Four New World Yoruba Rituals
Author | : John Mason |
Publisher | : |
Total Pages | : 124 |
Release | : 1985 |
Genre | : Rites and ceremonies |
ISBN | : |
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Author | : John Mason |
Publisher | : |
Total Pages | : 124 |
Release | : 1985 |
Genre | : Rites and ceremonies |
ISBN | : |
Author | : John Mason |
Publisher | : |
Total Pages | : 174 |
Release | : 2013 |
Genre | : Yoruba (African people) |
ISBN | : 9781881244158 |
Author | : Gary Edwards |
Publisher | : |
Total Pages | : 108 |
Release | : 1985 |
Genre | : Religion |
ISBN | : |
Author | : Velma E. Love |
Publisher | : Penn State Press |
Total Pages | : 159 |
Release | : 2015-06-29 |
Genre | : Religion |
ISBN | : 0271061456 |
Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.
Author | : Sandra T. Barnes |
Publisher | : Indiana University Press |
Total Pages | : 418 |
Release | : 1997-06-22 |
Genre | : Social Science |
ISBN | : 0253113814 |
This landmark work of ethnography explores the enduring, global worship of the African god of war—with five new essays in this new, expanded edition. Ogun—the ancient African god of iron, war, and hunting—is worshiped by more than forty million adherents in Western Africa, the Caribbean, and the Americas. This rich, interdisciplinary collection draws on field research from several continents to reveal Ogun’s dramatic power and enduring appeal. Contributors examine the history and spread of Ogun throughout old and new worlds; the meaning of Ogun ritual, myth, and art; and the transformations of Ogun through the deity’s various manifestations. This edition includes five new essays focusing mainly on Ogun worship in the new world. “[A]n ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas.” —African Studies Review
Author | : Margaret Thompson Drewal |
Publisher | : Indiana University Press |
Total Pages | : 536 |
Release | : 1992-03-22 |
Genre | : History |
ISBN | : 0253112737 |
Yoruba peoples of southwestern Nigeria conceive of rituals as journeys -- sometimes actual, sometimes virtual. Performed as a parade or a procession, a pilgrimage, a masking display, or possession trance, the journey evokes the reflexive, progressive, transformative experience of ritual participation. Yoruba Ritual is an original and provocative study of these practices. Using a performance paradigm, Margaret Thompson Drewal forges a new theoretical and methodological approach to the study of ritual that is thoroughly grounded in close analysis of the thoughts and actions of the participants. Challenging traditional notions of ritual as rigid, stereotypic, and invariant, Drewal reveals ritual to be progressive, transformative, generative, and reflexive and replete with simultaneity, multifocality, contingency, indeterminacy, and intertextuality. Throughout the book prominence is given to the intentionality of actors as knowledgeable agents who transform ritual itself through play and improvisation. Integral to the narrative are interpolations about performances and their meanings by Kolawole Ositola, a scholar of Yoruba oral tradition, ritual practitioner, diviner, and master performer. Rich descriptions of rituals relating to birth, death, reincarnation, divination, and constructions of gender are rendered all the more vivid by a generous selection of field photos of actual performances.
Author | : Aribidesi Usman |
Publisher | : Cambridge University Press |
Total Pages | : 519 |
Release | : 2019-07-04 |
Genre | : History |
ISBN | : 1107064600 |
A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
Author | : John Mason |
Publisher | : |
Total Pages | : 498 |
Release | : 2013 |
Genre | : Folk songs, Yoruba |
ISBN | : 9781881244141 |
The first comprehensive translation and review of close to 600 Yorùbá songs that have been used in Cuba by Africans and their descendents, for over two hundred years, and in the U.S., since 1960, to praise and envoke some 25 òrìṣà/deities. The classical character of the music, songs, and historic/elemental archetypes is discussed fully.
Author | : David H. Brown |
Publisher | : Routledge |
Total Pages | : 870 |
Release | : 2021-10-24 |
Genre | : Social Science |
ISBN | : 1000124371 |
Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests have shaped the religion’s symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina’s Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and "usuable pasts" that actors draw upon to craft new forms and identities – a perspective that will be invaluable to all students of the African Diaspora.
Author | : Lucie Pradel |
Publisher | : Africa World Press |
Total Pages | : 336 |
Release | : 2000 |
Genre | : Afro-Caribbean cults |
ISBN | : 9780865437036 |
Like a kaleidoscope, the Caribbean world displays the vibrant colors of its diversity. Ethnic groups from four continents brought their customs and beliefs to this New World. The sheer number of African people brought to the Caribbean islands perpetuated through their spiritual vitality, the central role played by traditional religions in African life. Though they hadn't brought along the material support of their worship, they had buried in their memory other essential supports: memories of gods, of myths, rites, rhythms, tales, legends, proverbs, songs, dances, sculptures, all the fundamental vectors of their religious thought. Through a process of secularization, continuity, adaptation, creation, syncretism and synthesis, these elements helped vitalize the artistic, profane and sacred domains of Caribbean cultures.