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Epistolarity

Epistolarity
Author: Janet Gurkin Altman
Publisher: Ohio State University Press
Total Pages: 252
Release: 1982
Genre: Epistolary fiction
ISBN: 0814203132

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Audio Book

Audio Book
Author: Mikko Keskinen
Publisher: Lexington Books
Total Pages: 176
Release: 2008
Genre: Literary Criticism
ISBN: 9780739118313

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Audio Book deals with the ways in which various technologies enabling the transmission or storing of sound and voice are figured in selected works drawn from contemporary narrative fiction. The sound technologies are shown to influence the narrative structure, metaphorics, and style of the works studied.


The Cambridge Companion to Ovid

The Cambridge Companion to Ovid
Author: Philip R. Hardie
Publisher: Cambridge University Press
Total Pages: 424
Release: 2002-05-02
Genre: History
ISBN: 9780521775281

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Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This Companion is designed both as an accessible handbook for the general reader who wishes to learn about Ovid, and as a series of stimulating essays for students of Latin poetry and of the classical tradition.


Epistolary Histories

Epistolary Histories
Author: Amanda Gilroy
Publisher: University of Virginia Press
Total Pages: 252
Release: 2000
Genre: Language Arts & Disciplines
ISBN: 9780813919737

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This innovative collection of essays participates in the ongoing debate about the epistolary form, challenging readers to rethink the traditional association between the letter and the private sphere. It also pushes the boundaries of that debate by having the contributors respond to each other within the volume, thus creating a critical community between covers that replicates the dialogic nature of epistolarity itself, with all its dissonances and differences as well as its connections. Focusing mainly on Anglo-American texts from the seventeenth century to the present day, these nine essays and their "postscripts" engage the relationship between epistolary texts and discourses of gender, class, politics, and commodification. Ranging from epistolary histories of Mary Queen of Scots to Turkish travelogues, from the making of the modern middle class and the correspondence of Melville and Hawthorne to new epistolary innovators such as Kathy Acker and Orlan, the contributions are divided into three parts: part 1 addresses the "feminocentric" focus of the letter; part 2, the boundaries between the fictional and the real; and part 3 the ways in which the epistolary genre may help us think more clearly about questions of critical address and discourse that have preoccupied theorists in recent years. In sum, Epistolary Histories is a defining contribution to epistolary studies. Contributors: Nancy Armstrong, Brown University Anne L. Bower, Ohio State University, Marion Clare Brant, King's College, London Amanda Gilroy, University of Groningen Richard Hardack, Haverford and Bryn Mawr Colleges Linda S. Kauffman, University of Maryland, College Park Donna Landry, Wayne State University Gerald MacLean, Wayne State University Martha Nell Smith, University of Maryland, College Park W. M. Verhoeven, University of Groningen


Intercepted Letters

Intercepted Letters
Author: Thomas E. Jenkins
Publisher: Lexington Books
Total Pages: 184
Release: 2006
Genre: Language Arts & Disciplines
ISBN: 9780739117149

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Intercepted Letters examines the phenomenon of epistolarity within a range of classical Greek and Roman texts, with a focus on letters as symbols for larger, culturally constructed processes of reading and writing. Beginning with the myth of Palamedes and continuing through to the poets of the Roman period, Intercepted Letters examines the importance of epistolary motifs in narratives concerning power, voice, and interpretation


Digitalizing the Global Text

Digitalizing the Global Text
Author: Paul Allen Miller
Publisher: Univ of South Carolina Press
Total Pages: 201
Release: 2020-01-07
Genre: Philosophy
ISBN: 1643360590

