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Five orchestral pieces, op. 16

Five orchestral pieces, op. 16
Author: Arnold Schoenberg
Publisher: Courier Corporation
Total Pages: 82
Release: 1999-01-01
Genre: Music
ISBN: 0486406423

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Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.


Theory, Analysis and Meaning in Music

Theory, Analysis and Meaning in Music
Author: Anthony Pople
Publisher: Cambridge University Press
Total Pages: 248
Release: 2006-11-02
Genre: Music
ISBN: 9780521028301

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There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.


Five Pieces for Orchestra :[

Five Pieces for Orchestra :[
Author: Arnold Schönberg
Publisher:
Total Pages: 60
Release: 1952
Genre:
ISBN:

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The Atonal Music of Arnold Schoenberg, 1908-1923

The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press
Total Pages: 276
Release: 2000-11-16
Genre: Music
ISBN: 0195351851

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Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.


Five Pieces for Orchestra

Five Pieces for Orchestra
Author: Arnold Schönberg
Publisher:
Total Pages: 60
Release: 1973
Genre:
ISBN:

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Five orchestral pieces ; and, Pelleas und Melisande

Five orchestral pieces ; and, Pelleas und Melisande
Author: Arnold Schoenberg
Publisher: Courier Corporation
Total Pages: 195
Release: 1994-01-01
Genre: Music
ISBN: 0486281205

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Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century — and this edition collects the first steps of the composer's revolution. Pelleas und Melisande (1902) reveals Schoenberg's expanding chromatic language while Five Orchestral Pieces renounces motivic connections as well as tonality.


Five pieces for orchestra

Five pieces for orchestra
Author: Arnold Schoenberg
Publisher:
Total Pages: 84
Release: 1998
Genre: Orchestral music
ISBN:

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Schoenberg's Program Notes and Musical Analyses

Schoenberg's Program Notes and Musical Analyses
Author: J. Daniel Jenkins
Publisher: Oxford University Press
Total Pages: 505
Release: 2016-03-07
Genre: Music
ISBN: 0190614013

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In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a second volume to be called Program Notes. Inspired by this idea, Schoenberg's Program Notes and Musical Analyses can boast the most comprehensive study of the composer's writings about his own music yet published. Schoenberg's insights emerge not only in traditional program notes, but also in letters, sketch materials, pre-concert talks, public lectures, contributions to scholarly journals, newspaper articles, interviews, pedagogical materials, and publicity fliers. The editions of the texts in this collection, based almost exclusively on Schoenberg's original manuscript sources, include many items appearing in print in English for the first time, as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg, desirous to communicate with and educate an audience, took every advantage of changes in technology during his lifetime, utilizing print media, radio broadcasts, record jackets--and had he lived, television--for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions, the book begins with chapters on his development and influences, his thoughts about trends in modern music, and, in a nod to the importance of the radio in providing a venue for music analysis, a chapter about Schoenberg's radio broadcasts.