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The Postwar University

The Postwar University
Author: Stefan Muthesius
Publisher: Paul Mellon Ctr for Studies
Total Pages: 340
Release: 2000
Genre: Architecture
ISBN: 9780300087178

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"But this book is less concerned with a single utopian dream than with the complex stories of a great number of utopianist realities. It deals with the efforts as much as with the results, investigating the creation of institutions by charting the interaction of the diverse agendas of designers, educationalists, sociologists and politicians, tied, as they were, into each country's own traditions."--BOOK JACKET.


Free Berlin

Free Berlin
Author: Briana J. Smith
Publisher: MIT Press
Total Pages: 329
Release: 2022-09-20
Genre: Art
ISBN: 0262047195

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An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity. In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city’s state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today’s city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists’ resolve to work outside the market and citizens’ spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners’ historic embrace of care, solidarity, and cooperation.


Free University, Berlin

Free University, Berlin
Author: Gabriel Feld
Publisher: Exemplary Projects
Total Pages: 0
Release: 1999
Genre: Architecture
ISBN: 9781870890762

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Berlin Free University is an imagination of what a building might be - a building designed to function as a piece of the city, adapting to the needs of its users while generating opportunities for social interaction. The university offers a window onto the politicized and optimistic discourse of the Sixties and Seventies, but at the same time illuminates contemporary debates around large projects of infrastructure and public space. This extensive study of the building combines texts with a visual survey containing specifically commissioned photographs as well as archive material, plans and construction details.


Free University of Berlin

Free University of Berlin
Author: Norman Foster
Publisher: Prestel Publishing
Total Pages: 0
Release: 2011
Genre: Academic libraries
ISBN: 9783791345444

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KEYNOTE: This building monograph details the newest addition to one of Berlin's most important institutions, conceived and built by leading architect Norman Foster. Occupying a central role in the intellectual life of Berlin since the end of World War II, the Free University is one of the leading universities in Germany. Its long-awaited redevelopment includes the restoration of the campus' iconic Modernist buildings and the design of a new library for the Faculty of Philology. This volume documents the construction of that structure. Photographs, sketches, drawings, and plans, accompanied by brief essays, reveal how this sleek and handsome four-story structure employs the principles of radial geometry. Featuring many of the cutting-edge concepts of its acclaimed architect Norman Foster, this library's serpentine profile of floors generates a sequence of light-filled spaces that inspire learning as well as provide an optimal environment for reading and studying. AUTHOR: David Jenkins is an architect, editor, and writer based in the Foster Studio. He is the former buildings editor of the Architect's Journal and series editor of Norman Foster Works 1-5. Karl Kiem is a professor of architectural history and preservation at the University of Siegen in Germany. Norman Foster is Founder and Chairman of Foster + Partners. 90 illustrations


Die Freie Universität Berlin (1967-1973) / The Free University Berlin (1967 - 1973)

Die Freie Universität Berlin (1967-1973) / The Free University Berlin (1967 - 1973)
Author: Karl Kiem
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
Total Pages: 247
Release: 2008-06-25
Genre: Architecture
ISBN: 3958993273

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Das Gebäude der Freien Universität Berlin (Candilis, Josic, Woods, Schiedhelm, 1963-73) ist ein bahnbrechendes Werk in der Tradition der heroischen Moderne. Dieses wird in der vorliegenden Untersuchung anhand einer Fülle bisher unpublizierten Quellenmaterials zum ersten Mal umfassend untersucht. So werden nicht nur die bei diesem Gebäude umgesetzten technischen Innovationen, sein utopischer Charakter und sein Einfluss auf die internationale Entwicklung im Hochschulbau der sechziger Jahre des zwanzigsten Jahrhunderts untersucht, sondern auch die (personellen, politischen und mentalen) Ursachen für die Vielzahl der technischen Probleme, die die Ausführung des Gebäudes kompromittierten und schließlich einen dunklen Schatten auf seine Reputation legten. Das in jüngster Zeit wiedererwachte Interesse an der FU Berlin und den Architekten Candilis, Josic, Woods und Schiedhelm zeigt, wie die Relevanz dieses Gebäudes mit seiner kompakten Synthese von komplexer Konzeption und tektonischer Innovation in Verbindung mit differenzierten baugeschichtlichen Bezügen jenseits von nostalgischen Formen für Architekten, Lehrende, Studenten und Theoretiker fortdauert.


Hitler's Berlin

Hitler's Berlin
Author: Thomas Friedrich
Publisher: Yale University Press
Total Pages: 514
Release: 2012-07-10
Genre: History
ISBN: 0300166702

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A leading expert on the 20th-century history of Berlin, employing new and little-known German sources to track Hitler's attitudes and plans for the city, presents a fascinating new account of Hitler's relationship with Berlin, a place filled with grandiose architecture and imperial ideals, which he used as a platform for his political agenda.


The Free University of Berlin

The Free University of Berlin
Author: James F. Tent
Publisher:
Total Pages: 536
Release: 1988
Genre: Education
ISBN:

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Berlin, the Mother of All Research Universities

Berlin, the Mother of All Research Universities
Author: Charles E. McClelland
Publisher: Lexington Books
Total Pages: 287
Release: 2016-10-27
Genre: History
ISBN: 149854021X

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This work is the first major reexamination in English of the rise of the world’s pioneer modern research university. It presents an authoritative history of science, scholarship, and education, offering readers a background platform from which to confront looming issues about the future of higher education systems everywhere, but especially in the United States. The innovations of the new-model University of Berlin reached their highest point of development and influence on foreign adopters of “technology transfer” under the new German Empire before World War I. These innovations were grafted onto and shaped American higher research, teaching, and professionalization like no other influence in the twentieth century. No previous book in English has described this impressive conscious creation of an institution promoting cutting-edge research—in fields from physics and medicine to law and theology—combined with the highest standards of active, self-involved student learning for the higher professions. Yet even at the moment its astonishing institutional achievements became the inspiration for the brilliant rise of the American research university over the last century, its own contradictions and limitations were already beginning to appear in the 1920s. Indeed, since the University of Berlin was originally little more than a new reformed German university before 1860 and subsequently faced the disadvantages of financial ruin of the 1920s and the imposed wreckage of the Nazi and East German Communist regimes from 1933 to 1990, the period 1860–1918 is the one of greatest interest for the development of what came to be a world-wide “model” for emulation. Today, when the entire concept of the elite “research university” is under attack, revisiting its origins in Germany should provide stimulus to the debates about the future of the university, not only in North America and Europe but in all countries with higher education systems modeled on or influences by the German or American ones (e.g., Australia, India). The question of whether future innovative science and scholarship should remain coupled with teaching institutions as in the “Berlin model” can best be explored against the background of the emergence of that model.


Berlin Cabaret

Berlin Cabaret
Author: Peter JELAVICH
Publisher: Harvard University Press
Total Pages: 337
Release: 2009-06-30
Genre: History
ISBN: 0674039130

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Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down. Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient nude dancing, and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment. Neither highly politicized, like postwar German Kabarett, nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances--as prisoners in the concentration camps at Westerbork and Theresienstadt. This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.