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Falling, Floating, Flickering

Falling, Floating, Flickering
Author: Hershini Bhana Young
Publisher: NYU Press
Total Pages: 320
Release: 2023-01-17
Genre: Art
ISBN: 1479818488

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Insists on the importance of embodiment and movement to the creation of Black sociality Linking African diasporic performance, disability studies, and movement studies, Falling, Floating, Flickering approaches disability transnationally by centering Black, African, and diasporic experiences. By eschewing capital’s weighted calculus of which bodies hold value, this book centers alternate morphologies and movement practices that have previously been dismissed as abnormal or unrecognizable. To move beyond binaries of ability, Hershini Bhana Young traverses multiple geohistories and cultural forms stretching from the United States and the Mediterranean to Sierra Leone, Nigeria, and South Africa, as well as independent and experimental film, novels, sculptures, images, dance, performances, and anecdotes. In doing so, she argues for the importance of differential embodiment and movement to the creation and survival of Black sociality, and refutes stereotypic notions of Africa as less progressive than the West in recognizing the rights of disabled people. Ultimately, this book foregrounds the engagement of diasporic Africans, who are still reeling from the violence of colonialism, slavery, poverty, and war, as they gesture toward a liberatory Black sociality by falling, floating, and flickering.


Crip Authorship

Crip Authorship
Author: Mara Mills
Publisher: NYU Press
Total Pages: 384
Release: 2023-08
Genre: Education
ISBN: 1479819352

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An expansive volume presenting crip approaches to writing, research, and publishing Crip Authorship: Disability as Method is a comprehensive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore how disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship is an ongoing project, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. Crip authorship celebrates people, experiences, and methods that have been obscured; it also involves protest and dismantling. It can mean innovating around accessibility or attending to the false starts, dead ends, and failures resulting from mis-fit and oppression. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections--Writing, Research, Genre/Form, Publishing, Media--contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on the wisdom in mad Black rants; Alison Kafer on the reliance of the manifesto genre on conceptualizations of disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access technique.


The Peasants

The Peasants
Author: Władysław Stanisław Reymont
Publisher:
Total Pages: 1178
Release: 1927
Genre: Polish fiction
ISBN:

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Winter

Winter
Author: Władysław Stanisław Reymont
Publisher:
Total Pages: 302
Release: 1925
Genre:
ISBN:

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The Peasants ...: Winter

The Peasants ...: Winter
Author: Władysław Stanisław Reymont
Publisher:
Total Pages: 304
Release: 1925
Genre: Country life
ISBN:

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A chronicle of peasant life during the four seasons of a year.


De La Salle Monthly

De La Salle Monthly
Author:
Publisher:
Total Pages: 586
Release: 1871
Genre:
ISBN:

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Pen to Paper

Pen to Paper
Author: Words Alive, anthology one
Publisher: Lulu.com
Total Pages: 181
Release: 2012-03-08
Genre: Poetry
ISBN: 147109393X

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Older folk are treasure houses when it comes to stories, and memories, having a lifetime of experience to draw on. This collection of poems, stories, recollections and reflections gives us a slice of many lives and sensibilities. Some pieces evoke an era that seems light years from today, yet only yesterday. Others allow us to imagine what it might be like to stand in someone else's shoes - or bare feet! There is sadness, joy, anger, humour and insight. In the words of one of the members: "Please enjoy the writings of our group in this book and perhaps be inspired to put pen to paper yourself." Ruth Carr, tutor.


Haunting Capital

Haunting Capital
Author: Hershini Bhana Young
Publisher: UPNE
Total Pages: 252
Release: 2006
Genre: History
ISBN: 9781584655190

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In Haunting Capital, Hershini Young sets out to re-theorize the African diaspora "so that the concept becomes unintelligible without an understanding of gender as a constitutive element." Young uses the historically injured bodies of black women, as represented in novels by black women, to talk about colonialism, gender, race, memory and haunting. Haunting Capital departs from traditional trauma studies, which stress individual wounding and psychotherapeutic models. Instead, Young explores the notion of injury as a collective wounding, resulting from the trauma of capitalistic regimes such as slavery and colonialism. She also introduces the idea of the ghost to her discussion of collective injury, where it functions not only on theoretical and metaphorical levels, but also by invoking African cosmologies in which ghosts are ancestral beings with a real spiritual presence. More specifically, Young insists on the contemporary reality of African nations and eschews the presentation of Africa as a vague, undifferentiated point of origin that characterizes many other studies of the African diaspora. Her reading of African contemporary novels by women, alongside African American and Caribbean novels, works to show the African diaspora as haunted by similar, though different, issues of gendered and racialized violence.