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| Author | : Robert Beatty |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9781942801986 |
Floodgate Companion is Robert Beatty's debut monograph, a cosmic and immersive collection of artwork from the renowned album cover artist.
| Author | : Paul Pope |
| Publisher | : Macmillan |
| Total Pages | : 210 |
| Release | : 2013-10-08 |
| Genre | : Art |
| ISBN | : 1596438053 |
A twelve-year-old demigod is sent to help the people of Arcopolis, a city infested with monsters.
| Author | : Suarez Lavender |
| Publisher | : Anthology Editions |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9781944860363 |
An artist's book guide to the world of sound from musician and sonic healer Lavender Suarez.
| Author | : Allegra Pesenti |
| Publisher | : Menil Foundation |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Rubbing |
| ISBN | : 9780300214697 |
This fascinating publication sheds light on a medium that combines the qualities of drawing with those of sculpture, printmaking, and painting, and is the first to focus exclusively on the art technique known as frottage, derived from the French word frotter, meaning "to rub." Over 100 pieces, ranging from contemporary conceptual works to rubbings recording tombs and inscriptions, are assembled and sumptuously reproduced in color. More than 50 artists--including the famous, like Max Ernst, inventor of the term "frottage," and the relatively unknown--are presented. Four thematic sections explore different aspects of frottage: its roots in Surrealism and the practice of automatic drawing; the notion of trace, of either a place or an idea left behind in a rubbing; the "apparitions" or ghostlike attributes that can appear on the surface of an artwork; and the associations between rubbings, death, and memory. Distributed for the Menil Collection Exhibition Schedule: Hammer Museum, UCLA (02/08/15-05/31/15) The Menil Collection (09/11/15-01/03/16)
| Author | : Michael Duncan |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2021-07-06 |
| Genre | : |
| ISBN | : 9781942884873 |
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
| Author | : Bill Cotter |
| Publisher | : McSweeney's |
| Total Pages | : 328 |
| Release | : 2009 |
| Genre | : Fiction |
| ISBN | : |
Having spent most of his life medicated, electroshocked, and institutionalized, Jerome Coe finds himself homeless on the coldest night of the century--and so, with nowhere else to go, he accepts a ride out of New England from an old love's ex-girlfriend. It doesn't quite work out, but he makes it to New Orleans, and a new life--complete with a bandaged hand, world-champion grilled-cheese sandwiches, and only the occasional psychotic break. Things get better, and then, of course, they get worse.
| Author | : Louise Sandhaus |
| Publisher | : |
| Total Pages | : 415 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9781938922619 |
According to the cliche, California is the place where anything goes and everyone does their own thing. Maybe that's because everyone knows that in California there's no terra firma: earthquakes, mudslides, fires, and the occasional civil uprising cause constant upheaval and change. It is also legendary as fertile ground for creativity, freedom, and social consciousness, where the status quo undergoes constant renovation. This book is the first to capture the enormous body of distinctive and visually ecstatic graphic design that emanated from this great state throughout most of the twentieth century. Edited and designed by graphic designer Louise Sandhaus, this raucous gathering of smart, offbeat, groundbreaking graphic design from the Left Coast will amaze readers with its breadth and richness.
| Author | : John Corbett |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Painting, American |
| ISBN | : 9780990469636 |
Ray Yoshida (1930-2009) taught at the School of the Art Institute of Chicago for 40 years, where, with his students--among them, Jim Nutt, Philip Hanson and Christina Ramberg--he fostered a scene of artists that would become known as the Chicago Imagists. Touch and Go is the first book to comprehensively examine Yoshida's work in relation to his life in an educational institution, both as a student and a teacher. The Chicago arts scene of the 1960s and 1970s is explored here as a community of mutual influence, with Yoshida as a figure of particular importance. As John Corbett writes in his essay: "He was influential. He was influenced. He was part of the nuanced series of relays that has produced the unique art scene in Chicago, open to input from elsewhere, but in many ways a world quite hermetic and almost perversely eccentric."
| Author | : Michael DeForge |
| Publisher | : Drawn and Quarterly |
| Total Pages | : 200 |
| Release | : 2021-02-16 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781770464353 |
"One of the most inventive and prolific cartoonists working today."—Vulture In the past ten years, Michael DeForge has released eleven books. While his style and approach have evolved, he has never wavered from taut character studies and incisive social commentary with a focus on humor. He has deeply probed subjects like identity, gentrification, fame, and sexual desire. In “No Hell,” an angel’s tour of the five tiers of heaven reveals her obsession with a haunting infidelity. In “Raising,” a couple uses an app to see what their unborn child would look like. Of course, what begins as a simple face-melding experiment becomes a nightmare of too-much-information where the young couple is forced to confront their terrible choices. “Recommended for You” is an anxious retelling of our narrator’s favorite TV show—a Purge-like societal collapse drama—as a reflection of our desire for meaning in pop culture. Each of these stories shows the inner turmoil of an ordinary person coming to grips with a world vastly different than their initial perception of it. The humor is searing and the emotional weight lingers long after the story ends. Heaven No Hell collects DeForge’s best work yet. His ability to dig into a subject and break it down with beautiful drawings and sharp writing makes him one of the finest short story writers of the past decade, in comics or beyond. Heaven No Hell is always funny, sometimes sad, and continuously innovative in its deconstruction of society.
| Author | : Gisèle Prassinos |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Fiction |
| ISBN | : 9781939663221 |
First discovered, celebrated and published by the Surrealists at the age of 14 (they declared her the "new Alice"), Gisèle Prassinos quickly found herself established in the literary world as a fount of automatic tales freighted with transgressive humor and a pervading sense of threatened feminine identity. "Gisèle Prassinos' tone is unique," claimed André Breton, "all the poets are jealous of it. Swift lowers his eyes, Sade shuts his candy box." The Arthritic Grasshopper and Other Tales gathers together all of her literary prose from 1934 to 1944, an assortment of anxious dream tales drawn from journals and plaquettes, introduced and illustrated by such admirers as Paul Éluard, Man Ray and Hans Bellmer. The 72 stories include such longer, novella-length tales as "Sondue," "The Executioner" and "The Dream."Gisèle Prassinos (1920-2015) was born in Istanbul of a Greek father and an Italian mother. One summer day at the age of 13 and in a fit of boredom, she began to compose short absurdist vignettes, filling up pages of paper with tales of sarcastic stains, arrogant hair and liquid frogs. Her first collection was published in 1935, with a preface by Paul Éluard and a frontispiece portrait by Man Ray. With World War II, Prassinos stopped publishing, but in 1954 she returned to literature with a series of novels and stories still imbued with a Surrealist sensibility.
