dance. She thrilled a new audience with her witty version of jazz in Eight Jelly Rolls, then merged her dancers with the Joffrey Ballet for the sensational Deuce Coupe, to the music of the Beach Boys. She explored the classical world in Push Comes to Shove, for the American Ballet Theater and the celebrated Russian virtuoso Mikhail Baryshnikov. For her touring company in the 1970s and 1980s, an unprecedented fusion of modern dancers and ballet dancers, she created a superb repertory that included the theatrical full-length work The Catherine Wheel, the ballroom duets Nine Sinatra Songs, and the company showcase Baker's Dozen. Tharp has made movies, television specials, and nearly one hundred riveting dance works. Movin' Out, the dance show that reflected on the Vietnam era using the music of Billy Joel, ran on Broadway for three years and won Tharp a Tony award for Best Choreography. Howling Near Heaven is the first in-depth study of Twyla Tharp's unique, restless creativity, the story of a choreographer who refused to be pigeonholed and the dancers who accompanied her as she sped across the frontiers of dance.
| Author | : Agnes de Mille |
| Publisher | : New York Review of Books |
| Total Pages | : 369 |
| Release | : 2015-11-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 1590179080 |
Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova’s beauty, in that moment de Mille dedicated herself to dance. Her memoir records with lighthearted humor and wisdom not only the difficulties she faced—the resistance of her parents, the sacrifices of her training—but also the frontier atmosphere of early Hollywood and New York and London during the Depression. “This is the story of an American dancer,” writes de Mille, “a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.”
| Author | : Victoria Thoms |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Choreographers |
| ISBN | : 9781841505084 |
In her heyday, Martha Graham's name was internationally recognized within the modern dance world, and though trends in choreography continue to change, her status in dance still inspires regard. In this, the first extended feminist look at this modern dance pioneer, Victoria Thoms explores the cult of Graham and her dancing through a feminist lens that exposes the gendered meaning behind much of her work. Thoms synthesizes a diverse archive of material on Graham from films, photographs, memoir, and critique in order to uniquely highlight her contribution to the dance world and arts culture in general.
| Author | : Arnold Mindell |
| Publisher | : Deep Democracy Exchange |
| Total Pages | : 384 |
| Release | : 2013-02 |
| Genre | : Education |
| ISBN | : 1619710153 |
Just as the earth is moved by the universe, you, me, every human, every life form, and every thing is moved by the universe as well. This movement feeling, the sense of the universe s gravity field or what Einstein called space time, is not just felt by astronauts. All of us feel moved by gravity all the time. When you let gravity move you, when you are moved by space time, you are moved by the universe. When you are moved in this way, you are showing the dance of the ancient one, and are in contact with the space between us, with the subtle experience of being moved by what I shall explain is a system mind possibly the most powerful system mind available to us. Arnold Mindell, The Dance of the Ancient One, Spring 2013 In his latest book, Mindell expands on his earlier concept of the processmind as he develops the notion of space time dreaming or dance of the ancient one in his rigorous efforts toward the elucidation of a ToE (or theory of everything). Space time dreaming weaves together essential spiritual concepts from the Eastern mystical tradition of the Tao and Wu Wei of Chinese philosophy, along with modern Western field and space theories in quantum physics such as gravity, space time, unified field theories, indeterminacy and entanglement. He draws upon personal field ideas (i.e., the unconscious), interpersonal social field and role theory from psychology and sociology, then adds concepts of intersubjectivity and entanglement from transpersonal and integral psychology. On a group level, he incorporates interdependence from organizational system mind models and places it all in the context of ecology, of Gaia, and then the larger universe. One World concepts, such as the Unus Mundus from mystical and alchemical traditions that work at a more essential or non-dual level to unite seeming opposites, facilitate the coming together of all of these varied perspectives in his framing of the space time dreaming concept, experientially accessible as The Dance of the Ancient One. Each chapter contains either an exercise to do in pairs or a small group, or an inner work exercise, so that you can facilitate yourself and experience the space time dreaming states directly. Transcripts of discussions with his students are distributed throughout the book, and engagingly contribute to a diverse and resonant learning experience.
| Author | : Katy Pilcher |
| Publisher | : Taylor & Francis |
| Total Pages | : 217 |
| Release | : 2016-11-10 |
| Genre | : Social Science |
| ISBN | : 1317393759 |
Erotic dance is one of the most contentious issues in feminist debates today and a source of fascination in media and popular cultural representations. Yet, why is it that we currently know so little about those who perform erotic dance for female customers, or the experiences of these spectators themselves? The result of a unique investigation within two of the UK’s leisure venues, Erotic Performance and Spectatorship seeks to rectify the aforementioned lack of insight. Through vivid ethnographies of a lesbian leisure venue and a male strip show, Pilcher’s research advances key debates about the gender and sexual politics of erotic dance, whilst simultaneously relating these to debates about the sex industry more widely. This book also subverts previous assumptions that only women perform erotic dance and only men spectate. Thus, this book stands out amongst other academic accounts, developing the debate beyond the established focus on erotic dance as either empowering or degrading. This new contribution to the study of erotic dance – which provides a fresh theoretical perspective combining queer and feminist theorising, in addition to rich empirical evidence – will appeal to academic researchers and both undergraduate and postgraduate students within the fields of sociology, gender studies, sexuality studies, gay & lesbian studies, feminism and other neighbouring disciplines. It will also be of interest to feminist and sex work activists, policy makers, and practitioners.
