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| Author | : Sally M. Walker |
| Publisher | : |
| Total Pages | : 40 |
| Release | : 2012 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780060583118 |
An award-winning author and illustrator join forces in an emotional retelling of Henry “Box” Brown's famed escape from slavery that is celebrated for its daring and originality.
| Author | : Jen Wilson |
| Publisher | : University of Wales Press |
| Total Pages | : 348 |
| Release | : 2019-04-01 |
| Genre | : History |
| ISBN | : 1786834081 |
This book reclaims for Wales the history and culture of a music that eventually emerged as jazz in the 1920s, its tendrils and roots extending back to slave songs and abolition campaign songs, and Swansea’s long-forgotten connection with Cincinnati, Ohio. The main themes of the book are to illustrate and emphasise the strong links between emerging African American music in the USA and the development of jazz in mainstream popular culture in Wales; the emancipation and contribution of Welsh women to the music and its social-cultural heritage; and an historical appraisal as the music journeyed towards the Second World War and into living memory. The jazz story is set amid the politics, socio-cultural and feminist history of the time from whence the music emerged – which begs the question ‘When Was Jazz?’ (to echo Gwyn A. Williams in 1985, who asked ‘When Was Wales?’). If jazz is described as ‘the music of protest and rebellion’, then there was certainly plenty going on during the jazz age in Wales.
| Author | : Amit Chaudhuri |
| Publisher | : New York Review of Books |
| Total Pages | : 257 |
| Release | : 2024-05-14 |
| Genre | : Fiction |
| ISBN | : 1681378078 |
Winner of the Los Angeles Times Book Prize for Fiction, a graceful depiction of middle-class Calcutta, seen through the lives of two interlinked families living in the city during the 1990s. Freedom Song is a novel about family life and city life at an uneasy moment in time. Set in Calcutta in 1993, the book begins by introducing us to Khuku, whose husband Shib is a retired executive and whose son has gone to live in America. Khuku’s old friend Mini, a teacher suffering from a bad case of arthritis, is paying a visit, which gives the two women a chance to gossip and reminisce and see the town. Khuku’s brother, Bhola, lives nearby with his wife and two grown children. Everyone is concerned about his son, Bhaskar, who has recently joined the Communist Party. He sells the party newspaper on the streets. He engages in street theater, and while no longer in his first youth, he remains unmarried. Freedom Song circles around this small upper-middle-class world, with its customs, memories, pleasures, and worries, but also ventures out into the wider world, in which the destruction of the venerable Babri Masjid by Hindu fundamentalists has started a cycle of sectarian violence. A novel of ordinary life, of work and love, shadowed by larger uncertainty, Freedom Song is a transfixing performance, deeply humane and winningly humorous, by one of the subtlest and sharpest writers of our time. A world of insight and feeling emerges from Amit Chaudhuri’s wonderfully expansive sentences, and style is revealed as nothing less than a form of knowledge.
| Author | : Mary King |
| Publisher | : William Morrow |
| Total Pages | : 630 |
| Release | : 1987 |
| Genre | : Political Science |
| ISBN | : |
A compelling and personal account of the American civil rights movement written by a participant, revealing for the first time the tragic story behind the murders of Andy Goodman, James Cheney, and Mickey Schwerner.
| Author | : Johari Jabir |
| Publisher | : |
| Total Pages | : 181 |
| Release | : 2017 |
| Genre | : HISTORY |
| ISBN | : 9780814213308 |
Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout--the counterclockwise song, dance, drum, and story in African American history and culture--Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history.
| Author | : Trina Robbins |
| Publisher | : Capstone |
| Total Pages | : 30 |
| Release | : 2008 |
| Genre | : Fugitive slaves |
| ISBN | : 1434204456 |
Sarah, a fourteen-year-old slave living in Maryland in the 1850s, tries to escape to freedom in the North through the Underground Railroad, knowing that her path to freedom will be filled with danger.
| Author | : Zoï Morrison |
| Publisher | : Random House Australia |
| Total Pages | : 354 |
| Release | : 2017-05 |
| Genre | : Man-woman relationships |
| ISBN | : 1925324222 |
I have no use for forgiveness, not yet. But other ideas like that, kindness, for example, I think that is fundamental. Resurrection; I like that too. And love, of course, love, love, love. Alice Murray learns to play the piano aged three on an orange orchard in rural Australia. Recognising her daughter's gift, her mother sends Alice to boarding school in the bleak north of England, and there Alice stays for the rest of her childhood. Then she's offered a scholarship to the Royal College of Music in London, and on a summer school in Oxford she meets Edward, an economics professor who sweeps her off her feet. Alice soon finds that Edwards is damaged, and she's trapped. She clings to her playing and to her dream of becoming a concert pianist, until disaster strikes. Increasingly isolated as the years unravel, eventually Alice can't find it in herself to carry on. Then she hears a single piano note emerge, repeatedly, from the walls of her house. And then that note turns into music ...
| Author | : Peter J Schmelz |
| Publisher | : Oxford University Press |
| Total Pages | : 409 |
| Release | : 2009-03-04 |
| Genre | : Music |
| ISBN | : 0199711941 |
Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.
| Author | : Robert J. Branham |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 289 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 0195137418 |
"This is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the last 250 years."--Provided by publisher.
| Author | : C. Sade Turnipseed |
| Publisher | : Vernon Press |
| Total Pages | : 293 |
| Release | : |
| Genre | : History |
| ISBN | : 1648895824 |
Taking place annually in “the most southern place on earth,” aka, the “Cotton Kingdom,” the Sweat Equity Investment in the Cotton Kingdom Symposium offers a platform to honor, celebrate, and recognize the legacy of the African Americans who labored in the cotton fields of the Mississippi Delta. The symposium intends to trigger discussions and provide a space where the histories and contributions of those Americans can be heard and learned from. Born in the antebellum south, the “soul of America” came to be through the tearful occupation of planting, chopping, picking and ginning cotton, where it was then brined within a system of enslavement, sharecropping and international trade that in so many ways provided America its “greatness.” Carefully compiled from works presented at the symposia, this anthology looks to expose the tortured “cotton-pickin’ spirit” embedded in America’s soul. A spirit that is rendered in song, chants, spoken word and field hollers, and revealed in this volume through the selected articles, lyric poetry, proverbs, speeches, slave narratives and workshop proposals. The rich and varied content of this book reflects the uniqueness of not only the Mississippi Delta but also the histories of those who lived and worked there.
