Everybody's Shakespeare
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 0 |
Release | : 1934 |
Genre | : |
ISBN | : |
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Author | : William Shakespeare |
Publisher | : |
Total Pages | : 0 |
Release | : 1934 |
Genre | : |
ISBN | : |
Author | : William Shakespeare |
Publisher | : |
Total Pages | : |
Release | : 1938 |
Genre | : |
ISBN | : |
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 0 |
Release | : 1934 |
Genre | : |
ISBN | : |
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 217 |
Release | : 1934 |
Genre | : |
ISBN | : |
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 89 |
Release | : 1938 |
Genre | : |
ISBN | : |
Author | : Maynard Mack |
Publisher | : U of Nebraska Press |
Total Pages | : 300 |
Release | : 1993-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780803282148 |
Everybody’s Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays—Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra—and demonstrates in each case how the play has retained its vitality, complexity, and appeal.
Author | : Peter Holland |
Publisher | : Cambridge University Press |
Total Pages | : 384 |
Release | : 2006 |
Genre | : |
ISBN | : 0521868386 |
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of editing Shakespeare's works.
Author | : Michael A. Anderegg |
Publisher | : Columbia University Press |
Total Pages | : 250 |
Release | : 1999 |
Genre | : English drama |
ISBN | : 9780231112291 |
Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences, drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, Macbeth, Othello, and Chimes at Midnight, are examined.
Author | : Branden Jacobs-Jenkins |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 59 |
Release | : 2018-06-18 |
Genre | : Drama |
ISBN | : 0822237229 |
This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.
Author | : Cécile de Banke |
Publisher | : Routledge |
Total Pages | : 327 |
Release | : 2014-08-13 |
Genre | : Performing Arts |
ISBN | : 1317652800 |
An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.