Felix Krull A New Look At The Concept Of The Artist In The Works Of Thomas Mann PDF Download

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Art and Its Uses in Thomas Mann's Felix Krull

Art and Its Uses in Thomas Mann's Felix Krull
Author: Ernest Schonfield
Publisher: MHRA
Total Pages: 214
Release: 2008
Genre: Art in literature
ISBN: 1905981058

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Thomas Mann's Felix Krull, written between 1910-13 and continued (though never completed) in 1951-54, uses contemporary accounts of these figures as a starting-point from which to explore the aesthetics of society. The early Krull marks an important stage in Mann's development in a number of respects.In writing it, Mann acquired a more flexible conception of identity and a new understanding of the relation between artist and public. Krull also signals a deeper engagement with Goethe and a shift in Mann's work towards a more open treatment of sexuality. The novel presents art as being central to the development of the individual and to social interaction. While Krull is nominally a confidence man, he is more of a performance artist, a purveyor of beauty who relies upon the complicity of his audience. The later Krull takes up where Mann left off and continues the justification of art as an essential human activity. This study draws upon unpublished material in order to provide a comprehensive reading of Felix Krull. It examines the novel within the context of Mann's work as a whole, and, in doing so, it seeks to demonstrate the remarkable continuity of Mann's creative achievement.


Portrait of the Artist as Hermes

Portrait of the Artist as Hermes
Author: Donald F. Nelson
Publisher:
Total Pages: 184
Release: 1971
Genre: Literary Criticism
ISBN:

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Within the framework of Jungian archetypal psychology and utilizing Karl Kerenyi's theories on Hermes and the archetypal symbolism of mother and daughter, this book combines the mythopoeic and psychoanalytical approaches in interpreting Krull's development as both a mythic identification with Hermes and an odyssey into the archaic depths of the Collective Unconscious. As a counterpart to the thematic line of investigation, detailed stylistic analyses aim at pointing out significant correspondences between form and content.


Reflections of a Nonpolitical Man

Reflections of a Nonpolitical Man
Author: Thomas Mann
Publisher: Frederick Ungar
Total Pages: 464
Release: 1987
Genre: Biography & Autobiography
ISBN:

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"The Routledge Companion to Literature and Human Rights provides a comprehensive, transnational, and interdisciplinary map to this emerging field, offering a broad overview of human rights and literature while providing innovative readings on key topics. The first of its kind, this volume covers essential issues and themes, necessarily crossing disciplines between the social sciences and humanities. Sections cover: - subjects, with pieces on subjectivity, humanity, identity, gender, universality, the particular, the body; - forms, visiting the different ways human rights stories are crafted and formed via the literary, the visual, the performative, and the oral; - contexts, tracing the development of the literature over time and in relation to specific regions and historical events; - impacts, considering the power and limits of human rights literature, rhetoric, and visual culture. Drawn from many different global contexts, the essays offer an ideal introduction for those approaching the study of literature and human rights for the first time, looking for new insights and interdisciplinary perspectives, or interested in new directions for future scholarship"--


Confessions of Felix Krull, Confidence Man

Confessions of Felix Krull, Confidence Man
Author: Thomas Mann
Publisher: Vintage
Total Pages: 394
Release: 1992-03-31
Genre: Fiction
ISBN: 0679739041

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Recounts the enchanted career of the con man extraordinaire Felix Krull--a man unhampered by the moral precepts that govern the conduct of ordinary people.


Thomas Mann

Thomas Mann
Author: Harold Bloom
Publisher: Infobase Publishing
Total Pages: 117
Release: 2009
Genre: Literary Criticism
ISBN: 1438116322

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Presents a brief biography of Thomas Mann, thematic and structural analysis of his works, critical views, and an index of themes and ideas.


Handbook of Autobiography / Autofiction

Handbook of Autobiography / Autofiction
Author: Martina Wagner-Egelhaaf
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 2220
Release: 2019-01-29
Genre: Biography & Autobiography
ISBN: 3110279819

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Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.


Thomas Mann's Death in Venice

Thomas Mann's Death in Venice
Author: Ellis Shookman
Publisher: Boydell & Brewer
Total Pages: 321
Release: 2003
Genre: Literary Criticism
ISBN: 157113056X

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Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.