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| Author | : Jennifer Hall-Witt |
| Publisher | : UPNE |
| Total Pages | : 412 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9781584656258 |
A vibrant look at changes in British elite culture through the lens of opera-going
| Author | : Joseph HUTTON (Dramatic Writer.) |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 1815 |
| Genre | : |
| ISBN | : |
| Author | : Richard Cumberland (LL.D., Dramatist.) |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 1824 |
| Genre | : |
| ISBN | : |
| Author | : Leonard MACNALLY (Barrister-at-Law) |
| Publisher | : |
| Total Pages | : 116 |
| Release | : 1785 |
| Genre | : |
| ISBN | : |
| Author | : Richard Thompson Ford |
| Publisher | : Simon and Schuster |
| Total Pages | : 464 |
| Release | : 2022-01-18 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1501180088 |
A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted
| Author | : Ulinka Rublack |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 421 |
| Release | : 2021-02-11 |
| Genre | : Art |
| ISBN | : 1474249906 |
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
| Author | : Kate Strasdin |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 192 |
| Release | : 2017-10-05 |
| Genre | : Design |
| ISBN | : 147426994X |
Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales – who later became Queen Consort – to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.
| Author | : Thomas Holcroft |
| Publisher | : |
| Total Pages | : 58 |
| Release | : 1856 |
| Genre | : |
| ISBN | : |
| Author | : Susan Broadhurst |
| Publisher | : A&C Black |
| Total Pages | : 208 |
| Release | : 1999-09-01 |
| Genre | : Performing Arts |
| ISBN | : 1441144714 |
The term liminal refers to a marginalized space of fertile chaos and creative potential where nothing is fixed or certain. Liminal performance is an emerging genre which has surfaced only in recent times and describes a range of interdisciplinary, highly experimental, performative works in theatre and performance, film and music-performances which can be seen to prioritize the body, the technological and the primordial. Broadhurst argues that traditional and contemporary critical and aesthetic theories are ultimately deficient in interpreting liminal performance. This revolutionary work first surveys traditional aesthetics in the writings of Kant, Nietzsche and Heidegger and juxtaposes them with contemporary aesthetics in the writings of Foucault, Derrida, Baudrillard and Lyotard. A series of case studies follows and, Broadhurst concludes with a summary description of liminal performances as an emerging genre. Works discussed in detail include: Pina Bausch's Tanztheater, the innovative Theatre of Images of Robert Wilson and Philip Glass, the controversial social sculptures of the Viennese Actionists, Peter Greenaway's painterly aesthetics, Derek Jarman's queer politics, digitized sampled music, and neo-gothic sound.
| Author | : Gerald Egan |
| Publisher | : Springer Nature |
| Total Pages | : 352 |
| Release | : 2020-02-13 |
| Genre | : Literary Criticism |
| ISBN | : 3030268985 |
Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK
