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The Ethos of Noh

The Ethos of Noh
Author: Eric C. Rath
Publisher: Harvard Univ Asia Center
Total Pages: 360
Release: 2004
Genre: Drama
ISBN: 9780674021204

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This is a description of how memories of the past become traditions, as well as the role of these traditions in the institutional development of the noh theater from its beginnings in the 14th century through the late 20th century.


The Ethos of Noh

The Ethos of Noh
Author: Eric C. Rath
Publisher: BRILL
Total Pages: 355
Release: 2020-03-23
Genre: Literary Criticism
ISBN: 1684173965

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"Since the inception of the noh drama six centuries ago, actors have resisted the notion that noh rests on natural talent alone. Correct performance, they claim, demands adherence to traditions. Yet what constitutes noh’s traditions and who can claim authority over them have been in dispute throughout its history. This book traces how definitions of noh, both as an art and as a profession, have changed over time. The author seeks to show that the definition of noh as an art is inseparable from its definition as a profession.The aim of this book is to describe how memories of the past become traditions, as well as the role of these traditions in the institutional development of the noh theater from its beginnings in the fourteenth century through the late twentieth century. It focuses on the development of the key traditions that constitute the ""ethos of noh,"" the ideology that empowered certain groups of actors at the expense of others, and how this ethos fostered noh’s professionalization--its growth from a loose occupation into a closed, regulated vocation. The author argues that the traditions that form the ethos of noh, such as those surrounding masks and manuscripts, are the key traits that define it as an art. "


Ethos of Noh

Ethos of Noh
Author: Eric Rath
Publisher:
Total Pages: 0
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The Training of Noh Actors and The Dove

The Training of Noh Actors and The Dove
Author: David Griffiths
Publisher: Routledge
Total Pages: 100
Release: 2014-06-03
Genre: Performing Arts
ISBN: 1317972015

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First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.


A Companion to Ezra Pound's Guide to Kulchur

A Companion to Ezra Pound's Guide to Kulchur
Author: Anderson Araujo
Publisher: Oxford University Press
Total Pages: 496
Release: 2018
Genre: Literary Collections
ISBN: 1942954387

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Guide to Kulchur is paramount among Ezra Pound's prose works. In its fifty-eight chapters and postscripts, the book encapsulates his chief concerns: his cultural, historiographic, philosophical, and epistemological theories; his aesthetics and poetics; and his economic and political thought. Pound's guide showcases his subversive, irreverent alternative to mainstream culture - kulchur. This guide enables the reader to gain a comprehensive understanding of Pound's most far-reaching, iinterdisciplinary, and transhistorical polemic.--from back cover.


The Joy of Noh

The Joy of Noh
Author: Katrina L. Moore
Publisher: SUNY Press
Total Pages: 142
Release: 2014-04-01
Genre: Social Science
ISBN: 1438450591

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Examines Japanese later life learners involved in Noh theater. Centered on questions of identity formation, selfhood, and the body, this ethnography examines the experiences of later life learners in Japan. The women profiled are amateur practitioners of Noh theater, learning the dance and chant essential to this classic art form. Using a combination of observational, interview, and experiential data, Katrina L. Moore discusses the relevance of these practices to the women’s everyday lives. Later life learning activities have been heavily promoted in Japan as a means for an aging population to remain healthy. However, many Noh practitioners experience their practice as a means of self-actualization beyond the goal of healthy aging. Looking at daily experiences of training for and staging theatrical performances, Moore analyzes the way the body becomes the medium through which amateurs explore new states of self. The work provides a view of contemporary Noh that highlights the rarely acknowledged role of amateur performers.


Historical Dictionary of Japanese Traditional Theatre

Historical Dictionary of Japanese Traditional Theatre
Author: Samuel L. Leiter
Publisher: Rowman & Littlefield
Total Pages: 816
Release: 2014-10-30
Genre: Performing Arts
ISBN: 1442239115

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Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.


The Cambridge Companion to Theatre History

The Cambridge Companion to Theatre History
Author: David Wiles
Publisher: Cambridge University Press
Total Pages: 339
Release: 2013
Genre: Drama
ISBN: 0521766362

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A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.


A History of Japanese Theatre

A History of Japanese Theatre
Author: Jonah Salz
Publisher: Cambridge University Press
Total Pages: 1066
Release: 2016-07-14
Genre: Drama
ISBN: 1316395324

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Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.


Ancestral Recall

Ancestral Recall
Author: Aoife Assumpta Hart
Publisher: McGill-Queen's Press - MQUP
Total Pages:
Release: 2016-06-01
Genre: Literary Criticism
ISBN: 0773598677

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Despite distance and differences in culture, the early twentieth century was a time of literary cross-pollination between Ireland and Japan. Notably, the Irish poet and playwright William Butler Yeats had a powerful influence on Japanese letters, at the same time that contemporary and classical Japanese literature and theatre impacted Yeats’s own literary experiments. Citing an extraordinary range of Japanese and Irish texts, Aoife Hart argues that Japanese translations of Irish Gaelic folklore and their subsequent reception back in Ireland created collisions, erasures, and confusions in the interpretations of literary works. Assessing the crucial roles of translation and transnationalism in cross-cultural exchanges between the Celtic Revival and Japanese writers of the modern period, Hart proves that interlingual dialogue and folklore have the power to reconstruct a culture’s sense of heritage. Rejecting the notion that the Celtic Revival was inward and parochial, Hart suggests that, seeking to protect their heritage from the forces of globalization, the Irish adapted their understanding of heritage to one that exists within the transnational contexts of modernity – a heritage that is locally produced but internationally circulated. In doing so, Hart maintains that the cultural contact and translation between the East and West traveled in more than one direction: it was a dialogue presenting modernity’s struggles with cosmopolitanism, gender, ethnic identity, and transnationalism. An inspired exploration of transpacific literary criticism, Yeats scholarship, and twentieth-century Japanese literature, Ancestral Recall tracks the interplay of complex ideas across languages and discourses.