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Forty Centuries of Ink (Classic Reprint)

Forty Centuries of Ink (Classic Reprint)
Author: David N. Carvalho
Publisher: Forgotten Books
Total Pages: 404
Release: 2017-12-10
Genre: Art
ISBN: 9780332607665

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Excerpt from Forty Centuries of Ink How to accomplish this as well as to give a chrono logical history on the subject of inks generally, both as to their genesis, the effect of time and the elements, the determination of the. Constituents and the consti tution of inks, their value as to lasting qualities, their removal and restoration, is the object of this work. There is also included many court cases where the matter of ink was in controversy; information respect ing ancient mss. And the implements and other ao cessories of ink which have from time to time been employed in the act of writing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Forty Centuries of Ink

Forty Centuries of Ink
Author: David Nunes Carvalho
Publisher:
Total Pages: 398
Release: 1904
Genre: Ink
ISBN:

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FORTY CENTURIES OF INK

FORTY CENTURIES OF INK
Author: DAVID N.CARVALHO
Publisher:
Total Pages: 406
Release: 1904
Genre:
ISBN:

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Li Kung-lin's Classic of Filial Piety

Li Kung-lin's Classic of Filial Piety
Author: Richard M. Barnhart
Publisher: Metropolitan Museum of Art
Total Pages: 180
Release: 1993
Genre: Scrolls, Chinese
ISBN: 0870996797

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The subject is a 15.5-foot handscroll painted by Li Kung-lin, the preeminent figure painter of 11th-century China, illustrating a work that dates to between 350 and 200 B.C.--a dialog between Confucius and a disciple on the meaning and application of filial piety in the affairs of the individual and of the state. Barnhart's (art history, Yale) elucidation is accompanied by contributed chapters on the calligraphy of the work and on the conservation and remounting of the scroll. Generously illustrated. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR


The Double Screen

The Double Screen
Author: Wu Hung
Publisher: University of Chicago Press
Total Pages: 304
Release: 1996
Genre: Art
ISBN: 9780226360744

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In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.


Rendering in Pen and Ink

Rendering in Pen and Ink
Author: Arthur L. Guptill
Publisher: Watson-Guptill
Total Pages: 257
Release: 1997-08-01
Genre: Art
ISBN: 0823045293

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Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.


Rendering in Pen and Ink

Rendering in Pen and Ink
Author: Arthur Leighton Guptill
Publisher:
Total Pages: 264
Release: 1976
Genre: Architecture
ISBN:

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An updated edition of the classic work on ink drawing, providing comprehensive instruction in, information about, and illustration of all aspects and techniques of rendering.