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| Author | : Cristina S. Martinez |
| Publisher | : Cambridge University Press |
| Total Pages | : 293 |
| Release | : 2024-03-31 |
| Genre | : Art |
| ISBN | : 1108844774 |
Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.
| Author | : Caroline Chapman |
| Publisher | : Unicorn |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art, Modern |
| ISBN | : 9781910787502 |
The eighteenth century was an age when not only the aristocracy but a burgeoning middle class could enjoy a remarkable flowering of the arts. But it was a man's world; any woman who wished to succeed as an artist had to overcome numerous obstacles. In a society in which women were required to marry, reproduce, and conform to rigid social conventions a professional artist risked becoming an object of gossip and hostility. Nevertheless, for a woman who had charm and good looks, was ambitious, and allied talent with hard work, success was attainable. This book examines the careers and working lives of celebrated artists like Angelica Kauffman and Elisabeth Vigée Le Brun but also of those who are now forgotten. As well as assessing the work itself - from history and genre painting to portraits - it considers artists' studios, the functioning of the print market, how art was sold, the role of patrons and the flourishing world of the lady amateur. It is enriched by up to 55 illustrations in glorious colour.
| Author | : Marie-Stéphanie Delamaire |
| Publisher | : Open Book Publishers |
| Total Pages | : 334 |
| Release | : 2021-10-08 |
| Genre | : Law |
| ISBN | : 1800641494 |
The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.
| Author | : Serena Dyer |
| Publisher | : |
| Total Pages | : 90 |
| Release | : 2024-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 1009188720 |
The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.
| Author | : Sharon Harrow |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2016-03-09 |
| Genre | : Literary Criticism |
| ISBN | : 1317171438 |
Sport as it is largely understood today was invented during the long eighteenth century when the modern rules of sport were codified; sport emerged as a business, a spectacle, and a performance; and gaming organized itself around sporting culture. Examining the underexplored intersection of sport, literature, and culture, this collection situates sport within multiple contexts, including religion, labor, leisure time, politics, nationalism, gender, play, and science. A poetics, literature, and culture of sport swelled during the era, influencing artists such as John Collett and writers including Lord Byron, Jonathan Swift, and Henry Fielding. This volume brings together literary scholars and historians of sport to demonstrate the ubiquity of sport to eighteenth-century life, the variety of literary and cultural representations of sporting experiences, and the evolution of sport from rural pastimes to organized, regular events of national and international importance. Each essay offers in-depth readings of both material practices and representations of sport as they relate to, among other subjects, recreational sports, the Cotswold games, clothing, women archers, tennis, celebrity athletes, and the theatricality of boxing. Taken together, the essays in this collection offer valuable multiple perspectives on reading sport during the century when sport became modern.
| Author | : Cindy McCreery |
| Publisher | : Oxford University Press |
| Total Pages | : 316 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780199267569 |
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
| Author | : Johan Adam Warodell |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2022-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1316512193 |
Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.
| Author | : Perrin Stein |
| Publisher | : Yale University Press |
| Total Pages | : 247 |
| Release | : 2013-10-29 |
| Genre | : Art |
| ISBN | : 0300197004 |
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
| Author | : Linda Eaton |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 385 |
| Release | : 2014-09-23 |
| Genre | : Design |
| ISBN | : 1580933939 |
The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.
| Author | : Susan Dixon |
| Publisher | : Lulu.com |
| Total Pages | : 94 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 0988999935 |
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
