Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download English Renaissance Poetry PDF full book. Access full book title English Renaissance Poetry.
| Author | : John Williams |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 1963 |
| Genre | : English poetry |
| ISBN | : |
Included in this volume are poems by Skelton, More, Wyatt, Vaux, Surrey, Gascoigne, Googe, Turberville, Dyer, Ralegh, Spenser, Sidney, Greville, Peele, Greene, Lodge, Daniel, Drayton, the English Madrigalists, Shakespeare, Campion, Nashe, Donne, and Jonson.
| Author | : Isabel Rivers |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2003-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134844174 |
Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.
| Author | : David Norbrook |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 356 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780199247196 |
This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.
| Author | : William A. McClung |
| Publisher | : Univ of California Press |
| Total Pages | : 212 |
| Release | : 1977-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780520031371 |
| Author | : A. C. Spearing |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : |
This critical book studies in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature.
| Author | : Daniel Javitch |
| Publisher | : Princeton University Press |
| Total Pages | : 176 |
| Release | : 2015-03-08 |
| Genre | : Poetry |
| ISBN | : 1400869633 |
Model court conduct in the Renaissance shared many rhetorical features with poetry. Analyzing these stylistic affinities, Professor Javitch shows that the rise of the courtly ideal enhanced the status of poetic art. He suggests a new explanation for the fostering of poetic talents by courtly establishments and proposes that the court stimulated these talents more decisively than the Renaissance school. The author focuses on late Tudor England and considers how Queen Elizabeth's court helped poetry gain strength by subscribing to a code of behavior as artificial as that prescribed by Castiglione. Elizabethan writers, however, could benefit from the court's example only so long as their contemporaries continued to respect its social and moral authority. The author shows how the weakening of the courtly ideal led eventually to the poet's emergence as the maker of manners, a role first subtly indicated by Spenser in the Sixth Book of The Faerie Queene. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : O. B. Hardison Jr. |
| Publisher | : JHU Press |
| Total Pages | : 398 |
| Release | : 2019-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 1421430886 |
Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.
| Author | : Cristina Malcomson |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2016-07-01 |
| Genre | : History |
| ISBN | : 1317899989 |
This book, the first single volume to collate essays about sixteenth and seventeenth century poetry, explores the remarkable changes that have occurred in the interpretation of English Renaissance poetry in the last twenty years. In the introduction Cristina Malcolmson argues that recent critical approaches have transformed traditional accounts of literary history by analysing the role of poetry in nationalism, the changing associations of poetry and class-status, and the rediscovered writings of women. The collection represents many of the critical methodologies which have contributed to these changes: new historicism, cultural materialism, feminism, and an historically informed psychoanalytic criticism. In particular, three diverse readings of Spenser's 'Bower of Bliss' canto illustrate the different approaches of formalist close-reading, new historicist analysis of cultural imperialism and feminist interpretations of the relation of gender and power. The further reading section categorizes recent work according to issues and critical approaches.
| Author | : John Williams |
| Publisher | : New York Review of Books |
| Total Pages | : 417 |
| Release | : 2016-02-23 |
| Genre | : Poetry |
| ISBN | : 1590179773 |
AN ANTHOLOGY FROM THE AUTHOR OF STONER Poetry in English as we know it was largely invented in England between the early 1500s and 1630, and yet for many years the poetry of the era was considered little more than a run-up to Shakespeare. The twentieth century brought a reevaluation, and the English Renaissance has since come to be recognized as the period of extraordinary poetic experimentation that it was. Never since have the possibilities of poetic form and, especially, poetic voice—from the sublime to the scandalous and slangy—been so various and inviting. This is poetry that speaks directly across the centuries to the renaissance of poetic exploration in our own time. John Williams’s celebrated anthology includes not only some of the most famous poems by some of the most famous poets of the English language (Sir Thomas Wyatt, John Donne, and of course Shakespeare) but also-—-and this is what makes Williams’s book such a rare and rich resource—the strikingly original work of little-known masters like George Gascoigne and Fulke Greville.
| Author | : Michael Payne |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 1184 |
| Release | : 2003-02-14 |
| Genre | : Literary Criticism |
| ISBN | : 9780631198987 |
Responding to the broadening of the canon in recent years, this accessible anthology balances a generous selection of familiar Renaissance figures with important texts by women writers. Includes important texts by women writers alongside more familiar Renaissance masters. Offers many key works of the period in their entirety. Introductions and annotations to the texts reflect the developments in critical and cultural theory as well as the current state of Renaissance scholarship. One of the first anthologies to include cross-references to materials available on the Internet.
