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From Writing to Composing

From Writing to Composing
Author: Beverly Ingram
Publisher: Cambridge University Press
Total Pages: 164
Release: 2004-04-19
Genre: Foreign Language Study
ISBN: 9780521539142

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Dear classmates - Friends and relatives - Staying in touch - Sharing stories - Three good ways - Class publication - Writing more, writing better : follow these steps - Class statistics - The perfect routine - Great trips - Info expo - Exercise opinions - Portraits of special people - An armchair visit.


Experimental Writing in Composition

Experimental Writing in Composition
Author: Patricia Suzanne Sullivan
Publisher: University of Pittsburgh Pre
Total Pages: 0
Release: 2012
Genre: Language Arts & Disciplines
ISBN: 9780822962083

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A critical history of experimental writing theory, its aesthetic foundations, and their application to current multimodal writing. Patricia Sullivan sheds new light on both the positive and negative aspects of experimental writing and its attempts to redefine the writing disciplines. She further articulates the ways that multimedia is and isn't changing composition pedagogies, and provides insights into resolving these tensions.


Toward a Composition Made Whole

Toward a Composition Made Whole
Author: Jody L. Shipka
Publisher: University of Pittsburgh Pre
Total Pages: 202
Release: 2011-04-30
Genre: Language Arts & Disciplines
ISBN: 0822977788

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To many academics, composition still represents typewritten texts on 8.5" x 11" pages that follow rote argumentative guidelines. In Toward a Composition Made Whole, Jody Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ every day to compose and communicate their thoughts. Shipka counters current associations that equate multimodality only with computer, digitized, or screen-mediated texts, which are often self-limiting. She stretches the boundaries of composition to include a hybridization of aural, visual, and written forms. Shipka analyzes the work of current scholars in multimodality and combines this with recent writing theory to create her own teaching framework. Among her methods, Shipka employs process-oriented reflection and a statement of goals and choices to prepare students to compose using various media in ways that spur their rhetorical and material awareness. They are encouraged to produce unusual text forms while also learning to understand the composition process as a whole. Shipka presents several case studies of students working in multimodal composition and explains the strategies, tools, and spaces they employ. She then offers methods to critically assess multimodal writing projects. Toward a Composition Made Whole challenges theorists and compositionists to further investigate communication practices and broaden the scope of writing to include all composing methods. While Shipka views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.


Scenes of Writing

Scenes of Writing
Author: Amy J. Devitt
Publisher: Addison-Wesley Longman
Total Pages: 0
Release: 2004
Genre: English language
ISBN: 9780321061119

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Based in current genre theory, this guide helps writers make more informed rhetorical choices and participate more effectively within academic, workplace and public contexts. This text illustrates how to use genres to assess, understand, and write within different scenes or writing situations. Discussions of writing for academic contexts cover writing analysis, argument, and research-based genres. Public and workplace writing is illustrated though discussions of other genres—letters, resumes, proposals, reports.


From Writing to Composing

From Writing to Composing
Author: Ingram
Publisher: Cambridge University Press
Total Pages: 192
Release: 1988-02-26
Genre: Foreign Language Study
ISBN: 9780521339810

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A complete composition course for beginning and low intermediate level students of English as a second language. This text offers a unique approach, interweaving structured writing with free composing. Originally published in 1988 as a single volume with student's pages and teacher's notes, the course has been split into a separate Student's Book and Teacher's Manual. The new edition contains exactly the same material, split into two separate books. The original, larger book is no longer available. Copyright © Libri GmbH. All rights reserved.


Composing Media Composing Embodiment

Composing Media Composing Embodiment
Author: Kristin L Arola
Publisher: University Press of Colorado
Total Pages: 320
Release: 2012-03-31
Genre: Language Arts & Disciplines
ISBN: 1457184524

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“What any body is—and is able to do—cannot be disentangled from the media we use to consume and produce texts.” ---from the Introduction. Kristin Arola and Anne Wysocki argue that composing in new media is composing the body—is embodiment. In Composing (Media) = Composing (Embodiment), they have brought together a powerful set of essays that agree on the need for compositionists—and their students—to engage with a wide range of new media texts. These chapters explore how texts of all varieties mediate and thereby contribute to the human experiences of communication, of self, the body, and composing. Sample assignments and activities exemplify how this exploration might proceed in the writing classroom. Contributors here articulate ways to understand how writing enables the experience of our bodies as selves, and at the same time to see the work of (our) writing in mediating selves to make them accessible to institutional perceptions and constraints. These writers argue that what a body does, and can do, cannot be disentangled from the media we use, nor from the times and cultures and technologies with which we engage. To the discipline of composition, this is an important discussion because it clarifies the impact/s of literacy on citizens, freedoms, and societies. To the classroom, it is important because it helps compositionists to support their students as they enact, learn, and reflect upon their own embodied and embodying writing.


