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Film and the German Left in the Weimar Republic

Film and the German Left in the Weimar Republic
Author: Bruce Murray
Publisher: University of Texas Press
Total Pages: 440
Release: 2010-07-05
Genre: Performing Arts
ISBN: 0292788037

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The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.


The Weimar Republic Sourcebook

The Weimar Republic Sourcebook
Author: Anton Kaes
Publisher: Univ of California Press
Total Pages: 830
Release: 2023-11-10
Genre: History
ISBN: 0520909607

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A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.


Berlin Alexanderplatz

Berlin Alexanderplatz
Author: Peter Jelavich
Publisher: Univ of California Press
Total Pages: 320
Release: 2009-03-31
Genre: Performing Arts
ISBN: 0520259971

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Jelavich examines Alfred Döblin's 1929 novel 'Berlin Alexanderplatz', which questioned the autonomy & coherence of the human personality in the modern metropolis, & traces the discrepancies that radically altered the work when it was adapted for radio & as a motion picture.


Weimar Cinema

Weimar Cinema
Author: Noah William Isenberg
Publisher: Columbia University Press
Total Pages: 373
Release: 2009
Genre: History
ISBN: 0231130554

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In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.


Film Censorship in the Weimar Republic

Film Censorship in the Weimar Republic
Author: John Paul Mason
Publisher:
Total Pages: 133
Release: 2020
Genre: Art and society
ISBN:

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The establishment of film censorship legislation in Germany after the end of World War I ultimately contributed to political crisis and the rise of the Nazis in 1933. The Weimar National Assembly passed the Motion Picture Law in 1920, establishing the film censorship boards which would conduct film censorship for the rest of the Weimar Era. This law, which Socialist Democrats and Nationalists came together to support, exacerbated the animosity between the Communists and the Social Democrats, while simultaneously giving credit to Nationalist ideas that German culture was under the threat of foreign influence and degradation at the hands of Communists and Jews. In practice, the film review boards sought to control political opinions and limit sexual deviancy, furthering these divides even more and normalizing homophobia. Although the majority of the German population accepted most of the film review boards’ censorship decisions, their approval and subsequent censorship of Lewis Milestone’s All Quiet on the Western Front served as a dramatic point of contention in which the Nazis gained political support and legitimacy. Film censorship contributed to the growth in Nazi support and the ever-widening political divisions between the German left, leading to the rise of the Nazi dictatorship in 1933, as well as providing cultural normalization and political legitimacy Nazi acts of violent extremism against racial ‘others’ and those deemed inferior, Communists, and the LGBTQ community.


The Weimar Republic Through the Lens of the Press

The Weimar Republic Through the Lens of the Press
Author: Torsten Palmér
Publisher: Konemann
Total Pages: 424
Release: 2000
Genre: History
ISBN:

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Documentary with photographs taken in Berlin in 1920's, the era in which mass media began.


Shell Shock Cinema

Shell Shock Cinema
Author: Anton Kaes
Publisher: Princeton University Press
Total Pages: 328
Release: 2009-08-24
Genre: Performing Arts
ISBN: 1400831199

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Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.


Weimar Radicals

Weimar Radicals
Author: Timothy Scott Brown
Publisher: Berghahn Books
Total Pages: 225
Release: 2009-04-30
Genre: History
ISBN: 1845459083

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Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the "National Bolshevik" scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.