Frederick Kiesler Face To Face With The Avant Garde PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Frederick Kiesler Face To Face With The Avant Garde PDF full book. Access full book title Frederick Kiesler Face To Face With The Avant Garde.
| Author | : Peter Bogner |
| Publisher | : Birkhäuser |
| Total Pages | : 296 |
| Release | : 2019-08-01 |
| Genre | : Architecture |
| ISBN | : 3035615411 |
Download Frederick Kiesler: Face to Face with the Avant-Garde Book in PDF, ePub and Kindle
Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others.
| Author | : Bastiaan Willems |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 297 |
| Release | : 2022-08-11 |
| Genre | : History |
| ISBN | : 1350281107 |
Download A Transnational History of Forced Migrants in Europe Book in PDF, ePub and Kindle
This book is a vital exploration of the harrowing stories of mass displacement that took place in the first half of the 20th century from the perspective of forced migrants themselves. The volume brings together 15 interrelated case studies which show how the deportation, evacuation and flight of millions of people as a result of the First World War intensified rather than alleviated ethnic conflicts which culminated in population transfers on an even larger scale during and immediately after the Second World War. While each chapter focuses on a different group of refugees and displaced persons, the text as a whole looks at the experience of forced migration as a complex set of evolving relationships with the receiving society, the homeland, the broader diaspora and other migrant communities living within the same host country. This innovative, four-dimensional model provides an overarching conceptual framework that binds the chapters together within the longer arc of European history. By going beyond the conventional narratives of national victimhood and (un)successful assimilation of refugees, A Transnational History of Forced Migrants in Europe reveals that identities of forced migrants in the first half of the 20th century were individualised, hybrid and constantly reconstructed in response to socioeconomic forces and political pressures. The case studies collected in this volume further suggest that age, gender, social class, educational level and the personal experiences of 'unwilling nomads' are more important to the understanding of forced migration history than ethnoreligious identities of victims and perpetrators.
| Author | : Burcu Dogramaci |
| Publisher | : Leuven University Press |
| Total Pages | : 440 |
| Release | : 2020-09-01 |
| Genre | : Art |
| ISBN | : 9462702268 |
Download Arrival Cities Book in PDF, ePub and Kindle
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
| Author | : Shirley Haines-Cooke |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 252 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
Download Frederick Kiesler Book in PDF, ePub and Kindle
The material for this book has been taken from the 2006 thesis, Frederick Kieslerâ (TM)s Art of This Century in New York, (1942-1947), in the Context of the Twentieth Century Art Museum. The prime objective was to establish why so few people remember Art of This Century, which Kiesler designed for Peggy Guggenheim in 1942, and she ruthlessly closed in 1947. A second aim was to investigate why there has been so research carried out on the Gallery, when it was acknowledged as a work of art in its own right at the time of opening. Indeed, in 2004 Thomas Krens, the Guggenheim Foundationâ (TM)s director expressed concern that due to the lack of research it might slip into oblivion. Such a statement raises questions as to why it has taken the Guggenheim Foundation over half a century to resurrect Art of This Century, in the form of two exhibitions held in Frankfurt and Venice, or instigate its own research. The book opens with an historical account of the development of the modern art museum, as well as an overview of Kieslerâ (TM)s life and multidisciplinary oeuvre. His association with selected, contemporary architectural theorists, and architects is looked at to establish whether they had any influence on his eclectic thinking. This is followed by a summary of Kieslerâ (TM)s manifesto, On Correalism and Biotechnique: A Definition of a New Approach to Building Design, 1937-1939. The main body of the work is a detailed description of Art of This Century. The notion that Kieslerâ (TM)s innovative theories and designs might be better understood in a twenty-first century architectural context is finally explored. This book finally restores Frederick Kiesler to his rightful place in the history of twentieth century art and architecture. By a careful analysis of his sometimes fraught collaboration with the mercurial Peggy Guggenheim, Haines-Cooke uncovers the fascinating story of Kieslerâ (TM)s ground-breaking new vision for the display of abstract art â " rendered all the more poignant by its significant yet largely subliminal influence on much of the best in recent museum and gallery architecture. â "Dr Jonathan Hale, University of Nottingham
| Author | : Sascha Bru |
| Publisher | : Taylor & Francis |
| Total Pages | : 370 |
| Release | : 2024-03-13 |
| Genre | : Art |
| ISBN | : 1003856667 |
Download Historic Avant-Garde Work on Paper Book in PDF, ePub and Kindle
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
| Author | : Sue Field |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2020-12-14 |
| Genre | : Performing Arts |
| ISBN | : 1350168556 |
Download Scenographic Design Drawing Book in PDF, ePub and Kindle
This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout. Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time. Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
| Author | : Jadwiga Kamola |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 206 |
| Release | : 2021-10-11 |
| Genre | : Photography |
| ISBN | : 3110740168 |
Download Artist Complex Book in PDF, ePub and Kindle
With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
| Author | : Günter Berghaus |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 547 |
| Release | : 2020-11-23 |
| Genre | : Art |
| ISBN | : 3110702207 |
Download 2020 Book in PDF, ePub and Kindle
Volume 10 examines how the innovative impulses that came from Italy were creatively merged with indigenous traditions and how many national variants of Futurism emerged from this fusion. Ten essays investigate various aspects of Italian Futurism and its links to Austria, Georgia, France, Hungary and Portugual and in fields such as Typography, Olfaction, Photography. Section 2 examines seven examples of caricatures and satires of Futurism in the contemporary press, followed by Section 3, reporting on the Archiv der Avantgarden (AdA) in Dresden. Section 4 communicates bibliographic details of 120 book publications on Futurism in the period 2017-2020, including exhibition catalogues, conference proceedings and editions.
| Author | : Kazimir Malevich |
| Publisher | : Lars Muller Publishers |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Architecture |
| ISBN | : 9783037786642 |
Download The Non-objective World Book in PDF, ePub and Kindle
Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless has a close connection to the ideas of the school in terms of content. This volume, the eleventh, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work: to wrest the mask of life from the true face of art.
| Author | : Raffaele Bedarida |
| Publisher | : Taylor & Francis |
| Total Pages | : 320 |
| Release | : 2022-06-28 |
| Genre | : Art |
| ISBN | : 1000595803 |
Download Exhibiting Italian Art in the United States from Futurism to Arte Povera Book in PDF, ePub and Kindle
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
