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Munch and Expressionism

Munch and Expressionism
Author: Jill Lloyd
Publisher: Prestel Publishing
Total Pages: 0
Release: 2016
Genre: Expressionism
ISBN: 9783791355269

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"This catalogue accompanies a major exhibition at the Neue Galerie new York devoted to offering a fascinating new look at the Norwegian artist Edvard Munch and his influence on his Austrian and German contemporaries. Edvard Munch (1863-1944) was highly regarded for his exploration of dark themes, including alienation, sin, and human vulnerability. His work incorporates the vivid colors of previous styles, but Munch intensified their emotional power and paved the way for an entirely new approach to painting. Although much has been written about Munch's life and its influence on his art, this catalogue is the first thorough study of the artist's impact on his German and Austrian peers, and places his oeuvre in an Expressionist context. Essays by leading scholars in the field examine the close connection between Munch and his Austrian and German counterparts, with special attention focused upon the work of Max Beckmann. Munch's self-portraits are also closely examined, as is his seminal role in working with the woodcut in a highly innovative fashion, and his influence upon the work of Erich Heckel and Ernst Ludwig Kirchner in particular"--


Expressionism

Expressionism
Author: Dietmar Elger
Publisher: Taschen
Total Pages: 264
Release: 2002
Genre: Art, European
ISBN: 9783822820421

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The Haunted Screen

The Haunted Screen
Author: Lotte H. Eisner
Publisher: Univ of California Press
Total Pages: 364
Release: 1969
Genre: Performing Arts
ISBN: 9780520024793

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Book on expressionism in German motion pictures.


German Expressionist Cinema

German Expressionist Cinema
Author: Ian Roberts
Publisher: Columbia University Press
Total Pages: 152
Release: 2008
Genre: Literary Criticism
ISBN:

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Covering classic films such as 'The Cabinet of Doctor Caligari' and 'Nosferatu' as well as under-appreciated examples such as 'Asphalt', this volume forms an essential introduction to one of cinema's most historically important movements.


Expressionism in Germany and France

Expressionism in Germany and France
Author: Timothy O. Benson
Publisher: Prestel Pub
Total Pages: 295
Release: 2014
Genre: Art
ISBN: 9783791353401

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This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."


Influence of war on German expressionists. Comparing Ernst Ludwig Kirchner and Georg Baselitz

Influence of war on German expressionists. Comparing Ernst Ludwig Kirchner and Georg Baselitz
Author: Joséphine Hengstwerth
Publisher: GRIN Verlag
Total Pages: 10
Release: 2019-10-30
Genre: Art
ISBN: 3346046648

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Essay from the year 2019 in the subject Art - Visual artists, grade: 72%, Birmingham City University, course: Fine Art, language: English, abstract: “German art seldom has been easy. It is often reminded with its nation’s history, sometimes expressing its glory, but just as often decrying its tumult and suffering.” (Homburg, 2003). In times of war a nation or the whole world is brought into chaos and uncertainty. Throughout the past hundred years our world has suffered many conflicts and tensions - including the first and second world war (1914–1918; 1939-1945) and the cold war (1947–1991). In times of war artists feel a great need to respond in their own way. Throughout history there have been many different ways of making art during war. For instance, Liberty Leading the People by Eugene Delacroix from 1830 is one example of a war painting from the French Revolution. With the female personification of liberty walking over dead bodies and holding up the French flag as the main focus, the painting is heroic and triumphant. Other artists use art as a form of propaganda, protest or as a way of expressing their individual feelings in response to war, suffering and destruction. Two German artists, considered expressionist from two different generations experiencing similar forms of devastation, are Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) and Georg Baselitz (born 23 January 1938). Their role as expressionist artists and the influence of war is the focus of the following discussion.


Expressionism in the Cinema

Expressionism in the Cinema
Author: Brill Olaf Brill
Publisher: Edinburgh University Press
Total Pages: 424
Release: 2016-02-19
Genre: Performing Arts
ISBN: 1474411193

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One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.


From Caligari to Hitler

From Caligari to Hitler
Author: Siegfried Kracauer
Publisher: Princeton University Press
Total Pages: 432
Release: 2019-04-02
Genre: Performing Arts
ISBN: 0691191344

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An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.


German Expressionism 1915-1925

German Expressionism 1915-1925
Author: Los Angeles County Museum of Art
Publisher: Te Neues Publishing Company
Total Pages: 204
Release: 1988
Genre: Art
ISBN:

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Looks at the development of the Expressionist movement, profiles leading artists, and shows examples of paintings, prints, and sculpture.