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Fragments of Femininity

Fragments of Femininity
Author: Olivier Pont
Publisher: Europe Comics
Total Pages: 119
Release: 2017-01-18T00:00:00+01:00
Genre: Comics & Graphic Novels
ISBN:

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This is a collection of portraits of 7 women, of all different ages, backgrounds, circumstances and eras. Each one of them is facing a defining moment in her life. They are bound together by the symbol of their femininity: their breasts. We see an awkward college girl getting to grips with her womanhood; a 1960s house-wife freeing herself from the restraints of propriety; the manager of a small underwear shop fighting against corporate giants; a woman nude modeling for an unexpected reason... Love, illness, sex, liberation, sensuality: Olivier Pont draws us into the lives of these women with astounding force.


Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce

Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce
Author: Ginette Verstraete
Publisher: State University of New York Press
Total Pages: 296
Release: 1998-01-15
Genre: Biography & Autobiography
ISBN: 1438422911

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This is the first book to extensively study Joyce's work in the context of Germanic Romantic literary theory. It illustrates how Joyce's modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel's conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel's early Romanticism to the young Joyce's essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce's personal appropriation of Hegel's dialectics can better be understood in terms of Schlegel's ironic approach to philosophy. She relates Schlegel's concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant's categories of the beautiful and the sublime. She argues that Schlegel's ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the "feminine sublime" at work in Schlegel's essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce's postmodern innovations of Romantic art.


Women's Aggressive Fantasies

Women's Aggressive Fantasies
Author: Sue Austin
Publisher: Psychology Press
Total Pages: 294
Release: 2005
Genre: Aggressiveness
ISBN: 9781583919101

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Drawing together apparently disparate strands of theory from feminism, critical psychology, contemporary psychoanalysis and post-Jungian thought, this books succeeds in providing a new insight into the phenomenon of female violence and aggression.


Theory as Practice

Theory as Practice
Author: Jochen Schulte-Sasse
Publisher: U of Minnesota Press
Total Pages: 498
Release: 1997
Genre: Literary Criticism
ISBN: 0816627797

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Theory as Practice was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In light of recent, dramatic revisions in criticism of European-particularly German-Romanticism, this anthology brings together key texts of the movement, especially those written in the last quarter of the eighteenth century by a small, influential circle centered at Jena. In their introductory essays, the editors locate writings by Fichte, Schelling, Novalis, August Wilhelm Schlegel, and Friedrich Schlegel, among others, in this context. The selections include extensive excerpts from the correspondence of the Jena Romantics, their commentaries on each other's work, their most pertinent essays, fragments, and dialogues as well as diary entries and reviews. These works, together with the editors' articulation and elaboration of their significance, provide a new perspective on the provenance of postmodern thought and literary theory. Jochen Schulte-Sasse is professor of German and comparative literature at the University of Minnesota and coeditor (with Wlad Godzich) of the Theory and History of Literature series at the University of Minnesota Press. Haynes Horne (University of Alabama), Andreas Michel (Indiana University), Assenka Oksiloff (New York University), Elizabeth Mittman (Michigan State University), Lisa C. Roetzel (University of Rochester), and Mary R. Strand each received a Ph.D. from the University of Minnesota.


Luce Irigaray's Phenomenology of Feminine Being

Luce Irigaray's Phenomenology of Feminine Being
Author: Virpi Lehtinen
Publisher: SUNY Press
Total Pages: 282
Release: 2014-05-15
Genre: Social Science
ISBN: 143845127X

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A dynamic interpretation of feminine identity capable of resistance, change, and transformation. The reception of Luce Irigaray’s ideas about feminine identity has centered largely on questions of essentialism, whether criticizing this as a destructive flaw or interpreting it in strategic or pragmatic terms. Staking out an alternative approach, Virpi Lehtinen finds in the phenomenology of Husserl and Merleau-Ponty a framework for what she characterizes as dynamic essentialism, which seeks to account for the complex networks of lived experience: embodied, affective, and spiritual relations to oneself, to others, and to the world. Rather than prescribing one norm to which all women should conform, Lehtinen argues, Irigaray’s work exemplifies how each individual woman in her own way contributes to a norm of femininity that is both unique and singular but also connected to the existential styles of past, present, and future others.


