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Do You Feel it Too?

Do You Feel it Too?
Author: Nicoline Timmer
Publisher: Rodopi
Total Pages: 388
Release: 2010-01
Genre: History
ISBN: 9042029307

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Do You Feel It Too? explores a new sense of self that is becoming manifest in experimental fiction written by a generation of authors who can be considered the 'heirs' of the postmodern tradition. It offers a precise, in-depth analysis of a new, post-postmodern direction in fiction writing, and highlights which aspects are most acute in the post-postmodern novel. Most notable is the emphatic expression of feelings and sentiments and a drive toward inter-subjective connection and communication. The self that is presented in these post-postmodern works of fiction can best be characterized asrelational. To analyze this new sense of self, a new interpretational method is introduced that offers a sophisticated approach to fictional selves combining the insights of post-classical narratology and what is called 'narrative psychology'.Close analyses of three contemporary experimental texts – Infinite Jest (1996) by David Foster Wallace,A Heartbreaking Work of Staggering Genius (2000) by Dave Eggers, and House of Leaves(2000) by Mark Danielewski – provide insight into the typical problems that the self experiences in postmodern cultural contexts. Three such problems or 'symptoms' are singled out and analyzed in depth: an inability to choose because of a lack of decision-making tools; a difficulty to situate or appropriate feelings; and a structural need for a 'we' (a desire for connectivity and sociality).The critique that can be distilled from these texts, especially on the perceivedsolipsistic quality of postmodern experience worlds, runs parallel to developments in recent critical theory. These developments, in fiction and theory both, signal, in the wake of poststructural conceptions of subjectivity, a perhaps much awaited 'turn to the human' in our culture at large today.


Postmodern Texts and Emotional Audiences

Postmodern Texts and Emotional Audiences
Author: Kimberly Chabot Davis
Publisher: Purdue University Press
Total Pages: 240
Release: 2007
Genre: Literary Criticism
ISBN: 9781557534798

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Analyzes contemporary texts that bond together two seemingly antithetical sensibilities: the sentimental and the postmodern. This book presents case studies of audience responses to "The Piano", "Kiss of the Spider Woman", and "Northern Exposure". It argues that sentimental postmodernism deepened leftist political engagement.


Explaining Postmodernism

Explaining Postmodernism
Author: Stephen R. C. Hicks
Publisher: Scholargy Publishing, Inc.
Total Pages: 250
Release: 2004
Genre: Philosophy
ISBN: 9781592476428

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The Post-formal Reader

The Post-formal Reader
Author: Shirley R. Steinberg
Publisher: Psychology Press
Total Pages: 500
Release: 1999
Genre: Education
ISBN: 9780815314158

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This volume argues that while twentieth century educational psychology has made important advances, a time for reassessment has arrived. Recent years have seen the rise of neo-Vygotskian analysis and situated cognition within the discipline of cognitive psychology. The authors of Post-Formal Reade have picked up where these theories leave off to more fully develop the specific connections between the social and the psychological dimensions of learning theory and educational psychology.


Emotion in Postmodernism

Emotion in Postmodernism
Author: Gerhard Hoffmann (Dr. phil.)
Publisher: Universitatsverlag Winter
Total Pages: 460
Release: 1997
Genre: Literary Criticism
ISBN:

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Jung and the Postmodern

Jung and the Postmodern
Author: Christopher Hauke
Publisher: Psychology Press
Total Pages: 328
Release: 2000
Genre: Culture
ISBN: 9780415163859

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Setting Jung against a range of postmodern thinkers, Hauke recontextualises Jung's thought as a response to modernity. Themes include; meaning, power, knowledge and the contribution of architectural criticism to the postmodern debate.


Popular Music, Gender and Postmodernism

Popular Music, Gender and Postmodernism
Author: Neil Nehring
Publisher: SAGE Publications
Total Pages: 237
Release: 1997-03-20
Genre: Education
ISBN: 1506339204

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Popular Music, Gender, and Postmodernism begins by tracing the migration of cynical academic ideas about postmodernism into music journalism. The result has been a widespread fatalism over the presumed ability of the music industry to absorb any expression of defiance in hiphop and rock. Commercial "incorporation" supposedly makes a charade of musical outrage, somehow disconnecting anger in music from any meaning or significance. Author Neil Nehring documents the considerable damage done by the journalistic employment of this tenet of postmodern theory, particularly in the case of the late Kurt Cobain of Nirvana, whose emotional intensity was repeatedly belittled for its purported incoherence. As a rebuttal to academic postmodernism and its exploitation by the mass media, Popular Music, Gender, and Postmodernism emphasizes that emotion and reason are mutually interdependent. Though mistakes can occur in the conscious choice of an object at which to direct oneÆs feelings, the preverbal appraisal of social situations that generates emotions is always perfectly rational. Nehring also surveys work in literary criticism, psychology, and especially feminist philosophy that argues on the basis for the political significance of anger even prior to its full articulation. The emotional performance in popular music, he concludes, cannot be discounted on the grounds, for example, that lyrics such as CobainÆs are difficult to understand. After detailing more and less progressive approaches to emotion in music criticism, Nehring focuses on recent punk rock by women, including the Riot Grrrls.


After Postmodernism

After Postmodernism
Author: Christopher K. Coffman
Publisher: Routledge
Total Pages: 241
Release: 2020-12-18
Genre: Literary Collections
ISBN: 1000289117

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Several of American literature’s most prominent authors, and many of their most perceptive critics and reviewers, argue that fiction of the last quarter century has turned away from the tendencies of postmodernist writing. Yet, the nature of that turn, and the defining qualities of American fiction after postmodernism, remain less than clear. This volume identifies four prominent trends of the contemporary scene: the recovery of the real, a rethinking of historical engagement, a preoccupation with materiality, and a turn to the planetary. Readings of works by various leading figures, including Dave Eggers, Jonathan Franzen, A.M. Homes, Lance Olsen, Richard Powers, William T. Vollmann, and David Foster Wallace, support a variety of arguments about this recent revitalization of American literature. The chapters in this book were originally published as a special issue of the journal Textual Practice.


Feeling in Theory

Feeling in Theory
Author: Rei Terada
Publisher: Harvard University Press
Total Pages: 224
Release: 2009-07-01
Genre: Literary Criticism
ISBN: 0674044290

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Because emotion is assumed to depend on subjectivity, the "death of the subject" described in recent years by theorists such as Derrida, de Man, and Deleuze would also seem to mean the death of feeling. This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the subject" and the very existence of emotion. Reading the writings of Derrida and de Man--theorists often seen as emotionally contradictory and cold--Terada finds grounds for construing emotion as nonsubjective. This project offers fresh interpretations of deconstruction's most important texts, and of Continental and Anglo-American philosophers from Descartes to Deleuze and Dennett. At the same time, it revitalizes poststructuralist theory by deploying its methodologies in a new field, the philosophy of emotion, to reach a startling conclusion: if we really were subjects, we would have no emotions at all. Engaging debates in philosophy, literary criticism, psychology, and cognitive science from a poststructuralist and deconstructive perspective, Terada's work is essential for the renewal of critical thought in our day.