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The Culture of American College Radio

The Culture of American College Radio
Author: Samuel J. Sauls
Publisher: Wiley-Blackwell
Total Pages: 236
Release: 2000
Genre: Performing Arts
ISBN:

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They will find the ideas and answers about how to operate and develop a successful college radio station indispensable."--BOOK JACKET.


For a Genuine Radio University

For a Genuine Radio University
Author: Pacific-Western Broadcasting Federation, Los Angeles
Publisher:
Total Pages: 96
Release: 1930
Genre: Radio in education
ISBN:

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Reality Radio

Reality Radio
Author: John Biewen
Publisher: Univ of North Carolina Press
Total Pages: 223
Release: 2010-03-15
Genre: Language Arts & Disciplines
ISBN: 0807895660

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Over the last few decades, the radio documentary has developed into a strikingly vibrant form of creative expression. Millions of listeners hear arresting, intimate storytelling from an ever-widening array of producers on programs including This American Life, StoryCorps, and Radio Lab; online through such sites as Transom, the Public Radio Exchange, Hearing Voices, and Soundprint; and through a growing collection of podcasts. Reality Radio celebrates today's best audio documentary work by bringing together some of the most influential and innovative practitioners from the United States, Canada, the United Kingdom, and Australia. In these nineteen essays, documentary artists tell--and demonstrate, through stories and transcripts--how they make radio the way they do, and why. Whether the contributors to the volume call themselves journalists, storytellers, even audio artists--and although their essays are just as diverse in content and approach--all use sound to tell true stories, artfully. Contributors: Jad Abumrad Jay Allison damali ayo John Biewen Emily Botein Chris Brookes Scott Carrier Katie Davis Sherre DeLys Lena Eckert-Erdheim Ira Glass Alan Hall Natalie Kestecher The Kitchen Sisters Maria Martin Karen Michel Rick Moody Joe Richman Dmae Roberts Stephen Smith Sandy Tolan


Radio Listening in America; The People Look at Radio--Again

Radio Listening in America; The People Look at Radio--Again
Author: Columbia University Bureau of Applied S
Publisher: Palala Press
Total Pages: 196
Release: 2016-04-22
Genre:
ISBN: 9781354336663

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Radio Broadcasts

Radio Broadcasts
Author: Cornell University. New York State College of Home Economics Extension Service
Publisher:
Total Pages: 402
Release: 1945
Genre: Radio in education
ISBN:

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The Radio Industry; The Story of Its Development

The Radio Industry; The Story of Its Development
Author: Harvard University Graduate School of B.
Publisher: Palala Press
Total Pages: 362
Release: 2018-02-20
Genre: History
ISBN: 9781378178775

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Sounds Real

Sounds Real
Author: C. S. Higgins
Publisher: St. Lucia ; New York : University of Queensland Press
Total Pages: 260
Release: 1982
Genre: Australia
ISBN:

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Four Original Radio Plays

Four Original Radio Plays
Author: Robert P. Crawford
Publisher:
Total Pages:
Release: 1947
Genre: Radio plays, American
ISBN:

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Radio Free Europe

Radio Free Europe
Author: Robert T. Holt
Publisher: U of Minnesota Press
Total Pages: 272
Release: 1958
Genre: Performing Arts
ISBN:

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Radio Free Europe was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. What is radio Free Europe? Where does it broadcast? Who runs it? What are its purposes? Although thousands of Americans are familiar with Radio Free Europe (many have contributed to its support through the Crusade for Freedom campaigns), few know enough about its background to answer these and similar questions. In this book a political scientist with first-hand knowledge gives a detailed account of the organization and development of this unique propaganda enterprise. Radio Free Europe was established as a private broadcasting project in 1949 by the Free Europe Committee, headed by Joseph C. Grew, as part of the Committee's program of broad, long-range assistance to democratic exiles from totalitarian countries. The operational headquarters are located at Munich, and the broadcasts are directed to the people of five satellite countries: Czechoslovakia, Hungary, Rumania, Bulgaria, and Poland. Professor Holt tells how Radio Free Europe was established, outlines its basic policies and objectives, describes its organization, personnel, programming, and services, discusses transmission problems, and examines the effectiveness of the propaganda. He describes in detail the role of RFE in connection with the uprisings in Poland and Hungary and analyzes the charges that RFE stimulated the Hungarian revolt.


Live from the Underground

Live from the Underground
Author: Katherine Rye Jewell
Publisher: UNC Press Books
Total Pages: 262
Release: 2023-11-07
Genre: Music
ISBN: 1469676214

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Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation's culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.