Foure Paradoxes, Or Politique Discourses
Author | : Thomas Digges |
Publisher | : |
Total Pages | : 0 |
Release | : 1604 |
Genre | : Military discipline |
ISBN | : |
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Author | : Thomas Digges |
Publisher | : |
Total Pages | : 0 |
Release | : 1604 |
Genre | : Military discipline |
ISBN | : |
Author | : Thomas DIGGES |
Publisher | : |
Total Pages | : 116 |
Release | : 1604 |
Genre | : |
ISBN | : |
Author | : Thomas Digges |
Publisher | : |
Total Pages | : 111 |
Release | : 1604 |
Genre | : Military art and science |
ISBN | : |
Author | : Thomas Digges |
Publisher | : |
Total Pages | : 0 |
Release | : 1604 |
Genre | : Military art and science |
ISBN | : |
Author | : Fabio Ciambella |
Publisher | : Skenè. Texts and Studies |
Total Pages | : 228 |
Release | : 2022-12-09 |
Genre | : Language Arts & Disciplines |
ISBN | : |
In 1602 and 1604 two collections of paradoxes, both entitled Four Paradoxes, authored by Thomas Scott, and Thomas and Dudley Digges, respectively, were published. Scott, a Protestant preacher, wrote four poems about art, law, war, and service. On the other hand, the diplomat and intellectual Dudley Digges published his father’s two paradoxes about the art of war together with his own two texts concerning the worthiness of war and warriors. What do these two collections of paradoxes have in common, and why publishing their critical edition together? Apparently, besides sharing the same title, the two works do not seem to have anything else in common. Nevertheless, this modern spelling critical edition of both texts aims at demonstrating that they share political, cultural, and genre-related features connected with the circulation of paradoxical discourse about war in early modern England.
Author | : Marco Duranti |
Publisher | : Skenè. Texts and Studies |
Total Pages | : 286 |
Release | : 2023-12-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 884676837X |
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
Author | : Paul A. Jorgensen |
Publisher | : Univ of California Press |
Total Pages | : 358 |
Release | : 2023-11-10 |
Genre | : Literary Criticism |
ISBN | : 0520334531 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
Author | : Stuart Elden |
Publisher | : University of Chicago Press |
Total Pages | : 347 |
Release | : 2018-12-17 |
Genre | : History |
ISBN | : 022655922X |
Shakespeare was an astute observer of contemporary life, culture, and politics. The emerging practice of territory as a political concept and technology did not elude his attention. In Shakespearean Territories, Stuart Elden reveals just how much Shakespeare’s unique historical position and political understanding can teach us about territory. Shakespeare dramatized a world of technological advances in measuring, navigation, cartography, and surveying, and his plays open up important ways of thinking about strategy, economy, the law, and colonialism, providing critical insight into a significant juncture in history. Shakespeare’s plays explore many territorial themes: from the division of the kingdom in King Lear, to the relations among Denmark, Norway, and Poland in Hamlet, to questions of disputed land and the politics of banishment in Richard II. Elden traces how Shakespeare developed a nuanced understanding of the complicated concept and practice of territory and, more broadly, the political-geographical relations between people, power, and place. A meticulously researched study of over a dozen classic plays, Shakespearean Territories will provide new insights for geographers, political theorists, and Shakespearean scholars alike.
Author | : Sheldon Brammall |
Publisher | : Edinburgh University Press |
Total Pages | : 224 |
Release | : 2015-06-28 |
Genre | : Literary Criticism |
ISBN | : 1474404529 |
The first book-length study of the English Renaissance translations of Virgil's AeneidThis study brings to light a history of English Renaissance Aeneids that has been lost from view. Previous monographs have explored the complete translations by Gavin Douglas (1513) and John Dryden (1697), but there has been little research focussing on the Aeneid translations which appeared in between. This book covers the period from the beginning of Elizabeths reign to the start of the English Civil War, during which time there were thirteen authors who composed substantial translations of Virgils epic. These translators include prominent literary figures such as Richard Stanyhurst, Christopher Marlowe, and Sir John Harington as well as scholars, schoolmasters, and members of parliament. Rather than simply viewing these Aeneids as scattered efforts preceding Dryden and the golden age of Augustan translation, this book argues that these works represent a recognizable and important period of English classical translation. Drawing on manuscripts and printed sources, the book sketches a continuous portrait of the English Aeneids as they developed through the ages of Elizabeth, James, and Charles I.Key features * Reconsiders the role that Virgils epic played in the English Renaissance* Identifies a period in translation history* Offers original readings of influential texts* Brings together the realms of literature and politicsSheldon Brammall is Leverhulme Trust Early Career Fellow, Faculty of English Language and Literature, University of Oxford
Author | : Philip Goldfarb Styrt |
Publisher | : Bloomsbury Publishing |
Total Pages | : 233 |
Release | : 2021-11-04 |
Genre | : Literary Criticism |
ISBN | : 1350173991 |
Shakespeare's Political Imagination argues that to better understand Shakespeare's plays it is essential to look at the historicism of setting: how the places and societies depicted in the plays were understood in the period when they were written. This book offers us new readings of neglected critical moments in key plays, such as Malcolm's final speech in Macbeth and the Duke's inaction in The Merchant of Venice, by investigating early modern views about each setting and demonstrating how the plays navigate between those contemporary perspectives. Divided into three parts, this book explores Shakespeare's historicist use of medieval Britain and Scotland in King John and Macbeth; ancient Rome in Julius Caesar and Coriolanus; and Renaissance Europe through Venice and Vienna in The Merchant of Venice, Othello and Measure for Measure. Philip Goldfarb Styrt argues that settings are a powerful component in Shakespeare's worlds that not only function as physical locations, but are a mechanism through which he communicates the political and social orders of the plays. Reading the plays in light of these social and political contexts reveals Shakespeare's dramatic method: how he used competing cultural narratives about other cultures to situate the action of his plays. These fresh insights encourage us to move away from overly localized or universalized readings of the plays and re-discover hidden moments and meanings that have long been obscured.