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French Opera, 1730-1830

French Opera, 1730-1830
Author: David Charlton
Publisher: Routledge
Total Pages: 414
Release: 2000
Genre: History
ISBN:

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The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. 'Media' is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in 'minuet-scenes', in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model' linking various genres from the 1780s with the world of the 1820s. French opera's relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.


French Grand Opera and the Historical Imagination

French Grand Opera and the Historical Imagination
Author: Sarah Hibberd
Publisher: Cambridge University Press
Total Pages: 279
Release: 2009-04-30
Genre: Music
ISBN: 0521885620

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Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.


Opera in the Age of Rousseau

Opera in the Age of Rousseau
Author: David Charlton
Publisher: Cambridge University Press
Total Pages: 437
Release: 2012-10-25
Genre: Music
ISBN: 0521887607

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A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.


Popular Opera in Eighteenth-Century France

Popular Opera in Eighteenth-Century France
Author: David Charlton
Publisher: Cambridge University Press
Total Pages: 393
Release: 2021-12-16
Genre: Music
ISBN: 1316515842

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A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.


Grétry's Operas and the French Public

Grétry's Operas and the French Public
Author: R.J. Arnold
Publisher: Taylor & Francis
Total Pages: 245
Release: 2017-07-05
Genre: Music
ISBN: 1134803699

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Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.


The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850
Author: Derek Carew
Publisher: Routledge
Total Pages: 494
Release: 2016-03-23
Genre: Music
ISBN: 1317037650

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Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.


Coquettes, Wives, and Widows

Coquettes, Wives, and Widows
Author: Marcie Ray
Publisher: Eastman Studies in Music
Total Pages: 201
Release: 2020
Genre: Drama
ISBN: 1580469884

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A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.


Historical Dictionary of Baroque Music

Historical Dictionary of Baroque Music
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
Total Pages: 465
Release: 2023-05-08
Genre: Music
ISBN: 1538151626

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Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.


Encyclopedia of the Romantic Era, 1760–1850

Encyclopedia of the Romantic Era, 1760–1850
Author: Christopher John Murray
Publisher: Routledge
Total Pages: 1303
Release: 2013-05-13
Genre: History
ISBN: 1135455791

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In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.


Reading Critics Reading

Reading Critics Reading
Author: Roger Parker
Publisher: Oxford : Oxford University Press
Total Pages: 290
Release: 2001
Genre: Ballet
ISBN: 9780198166979

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This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.