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English Masterpieces of the Nineteenth Century (Classic Reprint)

English Masterpieces of the Nineteenth Century (Classic Reprint)
Author: Martha Hale Shackford
Publisher: Forgotten Books
Total Pages: 94
Release: 2018-02-09
Genre: Literary Collections
ISBN: 9780656154517

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Excerpt from English Masterpieces of the Nineteenth Century Will no one tell me what she sings? Perhaps the plaintive numbers flow For Old, unhappy, far-off things, And battles long ago. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The German Classics of the Nineteenth and Twentieth Centuries

The German Classics of the Nineteenth and Twentieth Centuries
Author: Kuno Francke
Publisher: Forgotten Books
Total Pages: 550
Release: 2018-01-24
Genre:
ISBN: 9780483858114

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Excerpt from The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature, Translated Into English The choice of his nom de guerre is significant of Jere mias Gotthelf's literary activity. He regarded himself as the prophet wailing the misery of his people, who could be delivered only through the aid of the Almighty. It never occurred to him to strive for literary fame. He considered himself as a teacher and preacher purely and simply; in a measure, as the successor of Pestalozzi, who, in his Lienhard and Gertrud (1781 had created a sort of pedagogical classic for the humbler ranks of society; and if there be such a thing in Gotthelf's make-up as literary influence, it must have emanated from the sage of Burgdorf and Yverdun. To some extent also Johann Peter Hebel (176g1826), justly famed for his Alemannian dialect poems, may have served him as a model, for Hebel followed an avowedly educational purpose in the popular tales of his Schatzkc'istlein des rheinischen Hausfreunds Treas ure Box of the Rhenish Crony of which it has been said that they outweigh tons of novels. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Lost in the Funhouse

Lost in the Funhouse
Author: John Barth
Publisher: Anchor
Total Pages: 225
Release: 2014-06-25
Genre: Fiction
ISBN: 0804152500

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NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.


The Masterpieces of Modern Drama, English and American

The Masterpieces of Modern Drama, English and American
Author: John Alexander Pierce
Publisher: Forgotten Books
Total Pages: 660
Release: 2017-05-15
Genre: Drama
ISBN: 9780259361596

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Excerpt from The Masterpieces of Modern Drama, English and American: Abridged in Narrative, With Dialogue of the Great Scenes Now that the nineteenth century hassofarreceded from usthatwecanbegintosurveyitinaperspectivenotdis torted by the prejudices which always mar our vmon of the immdiate present, we are at last able to sum up its efforts and its achievements m the several arts. When we consider theliteratureofthepast hundred earswecannot iailtoremark upontheextraordinaryan un recedented vogue of prosefiction, beginning with the s success of the Waverly novels of Scott 1n England 1n the first quar ter of the cent stimulated by the mdefatigable curiosity which sustains ehumancomecb'ofbalzacinfrancein the mid-years; and ennobled by the lofty veracity of Tol stoy's later studies of human strn es in Russia in the final demdes. Poets there were in the modern literatures, poets of high ambition and of genuine inspiration as well as sincere aspiration; historians and biographers, and emyists, there were in abundance; and yet the ists outnumbered the others and seemed at times almost to outshine them. Indeed, the attraction of fiction was so. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The German Classics, Vol. 1 of 20

The German Classics, Vol. 1 of 20
Author: Kuno Francke
Publisher: Forgotten Books
Total Pages: 608
Release: 2017-11-28
Genre: Poetry
ISBN: 9780332161068

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Excerpt from The German Classics, Vol. 1 of 20: Masterpieces of German Literature Translated Into English; Johann Wolfgang Von Goethe For it is a grave mistake to assume, as has been assumed only too often, that, after the great epoch of Classicism and Romanticism in the early decades of the nineteenth century, Germany produced but little of universal significance, or that, after Goethe and Heine, there were but few Germans worthy to be mentioned side by side with the great writers of other European countries. True, there is no German Tolstoy, no German Ibsen, no German Zola - but then, is there a Russian Nietzsche, or a Norwegian Wagner, or a French Bismarck? Men like these, men of revolutionary genius, men who start new movements and mark new epochs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Word Crimes

Word Crimes
Author: Joss Marsh
Publisher: University of Chicago Press
Total Pages: 452
Release: 1998-08-15
Genre: History
ISBN: 9780226506913

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In 1883 newspaper editor G.W. Foote stood trial three times for blasphemy. Here Joss Marsh reconstructs the forgotten cases of more than 200 working-class "blasphemers" in Victorian England, whose stubborn refusal to silence their "hooligan" voices, along with Foote, helped secure our rights to speak and write freely today. 22 photos.


MASTERPIECE STUDIES IN LITERAT

MASTERPIECE STUDIES IN LITERAT
Author: George 1819-1880 Eliot
Publisher:
Total Pages: 490
Release: 2016-08-28
Genre: History
ISBN: 9781372405020

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Crowned Masterpieces of Literature That Have Advanced Civilization, Vol. 6 of 10 (Classic Reprint)

Crowned Masterpieces of Literature That Have Advanced Civilization, Vol. 6 of 10 (Classic Reprint)
Author: David Josiah Brewer
Publisher: Forgotten Books
Total Pages: 432
Release: 2018-01-18
Genre: Literary Collections
ISBN: 9780483333314

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Excerpt from Crowned Masterpieces of Literature That Have Advanced Civilization, Vol. 6 of 10 Hallam was born at Windsor, England, in 1777. After taking his degree at Christ Church, Oxford, in 1799, he studied at the Inner Temple and was called to the bar; but although his knowledge of the principles of law was profound, he never practiced his profession His life was devoted to literature and to the historical Tesearch which appears so unmistakably in his three great works: A View of the State of Europe during the Middle Ages, 1818; The Constitutional History of England, 1827; and the Introduction to the Literature of Europe, eleven years later. His eldest son, Arthur Henry Hallam, a young man of brilliant promise, died at the age of twenty-one, and was immortalized by Tennyson's In Memoriam. In is34 Hallam published The Remains in Prose and Verse of Arthur Henry Hal lam, with a Sketch of His Life. The Literary Essays and Charac ters already referred to followed this as the last of his important publications. He died January zlst, 1859, surviving all the great Whigs of the first half of the century except Macaulay, who died in December of the same year, and Brougham, who lingered in sec ond childhood until 1868. Although Hallam took no direct part in politics, he was himself one of the great Whigs of his generation, but his Whiggery involved no leaning towards Democracy. He be lieved in the English constitution as an evolution of national charac ter and in Aristocracy as a part of it, but he had the genuine Whig hatred of despotism. His death and that of Macaulay in the same year left the potent vjhig idea of the eighteenth century without ade quate representation in the literature of England during the second half of the nineteenth century. Old school Whiggery was succeeded by a quarter of a century of Liberalism which, as its logic worked out at the close of the century, has demonstrated itself as something far less masculine than the political idea, which from the days of Chatham to the middle of the nineteenth century was so decisive a factor in the progress of the world. W. V. B. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Art of the Reprint

The Art of the Reprint
Author: Rosalind Parry
Publisher: Cambridge University Press
Total Pages: 233
Release: 2023-03-31
Genre: Literary Criticism
ISBN: 1009272012

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The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.