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| Author | : Torsa Ghosal |
| Publisher | : U of Nebraska Press |
| Total Pages | : 314 |
| Release | : 2023 |
| Genre | : Literary Criticism |
| ISBN | : 1496236734 |
"Fictionality and Multimodal Narratives interrogates the relationship of fictionality and the multimodal use of fact in modern narrative construction"--
| Author | : Torsa Ghosal |
| Publisher | : U of Nebraska Press |
| Total Pages | : 407 |
| Release | : 2023 |
| Genre | : Literary Criticism |
| ISBN | : 1496236726 |
"Fictionality and Multimodal Narratives interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today's media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality, distinct from fiction, specifically in relation to modes and media of discourse. Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures, their reception, and their theoretical frameworks in narratology are influenced and changed by media composition-particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds, Fictionality and Multimodal Narratives fills a critical gap in contemporary narratology-the discipline that has, to date, contributed most to the conceptualization of fictionality"--
| Author | : Ruth Page |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2009-09-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1135254613 |
This study investigates the richly diverse but integrated semiotic potential of storytelling. Unlike other interdisciplinary approaches to narrative studies which have privileged the study of words in storytelling, this unique collection provides a much needed analysis of how narrative operates using combinations of visual, typographic, aural, gestural and haptic resources. Although both multimodal theory and narrative studies have been invigorated by a variety of theoretical approaches, this volume seeks to avoid a single dominant paradigm. Instead, the contributors use literary criticism, linguistics and new media frameworks in a series of critical studies that are directly engaged with a range of multimodal stories. The contributors analyze works that include oral accounts of personal experience, opera, cartoons, print literature and new media forms of storytelling such as experimental digital fiction and fanfiction.
| Author | : Alison Gibbons |
| Publisher | : U of Nebraska Press |
| Total Pages | : 291 |
| Release | : 2023-12 |
| Genre | : Literary Criticism |
| ISBN | : 149623815X |
Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure. Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
| Author | : Torsa Ghosal |
| Publisher | : Taylor & Francis |
| Total Pages | : 255 |
| Release | : 2023-06-22 |
| Genre | : Literary Criticism |
| ISBN | : 1000875237 |
Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East and South Asia, parts of Europe, Latin America, North America, Australia, and Western Africa. The book’s contributors adopt an array of interpretive approaches to make visible new connections and possibilities engendered by cross-cultural encounters. Among other topics, they reflect on the shifting conditions for production and distribution of literature, participatory cultures and technological affordances of Web 2.0, the ever-changing dynamics of global and local forces, and fundamental questions, such as, "What do we mean when we talk about literature today?" and "What is the future of literature?"
| Author | : Patrick O'Donnell |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1607 |
| Release | : 2022-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 1119431719 |
Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.
| Author | : Linda Pillière |
| Publisher | : Springer Nature |
| Total Pages | : 311 |
| Release | : |
| Genre | : |
| ISBN | : 3031548841 |
| Author | : Christian Jungersen |
| Publisher | : Anchor |
| Total Pages | : 354 |
| Release | : 2014-10-07 |
| Genre | : Fiction |
| ISBN | : 0345804627 |
Mia’s happy marriage is shattered when a brain tumor begins to change her husband’s personality beyond recognition. As Frederik becomes ever more a stranger before her eyes, the revelation that he has used his position as headmaster to mbezzle millions from his school's treasury turns Mia's private crisis into one that involves the community. But this disgraceful crime could become Mia’s salvation: working with a defense lawyer to build Frederik's case, they wrestle with the latest brain research, the question of free will—and their growing attraction to each other. Consumed by her new obsessions, Mia must reexamine everything she thought she knew about her marriage, and herself, as she too starts to change. . . .
| Author | : Riyukta Raghunath |
| Publisher | : Springer Nature |
| Total Pages | : 224 |
| Release | : 2020-09-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3030534529 |
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
| Author | : Marie-Laure Ryan |
| Publisher | : U of Nebraska Press |
| Total Pages | : 269 |
| Release | : 2024-06 |
| Genre | : Literary Criticism |
| ISBN | : 1496239245 |
The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity. These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot. Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans’ relationships to their material environment and with the otherness of objects.