From Writing to Composing

From Writing to Composing
Author: Beverly Ingram
Publisher:
Total Pages: 57
Release: 2005
Genre: English language
ISBN:

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Composing Science

Composing Science
Author: Leslie Atkins Elliott
Publisher: Teachers College Press
Total Pages: 164
Release: 2016
Genre: Education
ISBN: 0807775142

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Offering expertise in the teaching of writing (Kim Jaxon) and the teaching of science (Leslie Atkins Elliott and Irene Salter), this book will help instructors create classrooms in which students use writing to learn and think scientifically. The authors provide concrete approaches for engaging students in practices that mirror the work that writing plays in the development and dissemination of scientific ideas, as opposed to replicating the polished academic writing of research scientists. Addressing a range of genres that can help students deepen their scientific reasoning and inquiry, this text includes activities, guidelines, resources, and assessment suggestions. Composing Science is a valuable resource for university-level science faculty, science methods course instructors in teacher preparation programs, and secondary science teachers who have been asked to address the Common Core ELA Standards. Book Features: Provides models for integrating writing into science courses and lesson plans. Focuses on the work that science writing does, both in the development and dissemination of ideas. Addresses the Next Generation Science Standards and the Common Core ELA Standards. Includes samples of student work, classroom transcripts, and photographs that capture the visual elements of science writing. “The pedagogy described in Composing Science doesn’t only recapture the sense of the uncertainty of discovery, it also articulates and examines the social and collaborative writing practices that science uses to produce knowledge and reduce uncertainty. Without question, teachers of science will find this book inspirational and useful, college teachers for sure, but also teachers up and down the curriculum.” —Tom Fox, director, Site Development, National Writing Project “This book will be invaluable, not only for the genuinely new and wonderful ideas for teaching, but also and maybe more for the rich examples from the authors’ classes. Through the lens of writing we see students doing science—and it is truly science—in surprising and delightful ways.” —David Hammer, professor, Tufts University


From Writing to Composing Teacher's Manual

From Writing to Composing Teacher's Manual
Author: Beverly Ingram
Publisher: Cambridge University Press
Total Pages: 66
Release: 2005-08-15
Genre: Foreign Language Study
ISBN: 9780521671361

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From Writing to Composing Second edition introduces high-beginner to low-intermediate students to the basics of formal writing in English. The Teacher's Manual contains unit overviews, as well as detailed descriptions of each activity, complete with useful teaching tips. The manual contains some additional material that teachers might use to supplement the Student's Book. A complete answer key to the Student's Book is provided.


Writing across Contexts

Writing across Contexts
Author: Kathleen Yancey
Publisher: University Press of Colorado
Total Pages: 202
Release: 2014-05-15
Genre: Language Arts & Disciplines
ISBN: 0874219388

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Addressing how composers transfer both knowledge about and practices of writing, Writing across Contexts explores the grounding theory behind a specific composition curriculum called Teaching for Transfer (TFT) and analyzes the efficacy of the approach. Finding that TFT courses aid students in transfer in ways that other kinds of composition courses do not, the authors demonstrate that the content of this curriculum, including its reflective practice, provides a unique set of resources for students to call on and repurpose for new writing tasks. The authors provide a brief historical review, give attention to current curricular efforts designed to promote such transfer, and develop new insights into the role of prior knowledge in students' ability to transfer writing knowledge and practice, presenting three models of how students respond to and use new knowledge—assemblage, remix, and critical incident. A timely and significant contribution to the field, Writing across Contexts will be of interest to graduate students, composition scholars, WAC and writing-in-the-disciplines scholars, and writing program administrators.