Goethe Yearbook 9

Goethe Yearbook 9
Author: Thomas Saine
Publisher: Edizioni Mediterranee
Total Pages: 462
Release: 1999-05
Genre: Literary Criticism
ISBN: 9781571131362

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The latest volume in the respected series, this issue as usual contains cutting-edge criticism on topics of interest to scholars of the period 1770-1832. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America, and is dedicated to Goethe scholarship in North America. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and the Goethezeit while also welcoming contributions from scholars around the world. Volume 9 of the Goethe Yearbook provides cutting-edge literary criticism onworks by Goethe and his contemporaries. Editor Thomas Saine has demonstrated in this respected series that he is especially interested in new critical directions and solid research. The book review section is important for all scholars of 18th-century literature.


Artistic Outlaws

Artistic Outlaws
Author: Sonja Samberger
Publisher: LIT Verlag Münster
Total Pages: 332
Release: 2005
Genre: Poetry
ISBN: 9783825886165

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"The creator of the new composition in the arts is an outlaw until he is a classic", Gertrude Stein wrote in 1926. Unlike male modernists such as T. S. Eliot or Ezra Pound, the modernist women poets Edith Sitwell, Amy Lowell, Stein and H. D. never became "high" modernist models but remained "artistic outlaws". The present study shows how these women were present on the modernist scene but followed their own concepts and struggled to establish their position as modernist women poets. Defying definition, the four poets not only richly contributed to modernism, but were indeed its developers.


For His Eyes Only

For His Eyes Only
Author: Lisa Funnell
Publisher: Columbia University Press
Total Pages: 328
Release: 2015-10-20
Genre: Performing Arts
ISBN: 0231850921

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The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women. Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.


Fantasies of Femininity

Fantasies of Femininity
Author: Jane M. Ussher
Publisher: Rutgers University Press
Total Pages: 432
Release: 1997
Genre: Psychology
ISBN: 9780813524986

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In Fantasies of Femininity, Jane Ussher focuses on unraveling the contradictory visions of feminine sexuality: the fact that representations of the definition of woman seethe with sexuality yet for centuries women have been condemned for exploring their own sexual desires. In her quest for the sources of feminine representation, Ussher interviewed dozens of women - as well as some men - and combed popular media - from Seventeen to Cosmopolitan and Dallas to Donahue - to identify what shapes women's symbolic images of sex and femininity. Ussher argues that women have effectively resisted and subverted these archetypal fantasies of femininity, and in the process of so doing, reframed the very boundaries of sex. In this way, she exposes as myth much of what we think we know about "woman" and about "sex."


Psychoanalyses / Feminisms

Psychoanalyses / Feminisms
Author: Peter L. Rudnytsky
Publisher: SUNY Press
Total Pages: 252
Release: 2000-01-01
Genre: Psychology
ISBN: 9780791443781

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Bringing together twelve provocative and iconoclastic contributions by leading scholars and new voices, this book probes the complementary yet contested relations between various forms of contemporary psychoanalysis and feminism. The intention is not simply to juxtapose these two preeminent intellectual movements of the twentieth century, but to highlight the manifold nature of each. The contributors use and interrogate Freud, Lacan, Klein, Irigaray, Riviere, and Jessica Benjamin, as well as object-relations theory, self psychology, and Horneyan theory as they discuss the work of such writers as D. H. Lawrence, Emily Bronte, Virginia Woolf, and Kathy Acker. If feminism has insisted that "the personal is political", psychoanalysis argues that no realm of human life is impervious to unconscious motives, which may subvert a subject's avowed intentions. Although Freud remains a point of reference, he is now important as a symptom of the crises of Western patriarchal culture as well as for his epoch-making theoretical ideas. Because feminism and psychoanalysis unsettle each other's complacencies, they rekindle their own radical potential, and what may be perhaps termed their "marriage" has proven, as this book amply shows, to be both enduring and fecund.