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Theory and History of Folklore

Theory and History of Folklore
Author: Vladimir I︠A︡kovlevich Propp
Publisher: U of Minnesota Press
Total Pages: 340
Release: 1985
Genre: Folk literature, Russian
ISBN: 9781452902210

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Great American Folklore

Great American Folklore
Author:
Publisher:
Total Pages: 678
Release: 1986
Genre: Folklore
ISBN: 9780880299022

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Folklore and Book Culture

Folklore and Book Culture
Author: Kevin J. Hayes
Publisher: Wipf and Stock Publishers
Total Pages: 184
Release: 2016-02-05
Genre: Social Science
ISBN: 1498290213

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To many observers, folklore and book culture may appear to be opposites. Folklore, after all, involves orally circulated stories and traditions while book culture is concerned with the transmission of written texts. However, as Kevin J. Hayes points out, there are many instances where the two intersect, and exploring those intersections is the purpose of this fascinating and provocative study. Hayes shows that the acquisition of knowledge and the ownership of books have not displaced folklore but instead have given rise to new beliefs and superstitions. Some books have generated new proverbs; others have fostered their own legends. Occasionally the book has served as an important motif in folklore, and in one folk genre—the flyleaf rhyme—the book itself has become the place where folklore occurs, thus indicating a lively interaction between folk, print, and manuscript culture. The author begins by examining the tradition of the Volksbücher—cheaply printed books, often concerned with the occult, whose powers are said to transcend the written text. Hayes looks in depth at one particular Volksbuch—The Sixth and Seventh Books of Moses—and proceeds, in subsequent chapters, to discuss a variety of folktales and legends, placing them within the context of book culture and the history of education. He closes with an examination of flyleaf rhymes, the little verses that book owners have inscribed in their books, and considers what they reveal about the identity of the inscribers as well as about attitudes toward book lending, book borrowing, and the circulation of knowledge. Solidly researched and venturing into areas long neglected by scholars. Folklore and Book Culture is a work that will engage not only folklorists but historians and literary scholars as well.


Kentucky Folklore

Kentucky Folklore
Author: R. Gerald Alvey
Publisher: University Press of Kentucky
Total Pages: 64
Release: 1989-08-20
Genre: Social Science
ISBN: 0813137780

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" Thicker'n fiddlers in hell. Independent as a hog on ice. If a bride makes her own clothes, it's bad luck. It'll snow in May if it thunders in February. How's a hen on a fence like a penny? What's the reddest side of an apple? Learn what folklore and folk culture are and enjoy a generous helping of sayings, rhymes, songs, tall tales, superstitions and riddles from Kentucky.


Wildflower Folklore

Wildflower Folklore
Author: Laura C. Martin
Publisher:
Total Pages: 256
Release: 1993-01-01
Genre: Gardening
ISBN: 9781564402219

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LIfe stories of 105 wildflowers, grouped according to their most frequently occurring color; brief description, scientific and common names; place and season to find them.


Folklore

Folklore
Author: Joseph Jacobs
Publisher:
Total Pages: 700
Release: 1918
Genre: Electronic journals
ISBN:

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Most vols. for 1890- contain list of members of the Folk-lore Society.


Folklore and Folklife

Folklore and Folklife
Author: Richard M. Dorson
Publisher: University of Chicago Press
Total Pages: 574
Release: 1972
Genre: Literary Criticism
ISBN: 0226158713

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Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.


Folklore and the Sea

Folklore and the Sea
Author: Horace Beck
Publisher: Booksales
Total Pages: 484
Release: 1999
Genre: History
ISBN: 9780785811190

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Horace Beck, a former professor of American Literature at Middlebury College, has been gathering the sea's folklore for 70 years in Europe, North America, and the West Indies. This collection of legends, songs, superstitions, and stories, both true and apocryphal includes spectral ships, mermaids and mermen, pirates, sea language, sea monsters, navigation and weather lore, names on sea and shore, and much more. Library Journal called Folklore and the Sea "a browser's delight as well as a researcher's gold mine."


A Dictionary of English Folklore

A Dictionary of English Folklore
Author: Jacqueline Simpson
Publisher: Oxford University Press, USA
Total Pages: 997
Release: 2000
Genre: England
ISBN: 019210019X

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Are there any legends about cats? Is Cinderella an English story? What is (or was) a Mumming Play? The subject of folklore covers an extremely wide field, with connections to virtually every aspect of life. It ranges from the bizarre to the seemingly mundane. Similarly, folklore is as much afeature of the modern technological age as the ancient world, of every part of the country, both urban and rural, and of every age group and occupation. Containing 2,000 entries, from dragons to Mother Goose, May Day to Michaelmas, this new reference work is an absorbing and entertaining guide to English folklore. Aimed at a broad general readership, the dictionary provides an authoritative reference source on such legendary characters as the Babesin the Wood, Jack the Giant Killer, and Robin Hood, and gives entertaining and informative explanations of a wide range of subjects in folklore, from nosebleeds and wishbones to cats and hot cross buns.


Public Folklore

Public Folklore
Author: Robert Baron
Publisher: Univ. Press of Mississippi
Total Pages: 399
Release: 2010-12-06
Genre: Social Science
ISBN: 1604733160

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A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gimblett. Their essays present vivid accounts of public folklore practice in a wide range of settings—nineteenth-century world's fairs and minstrel shows, festivals, museums, international cultural exchange programs, concert stages, universities, and hospitals. Drawing from case studies, historical analyses, and their own experiences as advocates, field researchers, and presenters, the essayists recast the history of folklore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.