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Fink on Warhol

Fink on Warhol
Author: Larry Fink
Publisher: Damiani Limited
Total Pages: 109
Release: 2017
Genre: Photography
ISBN: 9788862085151

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These pictures of Andy Warhol and his tribe were taken within a time frame of four or five days. The rest of the images in the book were taken between 1964-1968. America was in the Throes of a certain revolution, that revolution comprised of Civil Rights, anti-war, and anti-establishment. These elements were all extremely active. Warhol's significance was that he took what were iconic commercial objects and made them into clever art. He signified the Commodification of the art world, which was soon to come. Warhol personally floated on the periphery of haute couture society like a hummingbird married to a leech. That said, the pictures of Andy and his tribe represented here are just a small moment within his larger life.


Larry Fink

Larry Fink
Author: Laurie Dahlberg
Publisher: Phaidon Press Limited
Total Pages: 136
Release: 2005-05
Genre: Photography
ISBN:

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An introduction to the 40 year career of the American photographer.


The Beats

The Beats
Author: Larry Fink
Publisher: powerHouse Books
Total Pages: 97
Release: 2014
Genre: Literary Criticism
ISBN: 1576876896

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In the late 50s after an unsuccessful stint in college, Larry Fink dropped out and began an odyssey of hitchhiking through America. Striking out that great Beat mecca, New York City, Fink settled down on Minetta Lane with a chap who fancied himself a poet. Larry was quick to hit McDougal Street where he met Turk, Mary, Bobbie, Motha, Ambrose, Randy and Mike Stanley, and not to mention Hugh Romney (aka Wavy Gravy) and LeRoi Jones and so many more - they soon left New York to cross America for Mexico - in search of the freedoms of the road.


Opacity and the Closet

Opacity and the Closet
Author: Nicholas De Villiers
Publisher: U of Minnesota Press
Total Pages: 245
Release: 2012
Genre: Art
ISBN: 0816675708

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Looking beyond the closet at the lives and works of renowned queer public figures


Andy Warhol, Priest

Andy Warhol, Priest
Author: Peter Kattenberg
Publisher: BRILL
Total Pages: 159
Release: 2021-11-08
Genre: Religion
ISBN: 9004497242

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This book explores a new interpretation of Andy Warhol's The Last Supper Series. It brings together two worlds, the sacred and the secular. By showing how the sacred is manifest in advertising, it demonstrates the metaphorical power of popular imagery. Warhol bore out the proposition that an artist is essentially a "Yours faithfully". The essence of his Last Supper series lies in the mystery that should remain so: 'mirari non rimari sapientia vera est'. To scrutinize the host would be unfaithful to Christ, who said: "This is my Body". To perceive Warhol's work as simply signifying itself would be unfaithful to America's most influential artist. A case in point is The Last Supper (Dove): pictorial analysis proves that Leonardo's Il Cenacolo was not robbed of its sublimity. Warhol remained faithful to it as a means of unveiling the holy.


The Mind's Eye

The Mind's Eye
Author: Jeremy Frommer
Publisher: powerHouse Books
Total Pages: 228
Release: 2014-05-13
Genre: Art
ISBN: 1576877302

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Omni was a jewel among popular science magazines of its era (1978–1998). Science Digest, Science News, Scientific America, and Discover may have all been selling well to armchair scientists, but Omni masterfully blended cutting edge science news and science fiction, flashy graphic design, a touch of sex, and the images of a generation of artists completely free and unburdened by the disciplines of the masters. Created by the legendary Bob Guccione, better known for founding Penthouse than perhaps any of the other facets of his inspired career in business, art, and literature, Guccione handpicked the artists and illustrators that contributed to the Omni legacy—they in turn created works ignited by passion and intellect, two of Guccione's principal ideals. The Mind's Eye: The Art of Omni is the very first publication to celebrate in stunning detail the exceptional science fiction imagery of this era in an oversized format. The Mind's Eye contains 185 images from contributing Omni artists including John Berkey, Chris Moore, H.R. Giger, Rafal Olbinski, Rallé, Tsuneo Sanda, Hajime Sorayama, Robert McCall, and Colin Hay among many more, along with quotes from artists, contributors, writers, and critics. Omni lived in a time well before the digital revolution. The images you see on these pages have taken years to track down and brought the editors in touch with many esteemed artists, amazing photographers and dusty storage lockers. Their quest is far from over; you'll notice an almost decade-long gap in the material, the contents of which were either lost or destroyed. Efforts to search throughout the universe for any images will continue and will be shared with the world at the all-things-Omni website, omnireboot.com. Stay tuned... Collected in book form for the first time ever, the striking art from this extraordinary magazine will delight fans who remember seeing the work years ago and newcomers interested in the unique aesthetic of this genre's biggest artists. "Omni was a magazine about the future. From 1978 to 1998 Omni blew minds by regularly featuring extensive Q&As with some of the top scientists of the 20th century—E.O. Wilson, Francis Crick, Jonas Salk—tales of the paranormal, and some of the most important science fiction to ever see magazine publication: William Gibson's genre-defining stories 'Burning Chrome' and 'Johnny Mnemonic,' Orson Scott Card's 'Unaccompanied Sonata,' novellas by Harlan Ellison and George R. R. Martin, 'Thanksgiving,' a postapocalyptic tale by Joyce Carol Oates—even William S. Burroughs graced its pages." —Vice magazine, Motherboard "Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at." —Ben Bova, six-time Hugo award winner


Anecdotes of Modern Art

Anecdotes of Modern Art
Author: Donald Hall
Publisher: Oxford University Press, USA
Total Pages: 408
Release: 1990
Genre: Art
ISBN:

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From the author of The Oxford Book of American Literary Anecdotes comes a fascinating collection of ribald, sad, and touching stories about the artists of the modern era. Includes nearly 800 anecdotes covering almost 200 artists--from Rousseau to Picasso to Warhol--and offers a unique glimpse into the private lives of many of the world's best-known artists.


The Flamethrowers

The Flamethrowers
Author: Rachel Kushner
Publisher: Simon and Schuster
Total Pages: 432
Release: 2014-01-14
Genre: Fiction
ISBN: 1439142017

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Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy.


Social Graces

Social Graces
Author: Max Kozloff
Publisher:
Total Pages: 0
Release: 2001
Genre: Documentary photography
ISBN: 9781576870488

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Reprinted with a new design and a number of never-before-seen images is the famed first monograph of two-time National Endownment for the Arts Fellow, Larry Fink. In an elegant exploration of two distinctly different cultures and classes, Frink captured a sense of stale emptiness lurking in the sensuous decadence of the upper crust of NYC, only to turn the tide and let loose with the often raucous, emotional and intimate photographs of the down-home folk of Martins Creek, Pennsylvania. Illustrated with 92 duotone photos.


Culture Jamming

Culture Jamming
Author: Marilyn DeLaure
Publisher: NYU Press
Total Pages: 481
Release: 2017-02-28
Genre: Art
ISBN: 147987096X

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A collaboration of political activism and participatory culture seeking to upend consumer capitalism, including interviews with The Yes Men, The Guerrilla Girls, among others. Coined in the 1980s, “culture jamming” refers to an array of tactics deployed by activists to critique, subvert, and otherwise “jam” the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery’s culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, Culture Jamming makes a crucial contribution to our understanding of creative resistance and participatory culture.