The Most Requested Folk/pop Songs
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Music |
ISBN | : 9781476874357 |
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Sixty-two of the most requested folk/pop songs.
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Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Music |
ISBN | : 9781476874357 |
Sixty-two of the most requested folk/pop songs.
Author | : Karl Hagstrom Miller |
Publisher | : Duke University Press |
Total Pages | : 386 |
Release | : 2010-02-11 |
Genre | : Music |
ISBN | : 0822392704 |
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Author | : Howard Wallach |
Publisher | : Alfred Music Publishing |
Total Pages | : 52 |
Release | : 2002-08 |
Genre | : Music |
ISBN | : 9781929395569 |
A wonderful collection of 20 popular, beautiful and fun-to-play songs for beginning to intermediate guitar students. The melody, an easy strumming pattern, chord diagrams and complete lyrics are provided with each song, so students can choose to either play the melody or strum to accompany themselves as they sing. Large-sized music, TAB and diagrams make the songs easy to read, even for beginners. The 48-page book also contains a review of music reading, tablature and chord diagrams. This handy songbook is the perfect tool for guitar teachers seeking fun musical activities to keep their students happy and involved with music making.
Author | : Public Domain |
Publisher | : La Montagne secrète |
Total Pages | : 39 |
Release | : 2021-10-01T00:00:00-04:00 |
Genre | : Juvenile Fiction |
ISBN | : 2925108148 |
Striking illustrations, rich in color and texture offer an original interpretation of this popular traditional children’s folk song recorded by the exceptionally gifted musicians. The illustrated lyrics are followed by a recording of the featured song.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 251 |
Release | : 2018-07-01 |
Genre | : Music |
ISBN | : 1540036391 |
(Easy Guitar). 40 of the most memorable songs of the folk pop genre arranged for beginning guitar with notes and tablature. Includes: American Pie (Don McLean) * Big Yellow Taxi (Joni Mitchell) * Cat's in the Cradle (Harry Chapin) * Fire and Rain (James Taylor) * Hallelujah (Jeff Buckley) * Mr. Tambourine Man (Bob Dylan) * Puff the Magic Dragon (Peter, Paul & Mary) * The Sound of Silence (Simon & Garfunkel) * This Land Is Your Land (Woody Guthrie) * We Shall Overcome (Joan Baez) * Yesterday (The Beatles) * and more.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 551 |
Release | : 2015-02-01 |
Genre | : Music |
ISBN | : 1495017052 |
(Piano/Vocal/Guitar Songbook). Piano/vocal/guitar arrangements of nearly 70 songs from the folk/pop pioneers to contemporary artists, including: Abraham, Martin and John * Aquarius * California Dreamin' * Daydream Believer * Hallelujah * He Ain't Heavy, He's My Brother * Homeward Bound * I'd like to Teach the World to Sing * If I Had a Hammer (The Hammer Song) * If I Were a Carpenter * Kokomo * Like a Rolling Stone * Mrs. Robinson * Mr. Bojangles * Mr. Tambourine Man * Monday, Monday * Morning Has Broken * People Got to Be Free * Puff the Magic Dragon * The Rainbow Connection * Raindrops Keep Fallin' on My Head * Sing * Southern Cross * Sunshine (Go Away Today) * Sunshine on My Shoulders * This Land Is Your Land * Tie a Yellow Ribbon Round the Ole Oak Tree * The Times They Are A-Changin' * Turn! Turn! Turn! (To Everything There Is a Season) * The Unicorn * Where Have All the Flowers Gone? * A Whiter Shade of Pale * The Wreck of the Edmund Fitzgerald * and more.
Author | : Bergerac |
Publisher | : Courier Corporation |
Total Pages | : 52 |
Release | : 1996-02-14 |
Genre | : Music |
ISBN | : 9780486288857 |
Expert settings of 25 American folk classics by a well-known composer and arranger for young pianists. Includes "Amazing Grace," "Aura Lee," "Blue Tail Fly," "The Gift to Be Simple," "Go Down Moses," "Pop Goes the Weasel," "Shortnin' Bread," and "Sweet Betsy from Pike."
Author | : Quiara Alegría Hudes |
Publisher | : Theatre Communications Group |
Total Pages | : 83 |
Release | : 2018-11-06 |
Genre | : Performing Arts |
ISBN | : 1559369035 |
“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…Miss You Like Hell is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, New York Times A troubled teenager and her estranged mother—an undocumented Mexican immigrant on the verge of deportation—embark on a road trip and strive to mend their frayed relationship along the way. Combined with the musical talent of Erin McKeown, Hudes artfully crafts a story of the barriers and the bonds of family, while also addressing the complexities of immigration in today’s America.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard |
Total Pages | : 586 |
Release | : 2020-06-01 |
Genre | : Music |
ISBN | : 1705105645 |
(Piano/Vocal/Guitar Songbook). 40 of the hottest country hits from the decade in arrangements for piano, voice and guitar. Songs include: American Honey (Lady Antebellum) * Blue Ain't Your Color (Keith Urban) * Broken Halos (Chris Stapleton) * Cruise (Florida Georgia Line) * Drinkin' Problem (Midland) * Homesick (Kane Brown) * If I Die Young (The Band Perry) * Marry Me (Thomas Rhett) * Ridin' Roads (Dustin Lynch) * Stuck like Glue (Sugarland) * Tin Man (Miranda Lambert) * Wanted (Hunter Hayes) * Yours (Russell Dickerson) * and more.
Author | : Steve Roud |
Publisher | : Faber & Faber |
Total Pages | : 612 |
Release | : 2017-08-15 |
Genre | : Music |
ISBN | : 0571309739 |
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.