Ethnic Minority Womens Writing In France PDF Download

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Ethnic Minority Women’s Writing in France

Ethnic Minority Women’s Writing in France
Author: Claire Mouflard
Publisher: Rowman & Littlefield
Total Pages: 193
Release: 2020-11-17
Genre: Literary Criticism
ISBN: 1498587305

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In Ethnic Minority Women’s Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole’s key publishers, specifically with regards to non-white French women’s literature. Echoing the utopic “Black-Blanc-Beur” model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated “Beur” authors or exploiting “Black” political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the “Black-Blanc-Beur” paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era’s reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard’s research highlights the discrepancies between France’s official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.


Contemporary French Women's Writing

Contemporary French Women's Writing
Author: Shirley Ann Jordan
Publisher: Peter Lang
Total Pages: 312
Release: 2004
Genre: Literary Collections
ISBN: 9783039103157

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In the 1990s the French literary arena was enlivened by the emergence of a new generation of women writers. This book selects six of its most distinctive voices and addresses important questions about the very new in French women's writing. What are young women choosing to write about? What do they tell us about changing perceptions of feminine identities? What does it mean to write (and to read) as women at the start of the new millennium? An introductory chapter explores key issues such as the woman writer in the public imagination and continuity and change within French women's writing since the 1970s. It also highlights thematic threads which recur across the work of the authors studied: history and time, wandering and exile, self and other, the body and sexuality and writing and telling. The remaining chapters propose productive approaches to the fictional worlds of Marie Darrieussecq, Virginie Despentes, Marie Ndiaye, Agnès Desarthe, Lorette Nobécourt and Amélie Nothomb through close readings of their most challenging, popular or telling texts. They focus on perennial preoccupations in women's writing which are given new treatment by these writers and discuss important developments such as uses of the pornographic, myth and fairy tale and parody and irony in new women's writing.


Immigrant and Ethnic-Minority Writers since 1945

Immigrant and Ethnic-Minority Writers since 1945
Author:
Publisher: BRILL
Total Pages: 554
Release: 2018-07-17
Genre: Literary Criticism
ISBN: 9004363246

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This is the first volume to present an international overview of immigrant and ethnic-minority writing in 14 national contexts and a conclusion discussing this writing as a vanguard of cultural change.


Tunisian Women's Writing in French

Tunisian Women's Writing in French
Author: Sonia Alba
Publisher: Liverpool University Press
Total Pages: 216
Release: 2018-11-21
Genre: Social Science
ISBN: 1782845577

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Tunisian women's literary production in French, published or set between the years 1987 and 2011 from Tunisia's second president Zine El Abidine Ben Ali's rise to power to the eve of the Tunisian Revolution reveals the role of women, their political engagement, and their resistance to patriarchal oppression. A great deal of media and scholarly attention has focused on the role of women during the Tunisian Revolution itself, yet few studies have considered women's literary and active engagement prior to the uprising. By contrast, this book focuses specifically on the time period leading to the Revolution. The book is structured around three chapters, each focusing on a different form of writing and on a number of contemporary Tunisian writers who have chosen to express themselves in French. Sonia Alba explores the complex ways in which the authors have attempted to deal with those issues cultural, social and political most relevant to them. This is the first study of Tunisian women's writing in French to compare and contrast key themes in three different genres within a single study and within the conceptual framework of subaltern counterpublics. The work is enhanced by the inclusion of extracts from previously unpublished authors interviews. Tunisian Women's Writing in French is essential reading for all Francophone and Postcolonial scholars, and for scholars and students working in Contemporary Women's Writing.


Women's Writing in Twenty-First-Century France

Women's Writing in Twenty-First-Century France
Author: Gill Rye
Publisher: University of Wales Press
Total Pages: 330
Release: 2013-04-15
Genre: Literary Criticism
ISBN: 1783160411

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Women’s Writing in Twenty-First Century France is a collection of critical essays on recent women-authored literature in France. It takes stock of the themes, issues and trends in women’s writing of the first decade of the twenty-first century, and it engages critically with the work of individual authors through close textual readings. Authors covered include major prizewinners, best-selling authors, established and new writers whose work attracts scholarly attention, including those whose texts have been translated into English such as Christine Angot, Nina Bouraoui, Marie Darrieussecq as Chloé Delaume, Claudie Gallay and Anna Gavalda. Themes include translation, popular fiction, society, history, war, family relations, violence, trauma, the body, racial identity, sexual identity, feminism, life-writing and textual/aesthetic experiments.


