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| Author | : Jean Baudrillard |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1987 |
| Genre | : Critical theory |
| ISBN | : 9780936756103 |
| Author | : Jean Baudrillard |
| Publisher | : Semiotext(e) |
| Total Pages | : 132 |
| Release | : 2007-05-11 |
| Genre | : History |
| ISBN | : |
Characterizing it as a "mythic discourse," Jean Baudrillard proceeds, in this brilliant essay, to dismantle the powerful, seductive figure of Michel Foucault. In 1976, Jean Baudrillard sent this essay to the French magazine Critique, where Michel Foucault was an editor. Foucault was asked to reply, but remained silent. Forget Foucault (1977) made Baudrillard instantly infamous in France. It was a devastating revisitation of Foucault's recent History of Sexuality—and of his entire oeuvre—and also an attack on those philosophers, like Gilles Deleuze and Félix Guattari, who believed that desire could be revolutionary. In Baudrillard's eyes, desire and power were interchangeable, so desire had no place in Foucault's work. There is no better introduction to Baudrillard's polemical approach to culture than these pages, in which Baudrillard dares Foucault to meet the challenge of his own thought. This Semiotext(e) edition of Forget Foucault is accompanied by a dialogue with Sylvère Lotringer, "Forget Baudrillard," a reevaluation by Baudrillard of his lesser-known early works as a post-Marxian thinker. Lotringer presses Baudrillard to explain how he arrived at his infamous extrapolationist theories from his roots in the nineteenth and early twentieth century social and anthropological works of Karl Marx, Marcel Mauss, and Emil Durkheim.
| Author | : Leslie Anne Boldt-Irons |
| Publisher | : Peter Lang |
| Total Pages | : 338 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9781433104220 |
The essays in Disguise, Deception, Trompe-l'oeil: Interdisciplinary Perspectives investigate the subject of deception and falsehood from various perspectives. Classical, modernist and postmodern texts and art forms, both visual and performative, are examined in frames of reference that range from aesthetics and literary theory to cognitive science. In some cases, deception and falsehood are seen to have positive connotations, and, in other cases, their negative dimensions are highlighted. The complexity of these terms and their relationship with truth and truthfulness are put on display by the contributors to this volume.
| Author | : James Walters |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 192 |
| Release | : 2012-06-21 |
| Genre | : Religion |
| ISBN | : 0567073351 |
Jean Baudrillard was one of the foremost intellectual figures of the late twentieth century and his work is currently reaching a new prominence in the English-speaking world. Known as the "high priest of postmodernity", Baudrillard never directly addressed theological concerns. However, his provocative analysis of the changing nature of reality, subjectivity and agency is of increasing importance to contemporary theology. Furthermore, his mode of cultural analysis (which he himself describes as "mystical") provides fruitful possibilities for theological reasoning in the post-idealist world he describes. James Walters provides the context of Baudrillard's writing and identifies key influences. He then sets out his core ideas, drawing in theological responses and relating them to theological concerns. Finally, he highlights some areas of his work of particular theological interest.
| Author | : Mike Gane |
| Publisher | : Routledge |
| Total Pages | : 387 |
| Release | : 2002-11-01 |
| Genre | : Social Science |
| ISBN | : 1134912412 |
Jean Baudrillard arouses strong opinions. In this collection of his most important interviews the reader gains a unique and accessible overview of Baudrillard's key ideas. The collection includes many interviews that appear in English for the first time as well as a fascinating interview and encounter between the editor and Baudrillard in Paris.
| Author | : John K. Noyes |
| Publisher | : Cornell University Press |
| Total Pages | : 276 |
| Release | : 2018-09-05 |
| Genre | : Psychology |
| ISBN | : 1501732048 |
Individuals sometimes derive sexual pleasure from submission to cruel discipline. While that predilection was noted as early as the sixteenth century, masochism was not codified as a concept until 1890. According to John K. Noyes, its invention reflected a crisis in the liberal understanding of subjectivity and sexuality which continues to inform discussions of masochism today. In essence, it remains a political concept. Viennese physician Richard von Krafft-Ebing coined the term masochism, based on the work of Leopold von Sacher-Masoch. Noyes analyzes the social and political problems that inspired the concept, suggesting, for example, that the triumphant expansion of European colonialism was in part animated by an ambivalence in masculine sexuality. Noyes documents the evolution of the concept of masochism with scenes in literature from John Cleland's Fanny Hill through Sacher-Masoch's Venus in Furs and Pauline Reage's Story of 0. Analysis of Freud's vastly influential rereading of masochism precedes an exploration of the work of his successors, including Wilhem Reich, Theodor Reik, Helene Deutsch, and Karen Horney. Noyes suggests that the thematics of feminine masochism emerged only gradually from an exclusively male concept.
| Author | : Rachel Adams |
| Publisher | : Routledge |
| Total Pages | : 132 |
| Release | : 2020-01-14 |
| Genre | : Law |
| ISBN | : 1000036340 |
This book critiques the contemporary recourse to transparency in law and policy. This is, ostensibly, the information age. At the heart of the societal shift toward digitalisation is the call for transparency and the liberalisation of information and data. Yet, with the recent rise of concerns such as 'fake news', post-truth and misinformation, where the policy responses to all these phenomena has been a petition for even greater transparency, it becomes imperative to critically reflect on what this dominant idea means, whom it serves, and what the effects are of its power. In response, this book provides the first sustained critique of the concept of transparency in law and policy. It offers a concise overview of transparency in law and policy around the world, and critiques how this concept works discursively to delimit other forms of governance, other ways of knowing and other realities. It draws on the work of Michel Foucault on discourse, archaeology and genealogy, together with later Foucaultian scholars, including Gayatri Chakravorty Spivak and Judith Butler, as a theoretical framework for challenging and thinking anew the history and understanding of what has become one of the most popular buzzwords of 21st century law and governance. At the intersection of law and governance, this book will be of considerable interest to those working in these fields; but also to those engaged in other interdisciplinary areas, including society and technology, the digital humanities, technology laws and policy, global law and policy, as well as the surveillance society.
| Author | : Jean Baudrillard |
| Publisher | : University of Michigan Press |
| Total Pages | : 174 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 9780472065219 |
Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.
| Author | : Steve Redhead |
| Publisher | : Columbia University Press |
| Total Pages | : 244 |
| Release | : 2008 |
| Genre | : Philosophy |
| ISBN | : 9780231146135 |
Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-François Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.
| Author | : William Chaloupka |
| Publisher | : U of Minnesota Press |
| Total Pages | : 188 |
| Release | : 1992 |
| Genre | : Political Science |
| ISBN | : 9780816620760 |
Grounded in representation, agency, irony, cynicism, and related topics central to literary criticism, 'Knowing Nukes' emphasizes the pervasive paradoxes within nuclear discourse, advocating an approach that understands-and does not simply recoil from-the character of modern communication and the odd codes of strategic deterrence.
