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| Author | : Bart D. Ehrman |
| Publisher | : Oxford University Press |
| Total Pages | : 641 |
| Release | : 2013-01-10 |
| Genre | : Art |
| ISBN | : 0199928037 |
Forgery and Counter-forgery: The Use of Literary Deceit in Early Christian Polemics is the first major contemporary work on forgery in early Christian literature. It examines the motivation and function behind Christian literary forgeries.
| Author | : Bart D. Ehrman |
| Publisher | : HarperOne |
| Total Pages | : 0 |
| Release | : 2012-03-06 |
| Genre | : Religion |
| ISBN | : 9780062012623 |
The Untold Story of Forgery in the Bible In Forged, leading Bible authority Bart D. Ehrman exposes one of the most unsettling ironies of the early Christian tradition: the use of deception to establish the truth. With the scholarly expertise and provocative claims for which he's known, Ehrman reveals which texts were forged in the name of Jesus's disciples and considers how the deceptions of an unnamed few have prevailed for centuries. The untold story of widespread forgery in the ancient world sheds new light on how documents of scandalous origin became part of the Bible we have today.
| Author | : Bart D. Ehrman |
| Publisher | : |
| Total Pages | : 641 |
| Release | : 2012 |
| Genre | : Christian literature, Early |
| ISBN | : 9780199928040 |
""Arguably the most distinctive feature of the early Christian literature, "" writes Bart Ehrman, ""is the degree to which it was forged."" The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament--all forgeries. To cite just a few examples. Forgery and Counterforgery is the first comprehensive study of early Christian pseudepigrapha ever produced in English. In it, Ehrman argues that ancient critics--pagan, Jewish, and Christian--understood false authorial.
| Author | : Paul T. Craddock |
| Publisher | : Routledge |
| Total Pages | : 642 |
| Release | : 2009 |
| Genre | : Antiques & Collectibles |
| ISBN | : 075064205X |
"Scientific Investigation of Copies, Fakes and Forgeries is a comprehensive guide to the technical and scientific study of the authenticity of a wide range of antiquities and artworks. It is the first book to provide a full survey of the subject of forgery from a scientific basis, examining a wide range of materials and techniques." "The demand for copies, fakes and forgeries is driven by rising prices in an international marketplace. The book examines the available new technologies and ever more sophisticated forging techniques, looking at production and distribution of fraudulent artworks. The subject is exemplified by numerous internationally based case studies, some turning out not to be as conclusive as is sometimes believed." "The book is aimed at those who need to understand the available approaches to and methods of scientific and technical authentication, be they curator, collector, conservator or scientist." --Book Jacket.
| Author | : Edmund P. Cueva |
| Publisher | : Barkhuis |
| Total Pages | : 380 |
| Release | : 2016-02-25 |
| Genre | : Art |
| ISBN | : 9491431986 |
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries.
| Author | : Patricia Highsmith |
| Publisher | : Open Road + Grove/Atlantic |
| Total Pages | : 239 |
| Release | : 2011-11-08 |
| Genre | : Fiction |
| ISBN | : 0802194966 |
An expatriate is beset by dark temptations in this tale by the author of The Talented Mr. Ripley: “Her best novel” (The New Yorker). Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York—but his feelings start to change when she doesn’t answer his increasingly aggravated letters, and the filmmaker who hired Ingham fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, Ingham tries to pass the time by working on a writing project. But a series of peculiar events—a hushed-up murder, a vanished corpse, secret broadcasts to the Soviet Union—will pull him in, and may finally put his increasingly fragile sense of morality to the test. “Highsmith’s finest novel.” —Graham Greene, author of The Quiet American “Her books have stylistic texture, psychological depth, mesmeric readability.” —The Sunday Times
| Author | : Cedric J. Robinson |
| Publisher | : UNC Press Books |
| Total Pages | : 454 |
| Release | : 2012-09-01 |
| Genre | : Social Science |
| ISBN | : 1469606755 |
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
| Author | : Jessica S. Olson |
| Publisher | : Harlequin |
| Total Pages | : 400 |
| Release | : 2022-03-29 |
| Genre | : Young Adult Fiction |
| ISBN | : 0369705661 |
"A deliciously twisted gothic fantasy you'll want to read again and again, with characters you'll adore, prose that'll spellbind you, romance you'll swoon over, and a mystery that'll keep you guessing until the last stunning twist." —Diana Urban, author of These Deadly Games From the author of Sing Me Forgotten comes a lush new fantasy novel with art-based magic, romance, and murder… Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son. Once she arrives at the legendary stone mansion, however, it becomes clear the boy’s death was no accident. A killer stalks these halls--one disturbingly obsessed with portrait magic. Desperate to get out of the manor as quickly as possible, Myra turns to the governor’s older son for help completing the painting before the secret she spent her life concealing makes her the killer’s next victim. “A heady blend of the fantastical, the murderous, and the romantic.” —Kirkus Reviews, STARRED review “Marvelously magical and steeping with mystery.” —Adalyn Grace, author of All the Stars and Teeth Also by Jessica S. Olson: Sing Me Forgotten
| Author | : Levi Roach |
| Publisher | : Princeton University Press |
| Total Pages | : 360 |
| Release | : 2022-08-09 |
| Genre | : History |
| ISBN | : 0691217866 |
An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, he indicates how this fad for falsification points to new attitudes toward past and present—a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects—the history of the Church and their local realms, rather than the literary world of classical antiquity. A comparative history of falsified records at a crucial turning point in the Middle Ages, Forgery and Memory at the End of the First Millennium offers valuable insights into how institutions and individuals rewrote and reimagined the past.
| Author | : Daniel Becker |
| Publisher | : transcript Verlag |
| Total Pages | : 249 |
| Release | : 2018-03-31 |
| Genre | : Social Science |
| ISBN | : 3839437628 |
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
