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Thought Economics

Thought Economics
Author: Vikas Shah
Publisher: Michael O'Mara Books
Total Pages: 276
Release: 2021-02-04
Genre: Business & Economics
ISBN: 1789292670

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Including conversations with world leaders, Nobel prizewinners, business leaders, artists and Olympians, Vikas Shah quizzes the minds that matter on the big questions that concern us all.


Art in Cinema

Art in Cinema
Author: Scott MacDonald
Publisher: Temple University Press
Total Pages: 332
Release: 2006
Genre: Performing Arts
ISBN: 9781592134274

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Fascinating documentation of one of the most important film societies in American history.


American Film and Society Since 1945

American Film and Society Since 1945
Author: Leonard Quart
Publisher: Palgrave
Total Pages: 156
Release: 1984
Genre: Performing Arts
ISBN: 9780333300237

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The Cinematic Mode of Production

The Cinematic Mode of Production
Author: Jonathan Beller
Publisher: UPNE
Total Pages: 350
Release: 2012-06-12
Genre: Performing Arts
ISBN: 1611683823

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A revolutionary reconceptualization of capital and perception during the twentieth century.


Cinemas of the World

Cinemas of the World
Author: James Chapman
Publisher: Reaktion Books
Total Pages: 488
Release: 2004-06-03
Genre: Performing Arts
ISBN: 1861895747

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The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History


Cinema and Society

Cinema and Society
Author: Ali Khan
Publisher: Oxford University Press, USA
Total Pages: 0
Release: 2016
Genre: Performing Arts
ISBN: 9780199402229

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The book presents a rich collection of critical essays, ethnographic writings, memoirs, and reflections, portraying a well-rounded picture of cinema culture and historical change in Pakistan. The multiplicity of voices and approaches enhances the appeal of this collection, which is the first ever to delineate the diversity in the cinematic and extra-cinematic traditions of Pakistan, as well as in the histories of production, exhibition, and reception. The work also highlights aesthetic and affective politics in relation to nationalism; Islamization in policy and practice; the biopolitics of morality, ethnicity, gender, and sexuality; and the phenomenology of film exhibition and urban formation. The book incorporates rarely seen nostalgia items, such as pictures of studio shootings, as well as of film actors, film scenes, posters, and lobby cards.


A Dictionary of Film Studies

A Dictionary of Film Studies
Author: Annette Kuhn
Publisher: OUP Oxford
Total Pages: 530
Release: 2012-06-21
Genre: Performing Arts
ISBN: 0191034657

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Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.


American Film and Society Since 1945

American Film and Society Since 1945
Author: Leonard Quart
Publisher: Greenwood Publishing Group
Total Pages: 256
Release: 2002
Genre: History
ISBN:

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Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.


Cinema 16

Cinema 16
Author: Scott MacDonald
Publisher:
Total Pages: 192
Release: 1997
Genre:
ISBN:

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Film and the Working Class

Film and the Working Class
Author: Peter Stead
Publisher: Routledge
Total Pages: 319
Release: 2013-12-13
Genre: Performing Arts
ISBN: 1317928423

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Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney. Reviews of the original edition: ‘...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.’