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From Author to Copyist

From Author to Copyist
Author: Cana Werman
Publisher: Penn State Press
Total Pages: 415
Release: 2015-10-09
Genre: History
ISBN: 1575063638

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Zipi Talshir’s work on the evolution, formation, and transmission of the Hebrew Bible throughout her academic career, her remarkable ability to integrate the Septuagint into this research, and her profound understanding of the late books of the Hebrew Bible and the process of canonization are well known and appreciated. In this volume, 21 of Talshir’s colleagues and students contribute essays in her honor on these topics that are so close to her heart. A bibliography of her publications and a short biography open and complete this compelling volume presented by renowned authors in the field from all over Europe, Israel, and the U.S.


On the Art of Reading

On the Art of Reading
Author: Arthur Quiller-Couch
Publisher: Cambridge [Cambridgeshire] : Cambridge University Press
Total Pages: 258
Release: 1920
Genre: Books and reading
ISBN:

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From Author to Audience

From Author to Audience
Author: Peter J. Lucas
Publisher:
Total Pages: 358
Release: 1997
Genre: History
ISBN:

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The author explores what is known about the medieval publishing process by close study of the work of John Capgrave (1393-1464), a prolific author and one of the most learned Englishmen of his day. In the Middle Ages, before the age of printing, the author was often his own scribe and almost invariably his own editor and publisher. Lucas shows how works newly composed by an author were prepared. Capgrave's linguistic and scribal usages are set in the socio-historical context of the 15th century.


From Qumran to the Yaḥad

From Qumran to the Yaḥad
Author: Alison Schofield
Publisher: BRILL
Total Pages: 383
Release: 2009-02-28
Genre: Religion
ISBN: 9047442504

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Since the discovery of the Cave 4 versions of The Community Rule (Serekh ha-Yaḥad or S), scholars have been perplexed about its complex textual history. This important charter material for the Dead Sea Scrolls’ authors appears in alternate versions—ones with contradictory legal prescriptions and opposing self-references—but exhibits no clear order of chronological development. Benefitting from the entire Qumran library now available to us, this book offers a new, broader model for reading S that better accounts for the long and diverse history behind the text. The resulting paradigm challenges the Qumrancentric lens through which many read the “sectarian texts” and offers a fresh way of thinking about sectarian community formation among the authors of the Scrolls.


The Evolution of the Book

The Evolution of the Book
Author: Frederick G. Kilgour
Publisher: Oxford University Press, USA
Total Pages: 189
Release: 1998
Genre: Language Arts & Disciplines
ISBN: 0195118596

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This study is a concise history of the book in all its forms, starting from the very beginning with the invention of writing and concluding at the present time with the electronic revolution and what it may hold for the future.


Misquoting Jesus

Misquoting Jesus
Author: Bart D. Ehrman
Publisher: Harper Collins
Total Pages: 258
Release: 2009-10-06
Genre: Religion
ISBN: 0061977020

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When world-class biblical scholar Bart Ehrman first began to study the texts of the Bible in their original languages he was startled to discover the multitude of mistakes and intentional alterations that had been made by earlier translators. In Misquoting Jesus, Ehrman tells the story behind the mistakes and changes that ancient scribes made to the New Testament and shows the great impact they had upon the Bible we use today. He frames his account with personal reflections on how his study of the Greek manuscripts made him abandon his once ultraconservative views of the Bible. Since the advent of the printing press and the accurate reproduction of texts, most people have assumed that when they read the New Testament they are reading an exact copy of Jesus's words or Saint Paul's writings. And yet, for almost fifteen hundred years these manuscripts were hand copied by scribes who were deeply influenced by the cultural, theological, and political disputes of their day. Both mistakes and intentional changes abound in the surviving manuscripts, making the original words difficult to reconstruct. For the first time, Ehrman reveals where and why these changes were made and how scholars go about reconstructing the original words of the New Testament as closely as possible. Ehrman makes the provocative case that many of our cherished biblical stories and widely held beliefs concerning the divinity of Jesus, the Trinity, and the divine origins of the Bible itself stem from both intentional and accidental alterations by scribes -- alterations that dramatically affected all subsequent versions of the Bible.


Print Culture and the Medieval Author

Print Culture and the Medieval Author
Author: Alexandra Gillespie
Publisher: Oxford University Press
Total Pages: 296
Release: 2006-11-30
Genre: Language Arts & Disciplines
ISBN: 0199262950

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Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies.At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts.Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition.The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English culture.


Catalogue of the Arabic, Persian and Turkish Manuscripts in Belgium Volume 1 Handlist Part 1

Catalogue of the Arabic, Persian and Turkish Manuscripts in Belgium Volume 1 Handlist Part 1
Author: Frédéric Bauden
Publisher: BRILL
Total Pages: 578
Release: 2016-11-07
Genre: History
ISBN: 9004328467

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The Catalogue of the Arabic, Persian and Turkish Manuscripts in Belgium is a union catalogue aiming is to present the Oriental manuscripts held by various Belgian public institutions (Royal Library, university and public libraries). These collections and their contents are largely unknown to scholars due to the lack of published catalogues. This first volume, consisting of a bi-lingual (English and Arabic) handlist, concerns the collection of the Université de Liège, which holds the largest number of Oriental manuscripts (c. 500). Each title is briefly described, identifying the author and offering basic material information. Most of the manuscripts described in this handlist originate from North Africa.


Introduction to Book History

Introduction to Book History
Author: David Finkelstein
Publisher: Routledge
Total Pages: 178
Release: 2012-11-27
Genre: Social Science
ISBN: 1136515917

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This second edition of An Introduction to Book History provides a comprehensive critical introduction to the development of the book and print culture. Each fully revised and updated chapter contains new material and covers recent developments in the field, including: The Postcolonial Book Censorship by states and religions Social History, and the recognition of underrepresentation of its value to book history studies Contemporary publishing Each section begins with a summary of the chapter’s aims and contents, followed by a detailed discussion of the relevant issues, concluding with a summary of the chapter and points to ponder. Sections include: the history of the book orality to Literacy literacy to printing authors, authorship and authority printers, booksellers, publishers, agents readers and reading the future of the book. An Introduction to Book History is an ideal introduction to this exciting field of study, and is designed as a companion text to The Book History Reader.