First Night, Early Spring 1910
Author | : P. J. English |
Publisher | : |
Total Pages | : |
Release | : 2015-04-01 |
Genre | : |
ISBN | : 9781495146725 |
Download First Night, Early Spring 1910 Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download First Night Early Spring 1910 PDF full book. Access full book title First Night Early Spring 1910.
Author | : P. J. English |
Publisher | : |
Total Pages | : |
Release | : 2015-04-01 |
Genre | : |
ISBN | : 9781495146725 |
Author | : Dan Dietz |
Publisher | : Rowman & Littlefield |
Total Pages | : 622 |
Release | : 2021-05-26 |
Genre | : Performing Arts |
ISBN | : 153815028X |
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining historical event, World War I. Each entry features the following: Plot summary Cast members Creative team, including writers, lyricists, composers, directors, choreographers, and producers Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Numerous appendixes include a chronology, discography, filmography, Gilbert and Sullivan productions, Princess Theatre musicals, musicals with World War I themes, and published scripts, making this book a comprehensive and significant resource. The Complete Book of 1910s Broadway Musicals will captivate and inform scholars, historians, and casual fans about this influential decade in musical theatre history.
Author | : Lynn Abbott |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 433 |
Release | : 2017-02-27 |
Genre | : Music |
ISBN | : 1496810058 |
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author | : Douglas Hunter |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 545 |
Release | : 2022-05-15 |
Genre | : Art |
ISBN | : 0228012937 |
A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist – the first Canadian artist appointed, the only infantryman in the program – and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada’s most memorable depictions of the world’s first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada – the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson’s war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson’s Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson’s world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada’s best-known art collective.
Author | : |
Publisher | : |
Total Pages | : 686 |
Release | : 1909 |
Genre | : Birds |
ISBN | : |
Author | : Stephen Gottschalk |
Publisher | : Indiana University Press |
Total Pages | : 503 |
Release | : 2011-02-23 |
Genre | : Biography & Autobiography |
ISBN | : 0253013623 |
“Gottschalk distinguishes himself by placing Christian Science in the larger context of American religion . . . sheds new light on Eddy’s life and work.” —Publishers Weekly This richly detailed study highlights the last two decades of the life of Mary Baker Eddy, a prominent religious thinker whose character and achievement are just beginning to be understood. It is the first book-length discussion of Eddy to make full use of the resources of the Mary Baker Eddy Collection in Boston. Rolling Away the Stone focuses on her long-reaching legacy as a Christian thinker, specifically her challenge to the materialism that threatens religious belief and practice. “Gottschalk has provided readers with a masterful account of Christian Science in its heyday. This book is a first-rate read for students of American religion and provides a look into how one of the country’s more complex religious figures dealt with materialism in the late-nineteenth-century America.” —Religious Studies Review “Gottschalk does a superb job of providing historical context for the chaotic events of Eddy’s final decades.” —Choice “Gottschalk’s account is well told and enriched by fresh material now available from the Mary Baker Eddy Library for the Betterment of Humanity.” —Christian Science Monitor “The book includes a great deal of fresh research and honest scholarship . . . for the individual wanting to sink his or her teeth into a serious study of Eddy . . . you have a lot to look forward to in reading this book.” —The Christian Science Journal
Author | : Theresa St. Romain |
Publisher | : McFarland |
Total Pages | : 208 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : 0786435526 |
"This biography details Fischer's life and career, examining not only her work in front of the camera but also the broader issues which informed her personal and professional decisions. It follows her sometimes difficult marriage to fellow performer Harry Pollard and examines her work with Pollard Picture Plays, a production company founded by the couple"--Provided by publisher.
Author | : Chicago Public Library |
Publisher | : |
Total Pages | : 446 |
Release | : 1912 |
Genre | : Best books |
ISBN | : |
Author | : Oscar Thompson |
Publisher | : |
Total Pages | : 2506 |
Release | : 1975 |
Genre | : Music |
ISBN | : |
Author | : Jessie Carney Smith |
Publisher | : Visible Ink Press |
Total Pages | : 849 |
Release | : 2012-12-01 |
Genre | : Social Science |
ISBN | : 1578594243 |
Achievement engenders pride, and the most significant accomplishments involving people, places, and events in black history are gathered in Black Firsts: 4,000 Ground-Breaking and Pioneering Events.