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Ernest L. Blumenschein

Ernest L. Blumenschein
Author: Robert W. Larson
Publisher: University of Oklahoma Press
Total Pages: 383
Release: 2013-05-07
Genre: Biography & Autobiography
ISBN: 0806189010

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Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.


In Contemporary Rhythm

In Contemporary Rhythm
Author: Peter H. Hassrick
Publisher: University of Oklahoma Press
Total Pages: 434
Release: 2008
Genre: Art
ISBN: 9780806139487

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The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.


Ernest L. Blumenschein

Ernest L. Blumenschein
Author: Robert W. Larson
Publisher: University of Oklahoma Press
Total Pages: 384
Release: 2013-05-07
Genre: Art
ISBN: 0806188995

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Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.


The Taos Society of Artists

The Taos Society of Artists
Author: Robert Rankin White
Publisher:
Total Pages: 168
Release: 1998
Genre: Art
ISBN:

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This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.


George Miksch Sutton

George Miksch Sutton
Author: Jerome A. Jackson
Publisher: University of Oklahoma Press
Total Pages: 292
Release: 2007
Genre: Biography & Autobiography
ISBN: 9780806137452

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The first biography of the distinguished ornithologist


A Strange Mixture

A Strange Mixture
Author: Sascha T. Scott
Publisher: University of Oklahoma Press
Total Pages: 281
Release: 2015-01-21
Genre: Art
ISBN: 080615151X

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Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.


For America

For America
Author: Jeremiah William McCarthy
Publisher: Yale University Press
Total Pages: 305
Release: 2019-01-01
Genre: Art
ISBN: 0300244282

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Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.


Bert Geer Phillips and the Taos Art Colony

Bert Geer Phillips and the Taos Art Colony
Author: Julie Schimmel
Publisher: University of New Mexico Press
Total Pages: 390
Release: 1994
Genre: Art
ISBN:

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The only book-length study of the initiator of the Taos art colony.


Paul Pletka

Paul Pletka
Author: Amy Scott
Publisher:
Total Pages: 0
Release: 2017
Genre: West (U.S.)
ISBN: 9780806157214

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Pages:1 to 25 -- Pages:26 to 50 -- Pages:51 to 75 -- Pages:76 to 100 -- Pages:101 to 125 -- Pages:126 to 150 -- Pages:151 to 175 -- Pages:176 to 200 -- Pages:201 to 225 -- Pages:226 to 249


Taos Artists and Their Patrons, 1898-1950

Taos Artists and Their Patrons, 1898-1950
Author: Dean A. Porter
Publisher:
Total Pages: 0
Release: 1999
Genre: Art patronage
ISBN: 9780826321091

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A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.