French Film Theory and Criticism
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Total Pages | : |
Release | : 1988 |
Genre | : |
ISBN | : 9780691055183 |
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Author | : |
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Total Pages | : |
Release | : 1988 |
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ISBN | : 9780691055183 |
Author | : Richard Abel |
Publisher | : Princeton University Press |
Total Pages | : 327 |
Release | : 2021-05-11 |
Genre | : Performing Arts |
ISBN | : 1400828392 |
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author | : Richard Abel |
Publisher | : Princeton University Press |
Total Pages | : 480 |
Release | : 2020-12-08 |
Genre | : Performing Arts |
ISBN | : 1400835488 |
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author | : Richard Abel |
Publisher | : |
Total Pages | : |
Release | : 1993 |
Genre | : Film criticism |
ISBN | : |
Author | : Richard Abel |
Publisher | : |
Total Pages | : 452 |
Release | : 1988 |
Genre | : Film criticism |
ISBN | : 9780691055183 |
Author | : Richard Abel |
Publisher | : Princeton University Press |
Total Pages | : 334 |
Release | : 1993-09-12 |
Genre | : Performing Arts |
ISBN | : 9780691000633 |
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author | : Richard Abel |
Publisher | : Univ of California Press |
Total Pages | : 596 |
Release | : 2023-09-01 |
Genre | : Performing Arts |
ISBN | : 0520912918 |
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
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Publisher | : |
Total Pages | : |
Release | : 1988 |
Genre | : |
ISBN | : 9780691055176 |
Author | : C. G. Crisp |
Publisher | : Indiana University Press |
Total Pages | : 492 |
Release | : 2002 |
Genre | : Film Genres |
ISBN | : 9780253215161 |
This work identifies patterns in the fields of character, narrative, and setting in the French cinema of the early sound period.
Author | : Daniel Frampton |
Publisher | : Columbia University Press |
Total Pages | : 265 |
Release | : 2006-12-12 |
Genre | : Performing Arts |
ISBN | : 0231850107 |
Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.