French 'Ecocritique'
Author | : Stephanie Posthumus |
Publisher | : University of Toronto Press |
Total Pages | : 260 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 1487501455 |
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Author | : Stephanie Posthumus |
Publisher | : University of Toronto Press |
Total Pages | : 260 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 1487501455 |
Author | : Stephanie Posthumus |
Publisher | : University of Toronto Press |
Total Pages | : 260 |
Release | : 2017-10-31 |
Genre | : Literary Criticism |
ISBN | : 1487513216 |
French Écocritique is the first book-length study of the culturally specific ways in which contemporary French literature and theory raise questions about nature and environment. Stephanie Posthumus’s ground-breaking work brings together thinkers such as Guattari, Latour, and Serres with recent ecocritical theories to complicate what might otherwise become a reductive notion of "French ecocriticism." Working across contemporary philosophy and literature, the book defines the concept of the ecological as an attentiveness to specific nature-culture contexts and to a text’s many interdiscursive connections. Posthumus identifies four key concepts, ecological subjectivity, ecological dwelling, ecological politics, and ecological ends, for changing how we think about human-nature relations. French Écocritique highlights the importance of moving beyond canonical ecocritical texts and examining a diversity of cultural and literary traditions for new ways of imagining the environment.
Author | : Daniel A. Finch-Race |
Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9783653066067 |
This book expounds fruitful ways of analysing matters of ecology, environments, nature, and the non-human world in a broad spectrum of material in French. Scholars from Canada, France, Great Britain, Spain, and the United States examine the work of writers and thinkers including Michel de Montaigne, Victor Hugo, Émile Zola, Arthur Rimbaud, Marguerite Yourcenar, Gilbert Simondon, Michel Serres, Michel Houellebecq, and Éric Chevillard. The diverse approaches in the volume signal a common desire to bring together form and content, politics and aesthetics, theory and practice, under the aegis of the environmental humanities.
Author | : Stephanie Posthumus |
Publisher | : |
Total Pages | : 260 |
Release | : 2017 |
Genre | : LITERARY CRITICISM |
ISBN | : 9781487513207 |
"French Écocritique is the first book-length study of the culturally specific ways in which contemporary French literature and theory raise questions about nature and environment. Stephanie Posthumus's ground-breaking work brings together thinkers such as Guattari, Latour, and Serres with recent ecocritical theories to complicate what might otherwise become a reductive notion of "French ecocriticism." Working across contemporary philosophy and literature, the book defines the concept of the ecological as an attentiveness to specific nature-culture contexts and to a text's many interdiscursive connections. Posthumus identifies four key concepts, ecological subjectivity, ecological dwelling, ecological politics, and ecological ends, for changing how we think about human-nature relations. French Écocritique highlights the importance of moving beyond canonical ecocritical texts and examining a diversity of cultural and literary traditions for new ways of imagining the environment."--
Author | : Jonathan F. Krell |
Publisher | : Studies in Modern and Contempo |
Total Pages | : 280 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 1789622050 |
Ecocritics and Ecoskeptics examines environmental themes and questions about the evolving relationship between humans and animals in nine modern and contemporary French novels. Considering arguments from both environmentalists and ecoskeptics, it concludes that, far from distancing itself from humanism as it often has, environmentalism must embrace an inclusive and ecological humanism.
Author | : Daniel A. Finch-Race |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : |
ISBN | : |
Author | : Françoise Ghillebaert |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 368 |
Release | : 2019-01-14 |
Genre | : Literary Criticism |
ISBN | : 1527524957 |
This collection of essays highlights the importance of water imagery in the work of the renowned nineteenth-century French female author George Sand. It provides a complex picture of the polyvalent presence of water in Sand’s work that encompasses life and death imagery, ecocriticism, fluid kinship, homosocial ties, and artistic creativity. Drawing on Gaston Bachelard’s premise that the substance of water carries deep meaning, the articles in this volume explore the element of water and its symbolism in a selection of George Sand’s writings and art work, from her most famous novels (Indiana, Lélia, and Consuelo) to her later works, short stories, plays, and autobiographical writing (Teverino, Jean de la Roche, Les Maîtres sonneurs, La Reine Coax, L’Homme de neige, Le Drac, Un Hiver à Majorque, Marianne), and dendrite paintings.
Author | : Jonathan F. Krell |
Publisher | : Liverpool University Press |
Total Pages | : 280 |
Release | : 2020-09-01 |
Genre | : Literary Criticism |
ISBN | : 1789627885 |
Ecocritics and Ecoskeptics examines environmental themes and questions about the evolving relationship between humans and animals in nine modern and contemporary French novels. Considering arguments from both environmentalists and ecoskeptics, it concludes that, far from distancing itself from humanism as it often has, environmentalism must embrace an inclusive and ecological humanism.
Author | : Jeff Persels |
Publisher | : Rodopi |
Total Pages | : 165 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 9401208840 |
Volume 39 of FLS French Literature Series features ten articles on the topic of the environment in French and Francophone Literature and Film. Contributors engage with the work of such authors, filmakers and cartoonists as Michel Serres, Luc Ferry, Patrice Nganang, Marie Darrieussecq, Yann-Arthus Bertrand and Plantu, and such topics as human zoos, eco-colonialism, queer theory, and the environmental catastrophes of WWI and, globally, of human civilization as recorded in the recent eco-documentary, HOME. Wide-ranging, provocative and topical these articles both broaden and deepen the efficacy of ecocriticism as a tool for enriching our understanding of the field beyond the English and American “nature writing” at the theory’s core.
Author | : Felicia McCarren |
Publisher | : Oxford University Press |
Total Pages | : 304 |
Release | : 2020-04-23 |
Genre | : Performing Arts |
ISBN | : 0190061839 |
In 1866, when the ballet La Source debuted, the public at the Paris Opera may have been content to dream about its setting in the verdant Caucasus, its exotic Circassians, veiled Georgians, and powerful Khan. Yet the ballet's botany also played to a public thinking about ethnic and exotic others at the same time-and in the same ways-as they were thinking about plants. Along with these stereotypes, with a flower promising hybridity in a green ecology, and the death of the embodied Source recuperated as a force for regeneration, the ballet can be read as a fable of science and the performance as its demonstration. Programmed for the opening gala of the new Opera, the Palais Garnier, in 1875 the ballet reflected not so much a timeless Orient as timely colonial policy and engineering in North Africa, the management of water and women. One Dead at the Paris Opera Ballet takes readers to four historic performances, over 150 years, showing how-- through the sacrifice of a feminized Nature-- La Source represented the biopolitics of sex and race, and the cosmopolitics of human and natural resources. Its 2011 reinvention at the Paris Opera, following the adoption of new legislation banning the veil in public spaces, might have staged gender and climate justice in sync with the Arab Spring, but opted instead for luxury and dream. Its 2014 reprise might have focused on decolonizing the stage or raising eco-consciousness, but exemplified the greater urgency attached to Islamist threat rather than imminent climate catastrophe, missing the ballet's historic potential to make its audience think.