Branding the ‘Beur’ Author

Branding the ‘Beur’ Author
Author: Kathryn A. Kleppinger
Publisher: Liverpool University Press
Total Pages: 288
Release: 2015-12-30
Genre: Literary Criticism
ISBN: 1781384800

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This book reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors’ novels have been discussed and promoted in the national audio-visual media.


Global Revolutionary Aesthetics and Politics after Paris ‘68

Global Revolutionary Aesthetics and Politics after Paris ‘68
Author: Martin Munro
Publisher: Rowman & Littlefield
Total Pages: 219
Release: 2021-02-22
Genre: Literary Criticism
ISBN: 1793625743

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The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents a kaleidoscope of different perceptions, reflections, and receptions of protest in France, Italy, and other nations that share in common a global utopian imaginary as expressed, for example, in the slogan: “All power to the imagination!” The contributions of this collection show that, while all social struggles are political, many lasting changes in individual mentalities and social structures originated from utopian ideas that were realized first in artistic productions and their aesthetic reception. In this respect the various protests of May ’68 continue.


Francophone African Narratives and the Anglo-American Book Market

Francophone African Narratives and the Anglo-American Book Market
Author: Vivan Steemers
Publisher: Rowman & Littlefield
Total Pages: 277
Release: 2021-03-01
Genre: Literary Criticism
ISBN: 1793617791

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In recent years, the material circumstances governing the production of African literature have been analyzed from a variety of angles. This study goes one step further by charting the trajectories of a corpus of francophone African (sub-Saharan) narratives subsequently translated into English. It examines the role of various institutional agents and agencies—publishers, preface writers, critics, translators, and literary award committees—involved in the value-making process that accrues visibility to these texts that eventually reach the Anglo-American book market. The author evinces that over time different types of publishers dominated, both within the original publishing space as in the foreign literary field, contingent on their specific mission—be it commercial, ideological or educational—as well as on socioeconomic and political circumstances. The study addresses the influence of the editorial paratextual framing—pandering to specific Western readerships—the potential interventionist function of the translator, and the consecrating mechanisms of literary and translation awards affecting both gender and minority representation. Drawing on the work by key sociologists and translation theorists, the author uses an innovative interdisciplinary methodology to analyze the corpus narratives.


Precarious Lives and Marginal Bodies in North Africa

Precarious Lives and Marginal Bodies in North Africa
Author: Hervé Anderson Tchumkam
Publisher: Rowman & Littlefield
Total Pages: 195
Release: 2021-03-12
Genre: Literary Criticism
ISBN: 1793640769

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Marginal Bodies and Precarious Lives in North Africa: Homo Expendibilis presents an examination of North African literature situated at the crossroads of literary analysis, political philosophy, and sociology. The author analyzes social categories in relation to civil and social protections and in particular, the ways in which disruptions to these protections can lead to social degeneration. The author’s analysis starts from the premise that precarious lives in North Africa have become true bodies of exception. In other words, they are deemed dangerous, expendable and unworthy of the rights and treatment accorded to full citizens. Thus, the author assesses portrayals of violence in contemporary literature as a crystallization of the existing disjunction between the socially disqualified and those who wield colonial, political, and religious power. Moreover, the author argues that in order to understand contemporary politics and the current climate of insecurity, a deeper understanding of precarity in North Africa from colonial times to the present is crucial. By affirming their right to exist, the author argues that the marginal bodies of North Africa offer unique insights into the society that marginalized them and thus, from the often inaudible and invisible periphery, they nevertheless challenge the dominant ideas of the center.


Abdellah Taïa’s Queer Migrations

Abdellah Taïa’s Queer Migrations
Author: Denis M. Provencher
Publisher: Rowman & Littlefield
Total Pages: 311
Release: 2021-06-28
Genre: Literary Criticism
ISBN: 179364487X

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In this first edited collection in English on Abdellah Taïa, Denis M. Provencher and Siham Bouamer frame the distinctiveness of the Moroccan author’s migration by considering current scholarship in French and Francophone studies, post-colonial studies, affect theory, queer theory, and language and sexuality. In contrast to critics that consider Taïa to immigrate and integrate successfully to France as a writer and intellectual, Provencher and Bouamer argue that the author’s writing is replete with elements of constant migration, “comings and goings,” cruel optimism, flexible accumulation of language over borders, transnational filiations, and new forms of belonging and memory making across time and space. At the same time, his constantly evolving identity emerges in many non-places, defined as liminal and border narrative spaces where unexpected and transgressive new forms of belonging emerge without completely shedding shame, mourning, or melancholy.