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Franz Liszt

Franz Liszt
Author: Michael Saffle
Publisher: Routledge
Total Pages: 538
Release: 2013-02-01
Genre: Music
ISBN: 113583959X

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Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.


Liszt as Transcriber

Liszt as Transcriber
Author: Jonathan Kregor
Publisher: Cambridge University Press
Total Pages: 315
Release: 2010-11-18
Genre: Music
ISBN: 0521117771

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Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.


Liszt's Representation of Instrumental Sounds on the Piano

Liszt's Representation of Instrumental Sounds on the Piano
Author: Hyun Joo Kim
Publisher:
Total Pages: 240
Release: 2019
Genre: Arrangement (Music)
ISBN: 1580469469

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Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.


Music and Monumentality

Music and Monumentality
Author: Alexander Rehding
Publisher: Oxford University Press
Total Pages: 522
Release: 2009-08-19
Genre: Music
ISBN: 0199888892

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This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.


Ferruccio Busoni and the Ontology of the Musical Work

Ferruccio Busoni and the Ontology of the Musical Work
Author: Erinn Elizabeth Knyt
Publisher: Stanford University
Total Pages: 641
Release: 2010
Genre:
ISBN:

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Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.


Mozart's Ghosts

Mozart's Ghosts
Author: Mark Everist
Publisher: Oxford University Press
Total Pages:
Release: 2013-06-11
Genre: Music
ISBN: 0199344221

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Mozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.


Opera in the Viennese Home from Mozart to Rossini

Opera in the Viennese Home from Mozart to Rossini
Author: Nancy November
Publisher: Cambridge University Press
Total Pages: 494
Release: 2024-01-18
Genre: Music
ISBN: 1009409832

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Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790–1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.


Wagner's Melodies

Wagner's Melodies
Author: David Trippett
Publisher: Cambridge University Press
Total Pages: 463
Release: 2013-05-02
Genre: Music
ISBN: 1107014301

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Wagner's Melodies places the composer's ideas about melody in the context of the scientific discourse of his age.