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Early Flemish Painting

Early Flemish Painting
Author: Jean Claude Frère
Publisher:
Total Pages: 262
Release: 2007
Genre: Painting, Flemish
ISBN:

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Monographs on Bosch, Van Eyck etc. are numerous. But no affordable work on the subject, the period and the common style of these painters is currently available. This book therefore allows art lovers and students to understand how the art of each of these artists is inter-related.


Early Flemish Painting

Early Flemish Painting
Author: Robert L. Delevoy
Publisher:
Total Pages: 62
Release: 1963
Genre: Art
ISBN:

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The Golden Age of Dutch and Flemish Painting

The Golden Age of Dutch and Flemish Painting
Author: Norbert Wolf
Publisher: Prestel Publishing
Total Pages: 0
Release: 2024-09-10
Genre: Art
ISBN: 9783791377674

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This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.


Flemish Paintings of the Seventeenth Century

Flemish Paintings of the Seventeenth Century
Author: Arthur K. Wheelock
Publisher: Princeton University Press
Total Pages: 304
Release: 2005
Genre: Art
ISBN:

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"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.


Flemish Art and Architecture, 1585-1700

Flemish Art and Architecture, 1585-1700
Author: Hans Vlieghe
Publisher: Yale University Press
Total Pages: 356
Release: 1998-01-01
Genre: Art
ISBN: 9780300104691

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02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.


Flemish Painting

Flemish Painting
Author: Jacques Lassaigne
Publisher:
Total Pages:
Release: 1978
Genre: Painting, Flemish
ISBN: 9780847801473

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Painting Flanders Abroad

Painting Flanders Abroad
Author: Abigail D. Newman
Publisher: Studies in Netherlandish Art a
Total Pages: 0
Release: 2022
Genre: Art
ISBN: 9789004426290

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"In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish "Golden Age" paintings, this book portrays Spanish society grappling with a long tradition of importing its favorite paintings while struggling to reimagine its own visual idiom. In the process, the book historicizes questions of style, quality, immigration, mobility, identity, and cultural exchange to define what the evolving and amorphous visual concept of "Flemishness" meant to Spanish viewers in an era long before the emergence of nationalism"--


Flemish Wall Painting

Flemish Wall Painting
Author: Carina Fryklund
Publisher: Brepols Publishers
Total Pages: 0
Release: 2011
Genre: Mural painting and decoration
ISBN: 9782503512372

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The present book considers the development of figurative wall painting in the southern Low Countries over a period of two centuries, between circa 1300 and 1500. The region had a long-standing tradition of monumental figurative painting, of which the earliest, romanesque, examples are still preserved at Tournai and Ghent. Despite the central role that figurative wall painting clearly continued to play in the art, propaganda, and liturgy of the courts and churches of the late medieval southern Low Countries, the medium has been largely overlooked in comparison with the attention paid by art historians to other contemporary art forms. A variety of factors have contributed to this neglect, of which the most significant are undoubtedly the random survival, and the often damaged condition, of extant wall paintings, as well as the frequently remote locations and difficulty of access to the buildings housing them. Benign neglect and active vandalism have ensured that only a fraction of the great wall painting ensembles of the late medieval era have survived. Today, only fifty or so individual murals or ensembles of the Late Gothic period -not including a large number of tomb paintings -once in the churches and monasteries, town halls and guild chapels, castles and hotels of the southern Low Countries, have survived the passage of time, wars, iconoclasm, and changing fashions of interior decoration. These include many previously unrecorded wall paintings discovered beneath layers of whitewash in churches and private residences within the last twenty-five years or so, and restored by conservation staff.