Evolution of the Audio Recorder
Author | : Phil van Praag |
Publisher | : Waukesha, WI : EC Designs |
Total Pages | : 548 |
Release | : 1997 |
Genre | : Antiques & Collectibles |
ISBN | : |
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Author | : Phil van Praag |
Publisher | : Waukesha, WI : EC Designs |
Total Pages | : 548 |
Release | : 1997 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : David Morton |
Publisher | : JHU Press |
Total Pages | : 236 |
Release | : 2006-03-10 |
Genre | : Business & Economics |
ISBN | : 9780801883989 |
How did one of the great inventions of the nineteenth century—Thomas Edison's phonograph—eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison's invention made possible. Recorded sound has pervaded nearly every facet of modern life—not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured—from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.
Author | : Andre Millard |
Publisher | : Cambridge University Press |
Total Pages | : 480 |
Release | : 2005-12-05 |
Genre | : History |
ISBN | : 9780521835152 |
This study provides a history of sound recording from the acoustic phonograph to digital sound technology. Copyright © Libri GmbH. All rights reserved.
Author | : Greg Milner |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 566 |
Release | : 2009-06-09 |
Genre | : Music |
ISBN | : 1429957158 |
In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.
Author | : Randy Alberts |
Publisher | : Hal Leonard Corporation |
Total Pages | : 144 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9780634011566 |
(Book). TASCAM: 30 Years of Recording Evolution is an informative, archival book devoted to the company's groundbreaking product line and the people who created it. Recalling the company's perennial leadership role in the music and pro audio industries ("firsts" include the 1/2-inch 8-track recorder, the Portastudio and the digital DA-88) with a glimpse towards the future, this book warmly portrays key past and present employees by re-visiting the landmark products they've built together since 1974. Quotes from respected musicians and producers who have trusted TASCAM gear for seminal recordings including Bo Diddley, Jim Keltner and Alan Parsons are sprinkled throughout this timeline-based book. Learn how TASCAM products changed the way musicians captured their ideas and empowered a new generation of songwriters and engineers. "Wow! The first classic piece of TASCAM gear I had was the first 4-track Portastudio. That thing allowed me to put so many classic P-Funk song ideas down that I can't even count 'em." Bootsy Collins, Bassist/Songwriter
Author | : Eric D. Daniel |
Publisher | : John Wiley & Sons |
Total Pages | : 364 |
Release | : 1998-08-31 |
Genre | : Technology & Engineering |
ISBN | : 9780780347090 |
"The first magnetic recording device was demonstrated and patentedby the Danish inventor Valdemar Poulsen in 1898. Poulsen made amagnetic recording of his voice on a length of piano wire. MAGNETICRECORDING traces the development of the watershed products and thetechnical breakthroughs in magnetic recording that took placeduring the century from Paulsen's experiment to today's ubiquitousaudio, video, and data recording technologies including taperecorders, video cassette recorders, and computer harddrives. An international author team brings a unique perspective, drawnfrom professional experience, to the history of magnetic recordingapplications. Their key insights shed light on how magneticrecording triumphed over all competing technologies andrevolutionized the music, radio, television and computerindustries. They also show how these developments offeropportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92photographs of historic magnetic recording machines and theirinventors." Sponsored by: IEEE Magnetics Society
Author | : David Morton |
Publisher | : Rutgers University Press |
Total Pages | : 246 |
Release | : 2000 |
Genre | : Business & Economics |
ISBN | : 9780813527475 |
A cultural and economic history of sound recording technology.
Author | : A. J. Millard |
Publisher | : |
Total Pages | : 474 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780511140228 |
With Thomas Edison's invention of the phonograph, the beautiful music that was the preserve of the wealthy became a mass-produced consumer good, cheap enough to be available to all. In 1877 Edison dreamed that one day there would be a talking machine in every home. America on Record: A History of Recorded Sound, first published in 2006, provides a history of sound recording from the first thin sheet of tinfoil that was manipulated into retaining sound to the home recordings of rappers in the 1980s and the high-tech studios of the 1990s. This book examines the important technical developments o.
Author | : Brian Selznick |
Publisher | : Scholastic |
Total Pages | : 325 |
Release | : 2015-09-03 |
Genre | : Juvenile Fiction |
ISBN | : 1407166557 |
Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
Author | : Timothy D. Taylor |
Publisher | : Duke University Press |
Total Pages | : 428 |
Release | : 2012-06-19 |
Genre | : Business & Economics |
ISBN | : 0822349469 |
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.