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| Author | : Pierre Sorlin |
| Publisher | : Routledge |
| Total Pages | : 253 |
| Release | : 2004-06-19 |
| Genre | : Social Science |
| ISBN | : 1134934181 |
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Pierre Sorlin |
| Publisher | : |
| Total Pages | : 247 |
| Release | : 1991 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1996 |
| Genre | : Motion pictures |
| ISBN | : |
| Author | : Anikó Imre |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2005-09-14 |
| Genre | : Performing Arts |
| ISBN | : 1135872643 |
Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them-whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional area studies approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society.
| Author | : Dorota Ostrowska |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 352 |
| Release | : 2017-06-30 |
| Genre | : Performing Arts |
| ISBN | : 1786722399 |
The continued interest in the social and cultural life of the former Warsaw pact countries – looking at but also beyond their socialist pasts – encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries – via DVD, VOD platforms and other alternative channels – there is a lack of comprehensive information on this key aspect of visual culture. This important book rectifies the glaring gap and provides both a history and a contemporary account of East Central European cinema in the pre-WW2, socialist, and post-socialist periods. Demonstrating how at different historical moments popular cinema fulfilled various roles, for example in the capacity of nation-building, and adapted to the changing markets of a morphing political landscape, chapters bring together experts in the field for the definitive analysis of mainstream cinema in the region. Celebrating the unique contribution of films from Hungary, the Czech Republic/Czechoslovakia and Poland, from the award-winning Cosy Dens to cult favourite Lemonade Joe, and from 1960s Polish Westerns to Hollywood-influenced Hungarian movies, the book addresses the major themes of popular cinema. By looking closely at genre, stardom, cinema exhibition, production strategies and the relationship between the popular and the national, it charts the remarkable evolution and transformation of popular cinema over time. The continued interest in the social and cultural life of the former Warsaw pact countries – looking at but also beyond their socialist pasts – encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries – via DVD, VOD platforms and other alternative channels – there is a lack of comprehensive information on this key aspect of visual culture. This important book rectifies the glaring gap and provides both a history and a contemporary account of East Central European cinema in the pre-WW2, socialist, and post-socialist periods. Demonstrating how at different historical moments popular cinema fulfilled various roles, for example in the capacity of nation-building, and adapted to the changing markets of a morphing political landscape, chapters bring together experts in the field for the definitive analysis of mainstream cinema in the region. Celebrating the unique contribution of films from Hungary, the Czech Republic/Czechoslovakia and Poland, from the award-winning Cosy Dens to cult favourite Lemonade Joe, and from 1960s Polish Westerns to Hollywood-influenced Hungarian movies, the book addresses the major themes of popular cinema. By looking closely at genre, stardom, cinema exhibition, production strategies and the relationship between the popular and the national, it charts the remarkable evolution and transformation of popular cinema over time.
| Author | : Thomas Elsaesser |
| Publisher | : Amsterdam University Press |
| Total Pages | : 567 |
| Release | : 2005 |
| Genre | : Performing Arts |
| ISBN | : 9053565949 |
'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
| Author | : Anikó Imre |
| Publisher | : John Wiley & Sons |
| Total Pages | : 610 |
| Release | : 2012-08-07 |
| Genre | : Performing Arts |
| ISBN | : 1118294351 |
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. Showcases critical historical work and up-to-date assessments of post-socialist film cultures Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary Places the cinemas of the region in a European and global context Resists the Cold War classification of Eastern European cinemas as “other” art cinemas by reconnecting them with the main circulation of film studies Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ̄u3awski, and Karel Vachek amongst many others
| Author | : Richard Dyer |
| Publisher | : Routledge |
| Total Pages | : 282 |
| Release | : 2013-04-15 |
| Genre | : Social Science |
| ISBN | : 113508503X |
Popular European Cinema examines the reasons why films that are most popular with audiences in any one European countha are seldom successful eslewhere. Audiences themselves represent diverse class, gender and ethnic identities that complicate th equestoin of national cinema, not least with recent developments in formerly communist Eastern Europe and post-colonialist Western Europe. THrough their individual studies, the contribuitots ehr oven up a new area of study, using the medium of film to fucus a wider discussion of popular European culture.
| Author | : Ib Bondebjerg |
| Publisher | : Springer |
| Total Pages | : 271 |
| Release | : 2016-04-19 |
| Genre | : Political Science |
| ISBN | : 113735688X |
This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore key trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterizes a national or a European identity respectively.
| Author | : Dorota Ostrowska |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2007-02-01 |
| Genre | : Performing Arts |
| ISBN | : 0748629947 |
European Cinemas in the Television Age is a radical attempt to rethink the post-war history of European cinemas. The authors approach the subject from the perspective of television's impact on the culture of cinema's production, distribution, consumption and reception. Thus they indicate a new direction for the debate about the future of cinema in Europe. In every European country television has transformed economic, technological and aesthetic terms in which the process of cinema production had been conducted. Television's growing popularity has drastically reshaped cinema's audiences and forced governments to introduce policies to regulate the interaction between cinema and television in the changing and dynamic audio-visual environment. It is cinematic criticism, which was slowest in coming to terms with the presence of television and therefore most instrumental in perpetuating the view of cinema as an isolated object of aesthetic, critical and academic inquiry. The recognition of the impact of television upon European cinemas offers a more authentic and richer picture of cinemas in Europe, which are part of the complex audiovisual matrix including television and new media.
