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Five Comedies from the Italian Renaissance

Five Comedies from the Italian Renaissance
Author: Laura Giannetti
Publisher: JHU Press
Total Pages: 374
Release: 2003-07-03
Genre: Drama
ISBN: 9780801872570

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Humor, sex, and satirized or upturned gender roles and social stereotypes characterize the Latin comedies updated and translated into Italian that became popular in Italy at the turn of the 16th century. The translations are by and for scholars of literature and history, rather than for production or performance. There are explanatory notes, but no bibliography or index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


Five Italian Renaissance Comedies

Five Italian Renaissance Comedies
Author: Bruce Penman
Publisher: Penguin Classics
Total Pages: 460
Release: 1978
Genre: Drama
ISBN:

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Five Comedies from the Italian Renaissance

Five Comedies from the Italian Renaissance
Author: Laura Giannetti
Publisher: JHU Press
Total Pages: 374
Release: 2003-07-03
Genre: Drama
ISBN: 9780801872587

Download Five Comedies from the Italian Renaissance Book in PDF, ePub and Kindle

Humor, sex, and satirized or upturned gender roles and social stereotypes characterize the Latin comedies updated and translated into Italian that became popular in Italy at the turn of the 16th century. The translations are by and for scholars of literature and history, rather than for production or performance. There are explanatory notes, but no bibliography or index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


Renaissance Comedy

Renaissance Comedy
Author: Don Beecher
Publisher: University of Toronto Press
Total Pages: 473
Release: 2008-03-22
Genre: Literary Criticism
ISBN: 1442691743

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A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ‘erudite’ imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light. This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations. As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.


Lelia's Kiss

Lelia's Kiss
Author: Laura Giannetti
Publisher: University of Toronto Press
Total Pages: 353
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 0802099513

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In Lelia's Kiss, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance. Going beyond the traditional canon, Giannetti focuses her study on the social and cultural scripts found in a wide array of comedies of the period to reveal the relativity of sex and gender roles and their cultural construction in Renaissance society. Giannetti argues that the comedic dialogue and cross-dressing characters so prevalent in Italian Renaissance comedies played with the presuppositions of the day and engaged with contemporary social norms, expectations, and desires. Cross-dressing female characters reveal the relativity of sex and gender roles, and also present a vision of female empowerment. At the same time, cross-dressing male characters suggest a unique perception of the male life cycle that was more uncertain and contested than often assumed, and show more broadly how masculinity was also socially and culturally constructed. In discussing marriage, sexuality, and gender roles, the comedies deploy a social scripting that not only reflects and comments on the everyday life of the time, but also interacts with it with playful humor and revealing insight.


The Birth of Modern Comedy in Renaissance Italy

The Birth of Modern Comedy in Renaissance Italy
Author: Douglas Radcliff-Umstead
Publisher:
Total Pages: 304
Release: 1969
Genre: Literary Criticism
ISBN:

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Italian Renaissance comedy is a literary genre previously found by most critics to be totally lacking in originality. Until recent years, many literary historians dismissed these comic productions as mere imitations of the works of Plautus and Terence. Douglas Radcliff-Umstead, however, provides a detailed analytical and comparative study of Renaissance comedy in Italy and shows it to be not a pallid imitation, but original drama which expressed Renaissance values and depicted contemporary customs.--[book jacket].


Scripts and Scenarios

Scripts and Scenarios
Author: Richard Andrews
Publisher: Cambridge University Press
Total Pages: 314
Release: 1993-04-22
Genre: Drama
ISBN: 0521353572

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Examines in a different light the innovative and influential scripted comedies of the Italian Renaissance.


The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture

The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture
Author: Michele Marrapodi
Publisher: Routledge
Total Pages: 679
Release: 2019-03-05
Genre: Literary Collections
ISBN: 1317044169

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The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative state-of-the-art review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality, corresponding to the dual way in which early modern England looked upon the Italian world from the English perspective – Part 1: "Italian literature and culture" and Part 2: "Appropriations and ideologies". In the first part, prominent Italian authors, artists, and thinkers are examined as a direct source of inspiration, imitation, and divergence. The variegated English response to the cultural, ideological, and political implications of pervasive Italian intertextuality, in interrelated aspects of artistic and generic production, is dealt with in the second part. Constructed on the basis of a largely interdisciplinary approach, the volume offers an in-depth and wide-ranging treatment of the multifaceted ways in which Italy’s material world and its iconologies are represented, appropriated, and exploited in the literary and cultural domain of early modern England. For this reason, contributors were asked to write essays that not only reflect current thinking but also point to directions for future research and scholarship, while a purposefully conceived bibliography of primary and secondary sources and a detailed index round off the volume.