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Carnival and Power

Carnival and Power
Author: Vicki Ann Cremona
Publisher: Springer
Total Pages: 317
Release: 2018-01-30
Genre: Performing Arts
ISBN: 331970656X

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This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.


From the Colonial to the Carnival

From the Colonial to the Carnival
Author: Dr Rani P L
Publisher: Notion Press
Total Pages: 218
Release: 2022-02-07
Genre:
ISBN: 9781685388997

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Research in colonial studies has traditionally revolved around the historical, political and economic aspects of the colonial regime. The case is no different with the British Empire in India. The Empire was, however, built less by military force and more through cultural reinforcement. To this end, the British engaged many tools - religion, language and sport. Among the three Cs of Victorian England that defined civilisation, Cricket stood on par with Christianity and the Classics. Beyond being a sport, cricket was the Englishman's representation of his 'English-ness' in the colonies and a tool used for colonisation - a scantily researched area. This book traces, through the colonial postulates of Edward Said and Homi K. Bhabha, the colonial path cricket took to its growth in the colony. The game moved from the 'exclusivity' of the English to the 'mimicry' of the natives as a part of the informal modes of rule employed in a colonial framework. Once formal modes were employed in the Empire, phases of 'cultural reinforcement' by the colonists followed by 'patronage' by the natives took over the spread of the game. Historical narratives are filled with examples supporting each phase in the sport. The very same tool that was used to establish the native's 'effeminacy' was used, finally, to invert the hegemony. The book argues how decolonisation, in India's case, did not occur through 'rejection' of the colonial culture, but, paradoxically, through 'adaptation' and 'assimilation' in clear colonial terms. This discussion achieves recency and relevance through its exposition of the telling decolonising moves in cricket to 'subvert authority' through the IPL. Mikhail Bakhtin's' theory of the carnival helps view the shift of cricket from the colonial to the carnival mode.


Carnival, Canboulay and Calypso

Carnival, Canboulay and Calypso
Author: John Cowley
Publisher: Cambridge University Press
Total Pages: 314
Release: 1998
Genre: Music
ISBN: 9780521653893

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Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.


From the Colonial to the Carnival

From the Colonial to the Carnival
Author: Dr. Siddhartha R., Dr. Rani P. L.
Publisher: Notion Press
Total Pages: 152
Release: 2022-02-14
Genre: Sports & Recreation
ISBN: 1685389007

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Research in colonial studies has traditionally revolved around the historical, political and economic aspects of the colonial regime. The case is no different with the British Empire in India. The Empire was, however, built less by military force and more through cultural reinforcement. To this end, the British engaged many tools – religion, language and sport. Among the three Cs of Victorian England that defined civilisation, Cricket stood on par with Christianity and the Classics. Beyond being a sport, cricket was the Englishman’s representation of his ‘English-ness’ in the colonies and a tool used for colonisation – a scantily researched area. This book traces, through the colonial postulates of Edward Said and Homi K. Bhabha, the colonial path cricket took to its growth in the colony. The game moved from the ‘exclusivity’ of the English to the ‘mimicry’ of the natives as a part of the informal modes of rule employed in a colonial framework. Once formal modes were employed in the Empire, phases of ‘cultural reinforcement’ by the colonists followed by ‘patronage’ by the natives took over the spread of the game. Historical narratives are filled with examples supporting each phase in the sport. The very same tool that was used to establish the native’s ‘effeminacy’ was used, finally, to invert the hegemony. The book argues how decolonisation, in India’s case, did not occur through ‘rejection’ of the colonial culture, but, paradoxically, through ‘adaptation’ and ‘assimilation’ in clear colonial terms. This discussion achieves recency and relevance through its exposition of the telling decolonising moves in cricket to ‘subvert authority’ through the IPL. Mikhail Bakhtin’s theory of the carnival helps view the shift of cricket from the colonial to the carnival mode.


Carnival

Carnival
Author: Elizabeth Bear
Publisher: Spectra
Total Pages: 434
Release: 2006-11-28
Genre: Fiction
ISBN: 0553903047

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In Old Earth’s clandestine world of ambassador-spies, Michelangelo Kusanagi-Jones and Vincent Katherinessen were once a starring team. But ever since a disastrous mission, they have been living separate lives in a universe dominated by a ruthless Coalition—one that is about to reunite them. The pair are dispatched to New Amazonia as diplomatic agents Allegedly, they are to return priceless art. Covertly, they seek to tap its energy supply. But in reality, one has his mind set on treason. And among the extraordinary women of New Amazonia, in a season of festival, betrayal, and disguise, he will find a new ally—and a force beyond any that humans have known. . . .


Coon Carnival

Coon Carnival
Author: Denis Martin
Publisher: New Africa Books
Total Pages: 230
Release: 1999
Genre: Performing Arts
ISBN: 9780864864482

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This edition has been created using digital cartography. The use of political colours on the maps helps to emphasize individual countries and place names rather than landforms, using distinctive colours to make identification easier.


Carnival

Carnival
Author: Compton Mackenzie
Publisher:
Total Pages: 0
Release: 1911
Genre:
ISBN:

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International Perspectives in Values-Based Mental Health Practice

International Perspectives in Values-Based Mental Health Practice
Author: Drozdstoy Stoyanov
Publisher: Springer Nature
Total Pages: 415
Release: 2020-12-11
Genre: Medical
ISBN: 3030478521

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This open access book offers essential information on values-based practice (VBP): the clinical skills involved, teamwork and person-centered care, links between values and evidence, and the importance of partnerships in shared decision-making. Different cultures have different values; for example, partnership in decision-making looks very different, from the highly individualized perspective of European and North American cultures to the collective and family-oriented perspectives common in South East Asia. In turn, African cultures offer yet another perspective, one that falls between these two extremes (called batho pele). The book will benefit everyone concerned with the practical challenges of delivering mental health services. Accordingly, all contributions are developed on the basis of case vignettes, and cover a range of situations in which values underlie tensions or uncertainties regarding how to proceed in clinical practice. Examples include the patient’s autonomy and best interest, the physician’s commitment to establishing high standards of clinical governance, clinical versus community best interest, institutional versus clinical interests, patients insisting on medically unsound but legal treatments etc. Thus far, VBP publications have mainly dealt with clinical scenarios involving individual values (of clinicians and patients). Our objective with this book is to develop a model of VBP that is culturally much broader in scope. As such, it offers a vital resource for mental health stakeholders in an increasingly inter-connected world. It also offers opportunities for cross-learning in values-based practice between cultures with very different clinical care traditions.


Carnival Art, Culture and Politics

Carnival Art, Culture and Politics
Author: Michaeline Crichlow
Publisher: Routledge
Total Pages: 198
Release: 2013-09-13
Genre: Social Science
ISBN: 1135751366

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Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. The authors review Carnival’s performative aspects not merely as a calendrical festival, but rather center attention on the relationship between carnival and everyday life, and on how people negotiate their social spaces and possibilities in the context of modern power. The book therefore seeks to highlight the knotted time-spaces of power and to demonstrate the dynamic interplay between state spaces and people’s spaces that are being weaved by carnival's interlocutors. It demonstrates how Carnival and the Carnivalesque become analytic optics through which the relations of power in the social and political life of subjects who seek to tacitically or strategically vary their given identities, can be productively engaged. This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.