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| Author | : Matthew James Smith |
| Publisher | : Edinburgh University Press |
| Total Pages | : 304 |
| Release | : 2019-05-22 |
| Genre | : Acting |
| ISBN | : 147443570X |
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
| Author | : James A. Knapp |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2016-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 131705637X |
Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience to attend carefully to facial features and expressions. The essays collected here disclose that an attention to the power of the face in Shakespeare’s England helps explain moments when Shakespeare’s language of the self becomes intertwined with his language of the face. As the range of these essays demonstrates, an attention to Shakespeare’s treatment of faces has implications for our understanding of the historical and cultural context in which he wrote, as well as the significance of the face for the ongoing interpretation and production of the plays. Engaging with a variety of critical strands that have emerged from the so-called turn to the body, the contributors to this volume argue that Shakespeare’s invitation to look to the face for clues to inner character is not an invitation to seek a static text beneath an external image, but rather to experience the power of the face to initiate reflection, judgment, and action. The evidence of the plays suggests that Shakespeare understood that this experience was extremely complex and mysterious. By turning attention to the face, the collection offers important new analyses of a key feature of Shakespeare’s dramatic attention to the part of the body that garnered the most commentary in early modern England. By bringing together critics interested in material culture studies with those focused on philosophies of self and other and historians and theorists of performance, Shakespeare and the Power of the Face constitutes a significant contribution to our growing understanding of attitudes towards embodiment in Shakespeare’s England.
| Author | : Julián Jiménez Heffernan |
| Publisher | : BRILL |
| Total Pages | : 637 |
| Release | : 2023-01-16 |
| Genre | : Drama |
| ISBN | : 9004526633 |
The times when abstaining from cakes and ale was seen as a sign of critical virtue are over. Phenomenal Shakespeare is at your back lawn with a picnic-basket jammed with intersubjectivity, embodiment, immediacy, representation. If you feel like passing, read this book.
| Author | : Matthew J. Smith |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 312 |
| Release | : 2022-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 1350193925 |
This book challenges the status quo of studies in literature and religion by returning to “experience” as a bridge between theory and practice. Essays focus on keywords of religious experience and demonstrate their applications in drama, fiction, and poetry. Each chapter explores the broad significance of its keyword as a category of psychological and social behavior and tracks its unique articulation by individual authors, including Conrad, Beecher Stowe and Melville. Together, the chapters construct a critical foundation for studying literature not only from the perspectives of theology and historicism but from the ways that literary experience reflects, reinforces, and sometimes challenges religious experience.
| Author | : A. Bradley |
| Publisher | : Penguin UK |
| Total Pages | : 480 |
| Release | : 2005-07-28 |
| Genre | : Literary Criticism |
| ISBN | : 0141910844 |
A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become "real" at all' writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.
| Author | : James A. Knapp |
| Publisher | : Lund Humphries Publishers |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 9781472415806 |
As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England.
| Author | : Evelyn Gajowski |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 385 |
| Release | : 2020-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1350093238 |
The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and cognitive ethology all receive detailed treatment. In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.
| Author | : Kenneth Graham |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 288 |
| Release | : 2019-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 0228000068 |
Today, debates about the cultural role of the humanities and the arts are roiling. Responding to renewed calls to reassess the prominence of canonical writers, Shakespeare On Stage and Off introduces new perspectives on why and how William Shakespeare still matters. Lively and accessible, the book considers what it means to play, work, and live with Shakespeare in the twenty-first century. Contributors – including Antoni Cimolino, artistic director of the Stratford Festival – engage with contemporary stagings of the plays, from a Trump-like Julius Caesar in New York City to a black Iago in Stratford-upon-Avon and a female Hamlet on the Toronto stage, and explore the effect of performance practices on understandings of identity, death, love, race, gender, class, and culture. Providing an original approach to thinking about Shakespeare, some essays ask how the knowledge and skills associated with working lives can illuminate the playwright's works. Other essays look at ways of interacting with Shakespeare in the digital age, from Shakespearean resonances in Star Trek and Indian films to live broadcasts of theatre performances, social media, and online instructional tools. Together, the essays in this volume speak to how Shakespeare continues to enrich contemporary culture. A timely guide to the ongoing importance of Shakespearean drama, Shakespeare On Stage and Off surveys recent developments in performance, adaptation, popular culture, and education. Contributors include Russell J. Bodi (Owens State Community College), Christie Carson (Royal Holloway University of London), Brandon Christopher (University of Winnipeg), Antoni Cimolino (Stratford Festival), Jacob Claflin (College of Eastern Idaho), Lauren Eriks Cline (University of Michigan), David B. Goldstein (York University), Gina Hausknecht (Coe College), Peter Holland (University of Notre Dame), R.W. Jones (University of Texas), Christina Luckyj (Dalhousie University), Julia Reinhard Lupton (University of California, Irvine), Linda McJannet (Bentley University), Roderick H. McKeown (University of Toronto), Hayley O'Malley (University of Michigan), Amrita Sen (University of Calcutta), Eric Spencer (The College of Idaho), Lisa S. Starks (University of South Florida St Petersburg), and Jeffrey R. Wilson (Harvard University).
| Author | : Lowell Gallagher |
| Publisher | : University of Toronto Press |
| Total Pages | : 253 |
| Release | : 2020-11-13 |
| Genre | : Drama |
| ISBN | : 1487507437 |
This collection assembles essays on key words that link performance and philosophy in the works of Shakespeare.
| Author | : Kent Cartwright |
| Publisher | : Penn State Press |
| Total Pages | : 301 |
| Release | : 2010-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0271039639 |
