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| Author | : Tony Fisher |
| Publisher | : Theatre: Theory - Practice - Performance |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Performing arts |
| ISBN | : 9781526135704 |
This book opens up innovative ways of reading philosophy 'theatrically', contributing to a new articulation of theatre and its relation to critical thought.
| Author | : Tony Fisher |
| Publisher | : Manchester University Press |
| Total Pages | : 418 |
| Release | : 2019-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1526132087 |
The volume contributes to a new articulation of theatre and performance studies via Foucault’s critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault’s work for the first time. The introduction sets out a thorough and informative assessment of Foucault’s relevance to theatre and performance studies and to our present cultural moment – it rereads his profound engagement with questions of truth, power and politics, in light of previously unknown writings and lectures set in relation to current political and cultural concerns. Unique to this volume is the discovery of a ‘theatrical’ Foucault - the profound affinity of his thinking with questions of performativity. This discovery makes accessible the ‘performance turn’ to readers of Foucault, while opening up ways of reading Foucault’s oeuvre ‘theatrically’.
| Author | : Fisher GOTMAN |
| Publisher | : |
| Total Pages | : 320 |
| Release | : 2019-10-31 |
| Genre | : |
| ISBN | : 9781526132062 |
The volume contributes to a new articulation of theatre and performance studies via Foucault's critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault's work for the first time. The introduction sets out a thorough and informative assessment of Foucault's relevance to theatre and performance studies and to our present cultural moment - it rereads his profound engagement with questions of truth, power and politics, in light of previously unknown writings and lectures. Unique to this volume is the discovery of a 'theatrical' Foucault - the profound affinity of his thinking with questions of performativity. This discovery makes accessible the 'performance turn' to readers of Foucault, while opening up ways of reading Foucault's oeuvre 'theatrically'.
| Author | : Patrice Maniglier |
| Publisher | : Columbia University Press |
| Total Pages | : 197 |
| Release | : 2018-08-21 |
| Genre | : Performing Arts |
| ISBN | : 0231547838 |
Michel Foucault’s work on film, although not extensive, compellingly illustrates the power of bringing his unique vision to bear on the subject and offers valuable insights into other aspects of his thought. Foucault at the Movies brings together all of Foucault’s commentary on film, some of it available for the first time in English, along with important contemporary analysis and further extensions of this work. Patrice Maniglier and Dork Zabunyan situate Foucault’s writings on film in the context of the rest of his work as well as within a broad historical and philosophical framework. They detail how Foucault’s work directly or indirectly inspired both film critics and directors in surprising ways and discuss his ideas in relation to significant movements within film theory and practice. The book includes film reviews and discussions by Foucault as well as his interviews with the prestigious film magazine Cahiers du cinéma and other journals. Also included are his dialogues with the noted French feminist writer Hélène Cixous and film directors Werner Schroeter and René Féret. Throughout, Foucault and those he is in conversation with reflect on the relationship of film to history, the body, power and politics, knowledge, sexuality, aesthetics, and institutions of internment. Foucault at the Movies makes all of Foucault’s writings on film available to an English-speaking audience in one volume and offers detailed, up-to-date commentary, inviting us to go to the movies with Foucault.
| Author | : Michel Foucault |
| Publisher | : Vintage |
| Total Pages | : 354 |
| Release | : 2012-04-18 |
| Genre | : Social Science |
| ISBN | : 0307819299 |
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
| Author | : Sanjay K. Gautam |
| Publisher | : University of Chicago Press |
| Total Pages | : 297 |
| Release | : 2016-06-22 |
| Genre | : Literary Criticism |
| ISBN | : 022634844X |
Gautam has here laid out the first serious reading of Michel Foucault in relation to key Sanskrit texts, and--what may be a surprise to many--he has written the first book-length work in English on the nature and origin of the Kamasutra. Gautam also takes up the Natyasastra (the Kamasutra's twin), locating in the first the themes of sexual-erotic pleasure, and locating in the second the classical Indian view of theater, music, dance, and aesthetic pleasure. The book shows how closely intertwined the history of erotics in ancient Indian culture is with the history of theater-aesthetics. Foucault provides a framework for opening up the intellectual horizon of Indian thought; it is his distinction between ars erotics (erotic arts) and scientia sexualis (science of sexuality) that fuels Gautam's exploration of the courtesan as symbol of both erotic and aesthetic pleasure, particularly in her role as a wife to her patron, which entails the morphing of erotics into a form of theater. The scope broadens ambitiously, to an inquiry on the nature of knowledge formation, erotics, theater, and gender relations in premodern Indian society and culture--as they converged on the historical figures of the courtesan and her male counterpart, the dandy. Gautam's twining of aims and subjects--Foucault's western philosophy of pleasure and India's classic text on eros (anchored in art and aesthetics)--transforms both the modern and the ancient texts with new understandings, and as new forms of investigating erotics and subjectivity itself.