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A few years ago globalism seemed to be both a known and inexorable phenomenon. With the end of the Cold War, the opening of the Chinese economy, and the ascendancy of digital technology, the prospect of a unified flow of goods and services and of people and ideas seemed unstoppable. Political theorists such as Francis Fukuyama proclaimed that we had reached "the end of history." Yes, there were pockets of resistance and reaction, but these, we were told, would be swept away in a relentless tide of free markets and global integration that would bring Hollywood, digital finance, and fast food to all. Religious fundamentalism, nationalism, and traditional sexual identities would melt away before the forces of "modernity" and empire. A relentless, technocratic rationality would sweep all in its wake, bringing a neoliberal utopia of free markets, free speech, and increasing productivity. Nonetheless, as we have begun to experience the backlash against a global world founded on digital fungibility, the perils of appeals to nationalism, identity, and authenticity have become only too apparent. The collapse of Soviet Communism left an ideological vacuum that offered no recognized place from which to oppose global capitalism. What is the alternative? The anxieties and resentments produced by this new world order among those left behind are often manifested in assertions of xenophobia and particularity. This is what it supposedly means to be really American, truly Muslim, properly Chinese. The "other" is coming to take what is ours, and we must "defend" ourselves. Digitalizing the Global Text is a collection of essays by an international group of scholars situated squarely at this nexus of forces. Together these writers examine how literature, culture, and philosophy in the global and digital age both enable the creation of these simultaneously utopian and dystopian worlds and offer a resistance to them. A joint publication from the University of South Carolina Press and the National Taiwan University Press.


Epistolary Fiction in Europe, 1500-1850

Epistolary Fiction in Europe, 1500-1850
Author: Thomas O. Beebee
Publisher: Cambridge University Press
Total Pages: 300
Release: 1999-03-28
Genre: Literary Criticism
ISBN: 9780521622752

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This book explores epistolary fiction as a major phenomenon across Europe from the Renaissance to the nineteenth century.


Epistolary Acts

Epistolary Acts
Author: Jordan Zweck
Publisher: University of Toronto Press
Total Pages: 239
Release: 2018-02-05
Genre: Literary Criticism
ISBN: 1487512252

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As challenging as it is to imagine how an educated cleric or wealthy lay person in the early Middle Ages would have understood a letter (especially one from God), it is even harder to understand why letters would have so captured the imagination of people who might never have produced, sent, or received letters themselves. In Epistolary Acts, Jordan Zweck examines the presentation of letters in early medieval vernacular literature, including hagiography, prose romance, poetry, and sermons on letters from heaven, moving beyond traditional genre study to offer a radically new way of conceptualizing Anglo-Saxon epistolarity. Zweck argues that what makes early medieval English epistolarity unique is the performance of what she calls “epistolary acts,” the moments when authors represent or embed letters within vernacular texts. The book contributes to a growing interest in the intersections between medieval studies and media studies, blending traditional book history and manuscript studies with affect theory, media studies, and archive studies.


An Accented Cinema

An Accented Cinema
Author: Hamid Naficy
Publisher: Princeton University Press
Total Pages: 391
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691186219

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In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.


The Epistolary Renaissance

The Epistolary Renaissance
Author: Maria Löschnigg
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 305
Release: 2018-09-10
Genre: Language Arts & Disciplines
ISBN: 3110584816

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Since the late twentieth century, letters in literature have seen a remarkable renaissance. The prominence of letters in recent fiction is due in part to the rediscovery, by contemporary writers, of letters as an effective tool for rendering aspects of historicity, liminality, marginalization and the expression of subjectivity vis-à-vis an ‘other’; it is also due, however, to the artistically challenging inclusion of the new electronic media of communication into fiction. While studies of epistolary fiction have so far concentrated on the eighteenth century and on thematic concerns, this volume charts the epistolary renaissance in recent literature, entering new territory by also focusing on the aesthetic implications of the epistolary mode. In particular, the essays in this volume illuminate the potential of the epistolary (including digital forms) for rendering contemporary sensitivities. The volume thus offers a comprehensive assessment of letter narratives in contemporary literature. Through its focus on the aesthetic and structural aspects of new epistolary fiction, the inclusion of various narrative forms, and the consideration of both conventional letters and their new digital kindred, The Epistolary Renaissance offers novel insight into a multi-facetted (re)new(ed) genre.