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French Nineteenth-century Drawings and Watercolors at the Brooklyn Museum

French Nineteenth-century Drawings and Watercolors at the Brooklyn Museum
Author: Brooklyn Museum
Publisher:
Total Pages: 152
Release: 1993
Genre: Art
ISBN:

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"In 1900 the more than five hundred gouaches and ink drawings made by James Jacques Joseph Tissot for his Life of Christ were purchased by public subscription by The Brooklyn Museum, and in 1992 a sketchbook by Tissot, related to this series, was also purchased for the collection. Over the intervening years nearly one hundred other works on paper by nineteenth-century French artists entered the collection. Many of them are by artists now considered to be the major masters of their time; but there are also works by other artists, both academic and avant-garde, less familiar to the American public today, who deserve recognition. This collection - which spans a century of creativity and a subsequent century of collecting, thus preserving a portion of our cultural and artistic heritage - is one of the significant holdings of works on paper at this great museum." "This volume is part of an ongoing series devoted to the Museum's outstanding and encyclopedic collection of works on paper. It presents ninety-three drawings, watercolors, and pastels by some fifty artists, ranging from Fragonard through Corot, Millet, Daumier, and Rodin; the Impressionists Degas, Manet, Morisot, and Pissarro; the Post-Impressionists Cezanne, Gauguin, Toulouse-Lautrec, and van Gogh; and the modernist pioneers Picasso and Gris." "Through an examination of these works and the fascinating texts that accompany them, we can gain an understanding not only of the aesthetic attitudes of each artist and his society, but also of the history, politics, and social mores of the time and place in which each work was created. These works on paper, thanks to their intimacy and directness not found in the more formal media of oil painting and sculpture, help us to understand better the art and the artist's thoughts at the moment of creation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Romanticism & the School of Nature

Romanticism & the School of Nature
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
Total Pages: 266
Release: 2000
Genre: Art
ISBN: 0870999648

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This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR


The Essence of Line

The Essence of Line
Author: Jay McKean Fisher
Publisher: Pennsylvania State University Press
Total Pages: 389
Release: 2005
Genre: Art
ISBN: 0271026820

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Rarely seen drawings and watercolors by some of the most influential French artists of the nineteenth century are the subject of this richly illustrated publication from The Baltimore Museum of Art and the Walters Art Museum. From revealing preparatory sketches to exquisite finished watercolors, more than 100 works by artists such as Eugene Delacroix, Honore Daumier, Paul Cezanne, and Edgar Degas illuminate the range of French art over the course of a century of innovation. The BMA and the Walters have combined holdings of more than 900 French drawings from the nineteenth century, one of the nation's strongest and richest collections of French art from this period. The publication also includes works from the Peabody Institute Art Collection of the Maryland State Archives. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The catalogue includes essays by Jay McKean Fisher, William R. Johnston, and Cheryl K. Snay that provide insights into the artistic, commercial, and social functions that drawings served for their creators and collectors, as well as how collecting patterns influenced the development of modernism. Conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes in technique as well as style. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and the Walters Art Museum, this book presents a panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online database of more than 900 nineteenth-century French drawings in the holdings of these Baltimore museums.