| Author | : Stuart Elden |
| Publisher | : John Wiley & Sons |
| Total Pages | : 288 |
| Release | : 2021-05-20 |
| Genre | : Philosophy |
| ISBN | : 1509525998 |
It was not until 1961 that Foucault published his first major book, History of Madness. He had already been working as an academic for a decade, teaching in Lille and Paris, writing, organizing cultural programmes and lecturing in Uppsala, Warsaw and Hamburg. Although he published little in this period, Foucault wrote much more, some of which has been preserved and only recently become available to researchers. Drawing on archives in France, Germany, Switzerland, Sweden and the USA, this is the most detailed study yet of Foucault’s early career. It recounts his debt to teachers including Louis Althusser, Jean Hyppolite, Maurice Merleau-Ponty and Jean Wahl; his diploma thesis on Hegel; and his early teaching career. It explores his initial encounters with Georges Canguilhem, Jacques Lacan, and Georges Dumézil, and analyses his sustained reading of Friedrich Nietzsche, Edmund Husserl and Martin Heidegger. Also included are detailed discussions of his translations of Ludwig Binswanger, Victor von Weizsäcker, and Immanuel Kant; his clinical work with Georges and Jacqueline Verdeaux; and his cultural work outside of France. Investigating how Foucault came to write History of Madness, Stuart Elden shows this great thinker’s deep engagement with phenomenology, anthropology and psychology. An outstanding, meticulous work of intellectual history, The Early Foucault sheds new light on the formation of a major twentieth-century figure.
| Author | : Stuart Elden |
| Publisher | : John Wiley & Sons |
| Total Pages | : 260 |
| Release | : 2022-12-01 |
| Genre | : Philosophy |
| ISBN | : 1509545360 |
On 20 May 1961 Foucault defended his two doctoral theses; on 2 December 1970 he gave his inaugural lecture at the Collège de France. Between these dates, he published four books, travelled widely, and wrote extensively on literature, the visual arts, linguistics, and philosophy. He taught both psychology and philosophy, beginning his explorations of the question of sexuality. Weaving together analyses of published and unpublished material, this is a comprehensive study of this crucial period. As well as Foucault's major texts, it discusses his travels to Brazil, Japan, and the USA, his time in Tunisia, and his editorial work for Critique and the complete works of Nietzsche and Bataille. It was in this period that Foucault developed the historical-philosophical approach he called 'archaeology' – the elaboration of the archive – which he understood as the rules that make possible specific claims. In its detailed study of Foucault's archive the book is itself an archaeology of Foucault in another sense, both excavation and reconstruction. This book completes a four-volume series of major intellectual histories of Foucault. Foucault's Last Decade was published by Polity in 2016; Foucault: The Birth of Power followed in 2017; and The Early Foucault in 2021.
| Author | : Michel Foucault |
| Publisher | : Semiotext(e) |
| Total Pages | : 196 |
| Release | : 2001 |
| Genre | : Foreign Language Study |
| ISBN | : |
Lectures given as part of Foucault's seminar on Discourse and truth, at the University of California at Berkeley, 1983. The seminar was devoted to the study of the Greek notion of 'parrhesia' or 'frankness in speaking the truth'
| Author | : J. Tompkins |
| Publisher | : Springer |
| Total Pages | : 231 |
| Release | : 2014-11-04 |
| Genre | : Performing Arts |
| ISBN | : 113736212X |
Theatre's Heterotopias analyses performance space, using the concept of heterotopia: a location that, when apparent in performance, refers to the actual world, thus activating performance in its culture. Case studies cover site-specific and multimedia performance, and selected productions from the National Theatre of Scotland and the Globe Theatre.
