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Portraits from the French Renaissance and the Wars of Religion

Portraits from the French Renaissance and the Wars of Religion
Author: André Thevet
Publisher: Early Modern Studies
Total Pages: 214
Release: 2010
Genre: Biography & Autobiography
ISBN: 9781931112987

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Available for the first time in English, these thirteen selections from André Thevet's Les vrais pourtraits et vies des hommes illustres offer a glimpse of France during a time of great upheaval. Originally published in 1584, Thevet's collection contains over two hundred biographical sketches, detailing the lives of important persons from antiquity to the sixteenth century. Edward Benson and Roger Schlesinger have translated and annotated Thevet's portraits of his contemporaries, and divided them into three categories: monarchs, aristocrats, and scholars. Additionally, an extensive introduction places the work in context and describes the critical attention that Thevet and his writings have received. Together these portraits provide a history of sixteenth-century France as the country underwent tremendous change: from an intellectual renaissance and its first encounter with the New World to the Protestant Reformation and the Wars of Religion that followed. France was irrevocably altered by these events and Thevet's account of the lives of individuals who struggled with them is indispensable.


Experimental Self-Portraits in Early French Photography

Experimental Self-Portraits in Early French Photography
Author: Jillian Lerner
Publisher: Routledge
Total Pages: 165
Release: 2020-11-16
Genre: Art
ISBN: 1000214826

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This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.


The Painted Face

The Painted Face
Author: Tamar Garb
Publisher: Yale University Press
Total Pages: 44
Release: 2007-01-01
Genre: Art
ISBN: 0300111185

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The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.


Experimental Self-Portraits in Early French Photography

Experimental Self-Portraits in Early French Photography
Author: Jillian Lerner
Publisher: Routledge
Total Pages: 0
Release: 2024-01-29
Genre:
ISBN: 9780367615598

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This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the "selfie" and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.


French Paintings of the Fifteenth Through the Eighteenth Century

French Paintings of the Fifteenth Through the Eighteenth Century
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
Total Pages: 556
Release: 2009
Genre: Painting
ISBN:

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"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.


French Paintings of the Nineteenth Century: Before impressionism

French Paintings of the Nineteenth Century: Before impressionism
Author: Lorenz Eitner
Publisher: Princeton University Press
Total Pages: 440
Release: 2000
Genre: Art
ISBN:

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This is the newest volume in the National Gallery of Art's Systematic Catalogue, a series that presents and describes the Gallery's holdings of painting, sculpture, photographs, and decorative arts. This richly illustrated volume includes the work of such early nineteenth century French painters as Ingres, Courbet, Gericault, Delacroix, and Millet.


Portraits of France

Portraits of France
Author: Robert Daley
Publisher: Little Brown & Company
Total Pages: 488
Release: 1995-02-01
Genre: Travel
ISBN: 9780316171816

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Ausstellungskat. ; Sammlungskat

Ausstellungskat. ; Sammlungskat
Author: Barnes Foundation
Publisher:
Total Pages: 135
Release: 1994
Genre: Impressionism (Art)
ISBN:

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Portraiture and Politics in Revolutionary France

Portraiture and Politics in Revolutionary France
Author: Amy Freund
Publisher: Penn State Press
Total Pages: 312
Release: 2015-06-13
Genre: Art
ISBN: 0271066733

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Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.


Facing the Public

Facing the Public
Author: Anthony Halliday
Publisher: Manchester University Press
Total Pages: 244
Release: 2000
Genre: Art
ISBN: 9780719056185

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This work examines the effect of the French Revolution on portrait painting. Portraits were the most widely commissioned paintings in 18th-century France. But most portraits were produced for private consumptions, and were therefore seen as inferior to art designed for public exhibition. The Revolution endowed private values with an inprecedented significance, and the way people responded to portraits changed as a result.